Diggin' dis : http://www.generationbass.com/2014/04/23/auntie-flo-hey-dont-make-trouble-shes-the-woman-of-your-boss/

Parfait !!! The lyrics are juste great !!

Hey Don't Make Trouble

Optimo is JG Wilkes & JD Twitch; record label, and longstanding Glaswegian party. You can expect a lot from their new monthly slot, sure to dig up some obscurities from post-punk, new wave, EBM, house and techno. Bags of unreleased stuff, too. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/optimo/episodes/optimo-13th-may-2025

Optimo 130525

Next up on the GROOVE Resident Podcast are LNS (@lauransparrow) and DJ Sotofett (@sophatmixes), resident DJ's of Tresor's Globus floor. Go to https://bit.ly/GrooveRP64 for interview and track list.

GROOVE Resident Podcast 64 – LNS & DJ Sotofett

Optimo is JG Wilkes & JD Twitch; record label, and longstanding Glaswegian party. You can expect a lot from their new monthly slot, sure to dig up some obscurities from post-punk, new wave, EBM, house and techno. Bags of unreleased stuff, too. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/optimo/episodes/optimo-10th-june-2025

Optimo 100625

2025年6月17日 21:00-22:00 JST 

Moopie 
https://instagram.com/moopiedaily

#leftfield #electronic #electro

ムーピーはメルボルンを拠点に活動するアーティストで、ジャンルを超えた幅広いリリースで知られるレーベル、ア・カラフル・ストームを運営している。

Moopie is a Melbourne-based artist and runs the label A Colorful Storm known for its vast remit of genre-spanning releases.

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

Moopie｜2025年6月17日｜#leftfield #electronic #electro

Kiosk Radio is an online community radio and streaming platform broadcasting 24/7 from a wooden kiosk in the heart of Brussels’ historic 'Parc Royal'.

We Slowly Rot w/ DJ Athome @ Kiosk Radio 22.06.2025

Jaye Ward: 25th June '25

༄.° twisted techhh for your listening pleasure 

https://www.instagram.com/deep_creep



pi pi pi with deep creep @ The Lot Radio 06-30-2025

Introspective mind realignment from the deepest depths, Mike Buhl engages the senses with poise and purpose, lifting the spirit while carefully dialling up the pressure over two-plus hours of tension filled hypnotic techno and soaring interplanetary rhythms. 

@mike-buhl

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. My inspiration was driven by the urge to showcase lots of artists who have been on heavy rotation over the years. Somewhat cliche, but it was really important to blend genres and energies that represented every aspect of what I listen to, am inspired by alongside how and when they were experienced. Tracks I’ve loved listening to on my own, while entertaining friends, during lock in record nights and those tracks designed to be shared in public spaces and events. 
 
Finding a cohesive path through those different styles, genres and energies was the adventure in this mix. Distilling a sonic mountain of records into something that flowed seamlessly and translated well when listening back in all of those moments felt most authentic. A mix best consumed while moving, sharpening that assignment, at the tail end of a dinner party as the vibe shifts to next gear or while embracing the magic of a lock in with the crew. 

This has translated into snapshots, across a timeline stitched together from records new and old, capturing a weekend drive, early floors through to closed doors, spilling onto the street, the afterhours and beyond. Almost two and a half hours of ambient ear candy, arm chair burners, peak melters and thought provokers that attempt to relive moments and feelings from our past years listening, curating and creating electronic music.

Q. I know you’ve developed a close kinship with some modern pillars of the dub techno scene, mastering and editing .VRIL’s 2025 Edit of his classic tune ‘UV’ and being tasked with closing out his recent Melbourne show. Tell us how that connection came about, and what other studio projects have you got bubbling away that you’re excited to share?

A. I first reached out to .Vril ahead of a past tour to Australia. His music resonated with me so much that I wanted to meet him for a coffee. Since then, we’ve hung out a few times, shared music, and bounced some tracks off each other. It was an absolute highlight, when he asked to be a part of reshaping ‘UV’ and he's kindly returned serve with a remix for my follow up EP, 'Modern Explorer II' on local imprint Denude. We’ve had some very early conversations around a collaboration next time he’s out here and I would really like to continue pushing creativity here.

In the background, I've been spending a good amount of time in my studio. Focusing on creating for myself and helping others. Improving my abilities as a mix engineer has been a big focus and I’ve been fortunate enough to work on a number projects with artists locally and abroad. Whether that be mixing, providing creative direction, arrangement work or mastering. I really love working with others and often find it more enjoyable than working alone. In saying that, I’m building a volume of new music that needs an outlet and will focus on that over the next few months.

MDC.313 Mike Buhl

@qnete

Track ID's:

Lump – Infume
Unknown Artist – Native Response 999
Francesco del Garda & Seuil – Bubble
Anton Zap – Captain Storm
Lawrence – Gravity Hill
Ostrich – Broken Science
Mark Thibideau – Overcome Gravity
Souldoubt – Haunted House
DJ Deep – Happy People
rEagenz – 460 Melrose Ave
Marcelus – Another Way
Life Line – 2 Luvs (Instrulove Mix)
DJ Wey – Song for Masahiro

https://callshopradio.com/shows/mount-joy

Mount Joy w/ Qnete 03.07.25

Nocturnal acid lines and swirling, soft rotations meld mental spaces with melodic threads. Downtempo energies and soulful traces of ’90s R&B entwine with lava-lamp psychedelia and interstellar journeys. Smoky, visionary passages and unexpected intervals of ‘80s pop pay homage to the lost art of crate-digging and compilation craftsmanship.

The unmistakable Ivkovic signature emerges: slow-motion BPMs, drum-heavy basslines, and tastefully warped distortion — all blending into a masterclass in futuristic acid.

Experimental club culture shuffles through ISAbella’s grooves, echoing her role as a trailblazer of Barcelona’s queer nightlife and co-founder of the MARICAS collective.

Words by Laura Caprino

Hey Don't Make Trouble

Auntie Flo

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