AUSCAST

Buy Paradise Ave here

Will Saul, Fink & James Alexander Bright - Paradise Ave EP

Track 2 from the forthcoming 'Careless' EP, released 23rd September on Aus Music.

Careless

Rise For Love

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2. Rise For Love [Full Stream]

Steve Bug has spent the past two decades nurturing his Poker Flat imprint into one of Germany most notable electronic labels, he’s released eight albums and countless EP's whilst holding down an impressive international DJ career. His debut EP on Aus features Mr V with his historic and powerful spoken word vocal on the A side, V’s educational lyrics depicting a genre’s golden era. Cinthie's remix on the flip takes the og from classic into contemporary, classily as she always does which is probably what’s led her to be the next in line for DJ Kicks. The 'Back To ’95’ EP is a trio of cuts that will take centre stage in any set this spring.

Steve Bug  'Back To '95'

Fresh off the back of her recent DJ Kicks compilation release and an EP for Shall Not Fade in 2021, Cinthie returns to Will Saul’s Aus imprint for her first EP release of 2022, once again delivering her raw, energetic House sound to the world. Title-cut ‘Light A Fire’ leads the way and lays down organic drums, hypnotic vocal lines and choppy stab sequences alongside bumpy bass tones, intricately unfolding synth swells, resonant bleeps, and dynamic delays, resulting in a big sun-drenched anthem to perfectly set the tone. ‘Keeping Strong’ follows next and employs classic House tropes via gritty string stabs, plucked bass notes and dubbed out vocal cuts, running atop skippy, swinging drums for six and a half minutes. ‘Everything’ then rounds out the release, diving deeper this time as Cinthie employs dubbed out chords, weighty subs, crunchy percussion, and cinematic, elongated strings swells, concluding the release with a smooth, emotive feel.

Cinthie 'Light A Fire'

Ashee, UK based producer and DJ, has just collaborated on LP Giobbi’s critically acclaimed lead single (alongside DJ Tennis) which came out on Ninja Tune - for his debut Aus EP he delivers four slices of techy, groovy speaker bothering bombs with a distinct UK flavour to round out the year.

Ashee 'Sisqo'

Higher Places EP

Demuja - Work My Body

Enzo Siragusa Ft. Laville - Searching

Blurred

Say My Name

Huxley - Say My Name (Feat Yasmin)

AUSCAST012 mOat

Hey Will! Congratulations on the release of your latest EP 'Four! Beats!' and thank you for taking the time out to record a mix for our podcast series.
Thank you for having me!

Where did you record this mix?
At home in my spare room which is also where I work and also where we have a spare bed - safe to say it’s pretty cosy. 
The mix is actually pretty similar to a set that I played at the Lion & Lamb last year, which was a charity event raising money for children in Gaza.  

What equipment did you use?
I used my cute little XDJ-700’s and an FF-4000 mixer which is slowly but surely succumbing to some fraying cables I think. Does the job for now though.

What else is in the pipeline for 2024? What does the future hold for Will Hofbauer? 
I’m turning 30 this year which is equal parts fun and existentially challenging. What have I been doing with my life? I’m combatting The Impending Doom by continuing my attempts at learning Spanish and embarking on some world travels which I’m sure will be delightful.
Musically, the whirm train with Sangre Voss will keep chugging along, there’s an EP on a Glasgow-based label en route, and a few other tasty morsels too! 

We recently saw that Four Tet played ‘Subtracting the Egg’ on his Lot Radio show. That must have been a great feeling. 
It was super nice and quite surprising to see for sure! I love a lot of his music and have been out to see him a bunch - some fond memories over the years. 

If there could be one artist who you work or collaborate with in the future who would it be? 
Sangre Voss, of course! I think we work well together and crucially we are good friends. I want to make music with friends. I think it’s pretty important to be able to tell someone that what they’re doing is crap and to stop. I would find that awkward to do if they weren’t my mate haha.

AUSCAST013 Will Hofbauer

Tropics EP

Quantic - Tropics

Thicc! EP

96 Back & Martyn Bootyspoon - Thicc!

Following the release of K-LONEs double EP project with us 'Catching Wild', we present to you an hours mix from K-LONE for our AUSCAST series. 



Jeigo - 180395 Brock & Groove 

Cloonee - To The Beat 

WOST - Azaroso 

Plus One - Bonk 

WOST - Eu Vicio Rapido  

Wilfy D - Like This 

Braga Circuit - Fears Aside 

Noah Skelton - Blind 

Boulderhead & Overnite Oates - Bread Butter Noodles Spice 

Jorg Kuning - Siabodd 

Saorsie - Mangomouse 

Leod - Untitled 05 

K-LONE - Yeah Yeah Yeah Yeah 

K-LONE - Own Way 

K-LONE - What I Want 

K-LONE - Give It Up 

K-LONE - Wait 4 U 

K-LONE - Shook 

K-LONE - Elastick 

K-LONE - Brake Root

AUSCAST014 K - LONE

FLUSH EP

Seb Wildblood - stick it in the freezer

Youandewan '93'

Otik's debut on Aus Music, the Xoul Trap EP back in May 2023, showcased his unique blend of atmospheric and breakbeat-powered techno. It is one of many releases over the last decade that have helped establish Ashley Thomas as an artist with a left-of-centre perspective. As well as curating his own Solar Body label he has dropped his singer sounds on Mall Grab's Steel City Dance Discs and Martyn's 3024, where he served up his debut album Cosmosis late in 2024. 

