This week on There Is No Planet Earth Radio - I welcome guest Ron Morelli 

Ron put together a super raw mix of house records you’ve never heard of!💥🔥i’m calling this set “2004 dhp real audio player mix”

Ron is a DJ , Producer,  and runs L.I.E.S Records — originally started in Brooklyn, NY back in 2010 but currently operates out of Paris… L.I.E.S if you’re unfamiliar is primarily focused on Techno, House, and other bugged out sounds for the freaks.

@l-i-e-s

Episode 16/w Ron Morelli

The Space Between Spaces with Ron Like Hell @ The Lot Radio 12 - 29 - 2022

Further information and tracklist: https://bleep.com/bleep-mix-257--matt-anniss

"When Bleep.com asked me to contribute a mix to their series in honour of the publication of the new edition of my book Join The Future: Bleep Techno and the Brith of British Bass Music, I quickly decided that I wanted to showcase my love of bleep & bass old and new, but also throw in sub-heavy cuts made at different points since the ‘90s – after all, one of the key arguments in the book is that bleep had a profound impact on the future direction of British dance music. The new afterword chapter, written last autumn, also references the recent wave of revivalist bleep productions, so I wanted to give a flavour of those too.

So, there are important innovators (Unique 3, Nightmares on Wax, LFO, and Sweet Exorcist), overlooked or under-celebrated acts (Rhythmatic, Tomas), a nod to the short-lived NYC bleep and breakbeat hardcore scene (How & Little), a couple of sub-heavy 1990 workouts from London (Moody Boys, the Leftfield produced ‘Difference’ by Djum Djum), a dash of bleep & breaks (Bass Culture, an early Rennie Pilgrem project), recent revivalist bleep cuts (DAWL, iNFO, Dan Piu, Tom Carruthers), some mid-90s Brummie dub house (Rockers HiFi), sub-heavy 21st century workouts (SuPaFiX, Toddla T remixing Working Men’s Club, Bakey), tons of my own re-edits (over the years I’ve amassed a sizable library of ‘Join The Future edits’ as I call them) and even a completely unreleased (though re-edited) Tuff Little Unit track, ‘Blow Up The System’. Oh, and the crazy dancefloor dub that is Alfanso’s Rob Gordon-produced ‘Dub Feels Nice (Version 4)’, which is exclusively available on the Join The Future:UK Bleep & Bass 88-91 compilation on JD Twitch’s Cease & Desist label (which is, of course, available via bleep.com).

In order to accommodate both original records and digital tracks (particularly the edits), it was mixed on two turntables connected to a DVS box." - Matt Anniss

Bleep Mix #257 - Matt Anniss

Tracklist:

Der Dritte Raum – Hispeed @derdritteraum
Atrice – Backrooms @atricemiras
Jensen Interceptor – MPC (Swallowed my Tab Mix) @jensen-interceptor
Kamran – Destruction @kamrantracks
GLASKIN – Hydrogroove I (Scuba's Break Back Mix) @glaskin @scubaofficial
Dagga x Manao – Process Three @daggatrx @elmanao
Zenker Brothers – Enjoy Reality @zenkerbrothers
Djedjotronic – Robot Fail @djedjotronic
Rude Kid – UFO Remix @rudekidmusic
Mani Festo – Dangerous Species @mani_festo
Code Walk – Touch @codewalk
20kPa – Procedure @stennyyy
Darsk – Lair @3024world
LMajor – Brock Out @l_major
Pessimist – Danger @pessimist
Emmanuel Top – Lobotomie @emmanueltop
Gus Gus – Purple (Sasha v the Light)@sashaofficial

Aunt Acid's Space Victory Mix

Name: Cristian Ybarra
Alias: BYZARRA (@cristian-ybarra-635514574)
Pronouns: They/Them She/Her
Location: Minneapolis, MN

Influences: Radical black & brown creatives / organizers, queer run underground spaces, The occult/paranormal, Late 90’s / early 2000’s pop culture. 

Affiliations/Residencies/Projects: 
Acme Collective, Gothess MPLS
(as DIE/ASPORA)

Favorite Quote:
“The most powerful art is to make pain a healing talisman.” - Frida Kahlo

Advice for the DJs, producers and artists of our community: Don’t dilute yourself / artistry down to fit into spaces that can’t handle or accept you at your full concentrate. 

With this mix BYZARRA asks to please learn more about and consider donating to:
❁ National Queer & Trans Therapists of Color Network: NQTTCN sits at the intersection of the mental health field and movements for social justice. (https://nqttcn.com/en/)
❁ Black Trans Travel Fund: The Black Trans Travel Fund is a grassroots, Black Trans led Collective, providing Black Transgender Women with financial and material resources needed to remove barriers to self-determining and
accessing safer travel options. (https://www.blacktranstravelfund.com)

Tracklist and more - https://thedaisychain.club/2023/04/04/daisychain-272-byzarra/

Daisychain

Daisychain 272 - BYZARRA

In Studio w/ Matthew Paul

ANY027: Club Chow
he/they
Chicago, IL
@clubchow
instagram.com/clubchow
linktr.ee/clubchow

WHAT IS ALWAYS
psychic uplift
fun
community
beautiful audio

WHEN WOULD YOU NEVER?
if it's tacky, problematic, or not about the music!

TELL ME ABOUT YESTERDAY
-born & raised in Baltimore (bmore club 4 eva)
-lived in the Bay for a while (went to honey soundsystem and it's been downhill ever sense)
-moved to Chicago & dropped out of grad school (met Steve Mizek, my partner & DJ mentor)

SOMETHING WE SHOULD KNOW ABOUT YOU
Forbidden Fruits promoter, and resident DJ at Steamworks and Berlin Nightclub, Dim Sum & Drag - I play a lot of different scenarios so my bandcamp purchases reflect that :)

ANY027: Club Chow

https://soundcloud.com/tiffwanee

A little about this mix: I recently played Wrecked in April and my set wasn’t recorded, so I decided to reconstruct some of my favorite moments from the night. Lately I’ve been trying to piece together my love of different genres when I play out: leftfield techno, polyrhythmic sounds, post-dubstep, more classic 4x4 techno and house rhythms, and my love of 80s synthy tracks. It’s not always easy for DJs to express all sides of our musical tastes, and it’s definitely still a work in progress for me. Wrecked felt like a perfect time to experiment more with weaving between many genres. I always try to record mixes in one take, so forgive any minor bumps and bruises along the way in this recording 💖. May is AAPI Heritage month, so this mix is also dedicated to all the other Asian DJs holding it down and doing amazing things around the world. 

 T.Wan is a Brooklyn-based DJ with deep origins in Seattle. Her perceptive ear for trippy techno and bassy, polyrhythmic tracks captivated listeners at Honcho Campout and has since earned her opportunities to play at notable NYC venues like Nowadays, Basement, and Good Room. She has a monthly show on Bristol-based Noods Radio, where she’s been a resident for the past 3 years.

Deep South Podcast - 118 - T. Wan

You never know what you're going to get if you see the name Hieroglyphic Being on a record or a flyer, but there's a good chance it'll be some of the best, most jacking house you've ever heard. Jamal Moss embodies the the spirit—and the past, present and future—of Chicago's house music scene, but he also carries the torch for Afrofuturism, free jazz and avant-garde music. He follows in the footsteps of important figures like Sun Ra and Ron Hardy, his work blending these traditions with a healthy dose of post-punk, too. 

For over two decades, Moss's Mathematics Recordings label has been one of the premiere sources of raw, analogue house music, helping put producers like John Heckle on the map. He has a sprawling solo discography, encompassing projects like I.B.M., Members Only and The Sun God. He also put out one of our favourite albums last year with Thank U 4 The Tracks U Lost, released on Modern Love under his given name.

Live, Moss usually jams on a few pieces of gear, to fantastic and sometimes bewildering effect. This RA Podcast is a two-hour recording of a live set from public records in New York. It features all the raw, powerful house music you'd expect—made with two iPads and a MIDI controller—but it's also loaded with gorgeous, ghostly melodies and an opening section that touches on trance, trip-hop and '90s electronica. This is a rare live recording that captures a genius at work.

Read more at https://ra.co/podcast/888

RA podcast

RA.888 Hieroglyphic Being

for the 3rd chapter from the definitive days 
of house music, as the previous 2 chapters 
is education that a lot of alleged "House" 
DJs and Producers are obviously lacking.

Traxx plays again from the early 80s, 90s and today 
from vintage and out of print record labels: 
polar, trojan, dirtyblends, westwood, smack trax, 
slip n slide, trax records, to productions from: 
boyd jarvis, urban soul, blaze, virgo, prince, 
romanthony, colonel abrams, leron carson,
tyree, MBD, marcus mixx, ron morelli, nature boy, 
delroy edwards, turtle bugg, cliff solomon and also 
a new joint from Deep Concentration bridging and 
building blocks of the early dance music scene culture 
with selections of today and yesterday incorporating 
musical blueprints of Chicago and New York’s timeless 
heroes we admire, honor and inspired by their education.

we hope this will give people the chance to listen to music many 
may have never heard on this side of sound that provides a 
provocative and thoughtful musical workout in your mind..

this musical timeline is literally all over the rhythm scales ⚖️ 
with vinyl turntables, a vintage mix console…effects box and cd players.
****more chapters to come in due time****

(trAxx) presents: The Definitive Articles Of House Music Chapter 3

 Live @ Todays Art Festival, Den Haag, Netherlands - September 2010

Anthony 'Shake' Shakir podcast

them: you're so extra
me: are you even enough?

Aunt Acid's Space Victory Mix

aunt acid

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