The lush 'Retrograde' is doused in loved-up synth layers and beautiful arps that swirl around a dusty, driving beat. The celestial charm is heightened with angelic vocal motifs that drift through the mix as the lo-fi drums drive on and lock you into a hazy trance.  
'X-Dream' is another melodic masterclass, this time with a garage-tinged and shuffling groove. Gorgeously tender keys rain down from above next to more echoing vocal coos and heavenly synth smears. The whole thing has a hint of melancholy that makes for an even more lasting impact.

Retrograde/X-Dream

Otik - Retrograde

Retrograde/X-Dream EP

Otik - X-Dream

Reality Check EP

Demuja - Scared

Paradise Ave EP

Will Saul & James Alexander Bright - Blue (James Alexander Bright Remix)

Will Saul & James Alexander Bright - Blue

Will Saul & Fink - Slo-Mo Life (Sideshow Remix)

Demuja's digital-only Reality Check EP comes via Aus Music on February 21st as Bandcamp Exclusive. OUT on streaming channels on Feb 28th 

Demuja - Tao

Demuja - Scared (dub)

Dustin's Falsetto EP

Ashee - Forever

Dustin's Falsetto

Ashee - Dustin

Ashee's latest EP features three tracks of loopy and late-night magic... 
Ashee has mastered the art of crafting high-impact club tracks that are never safe but always characterful. They get the dance floor's attention and keep it with an electric blend of techno, acid, rave, house and garage always served up with a raw punk ethos. As well as high profile Radio 1 support and sets everywhere from Off Sonar to Gottwood, he has landed on labels like Circoloco and Life And Death as well as Aus back in late 2022 with his Shifty EP.
Joseph explains that this EP was "my way of exploring the underground ‘afterparty’ sound. Patient bubblers that don't hinge around a bit moment. Influence from 90s Warp Records, Berlin minimal, UK post-dubstep. Always looping but always changing."
Opener 'Falsetto' brings cosy backroom mischief with a tightly coiled bassline infused with acid and menace vocal mutters. It's the sort of low-key and sleazy sound that gets lips curled and fists pumping in mock disgust. The deep and driving 'Forever' keeps the freaky feels flowing with a swaggering bassline and stripped-back drums that get asses wiggling. It's got plenty of old-school garage attitude but with future-facing synth motifs that bring a cosmic twist. Finally, the brilliantly charming 'Dustin' rides on clipped and funky kick drums that bounce along beneath silky pads. The big fat bassline is cheeky and irresistible while trippy melodic details and subtle vocal fragments all flesh out this most colourful house sound.
Ashee's Falsetto EP arrives on 2nd May, with the single 'Falsetto' dropping on 11th April 2025.
A1. Falsetto
B1. Forever
B2. Dustin

Ashee - Falsetto

Will Hofbauer returns to Aus Music with four colourful tracks of house, dub and broken beats.
The London-based artist previously debuted on the label with Four! Beats! in 2024
Will Hofbauer has always made music with a playful sensibility. From deep house to techno to club, it always comes with leftfield samples and an intriguing personality. His grooves are lithe, and his production styles pops and fizzes on labels like Wisdom Teeth, Optimo Music, and his own Third Place, and his return to Aus is again filled with studio trickery and dance floor delights.
Opener 'Silica Gel' is a dubby house cut with smeared pads bringing dashes of warmth. Shakers, hooky synth wiggles, and off-grid hits pepper the groove to keep things moving while sci-fi motifs bring a futuristic twist. 'Rolling in the Ooze’ picks up the pace with well-swung drums and grittier textures while bright leads dazzle and a sombre bassline adds depth. The brilliant 'Squito' has an authentic dub touch and is marbled with watery ripples and tiny sonic droplets. It's a fluid, elastic sound full of musical curiosities. Closer 'Ghoti' is a stumbling broken beat with meticulous drums and hi-hats over a stepping bassline. Bursts of shimmering synths and tumbling melodic scales light it up with a psychedelic twist.
Will Hofbauer's Do Not Eat EP comes on Aus Music on 6th June

 1. Silica Gel 2. Rolling in the Ooze 3. Squito 4. Ghoti

Will Hofbauer - Rolling in the Ooze

Netflix & Chill EP

Calmer Mood

FOLD 'Calmer Mood'

Trevino aka Marcus Intalex joins recent Aus signings Recloose and Cassy with his 'Casino' EP. Marcus Intalex is widely known for making ground breaking drum and bass. In 2011 he started the Trevino alias to feed his desire to get back to his roots and rekindle his 4 to the floor spirit. 

This new phase of his career propelled him to move to Berlin where he's continued to develop a hugely impressive discography that’s included releases on Ben Klock's Klockworks and Martyn's 3024.

'Casino' brings together three deftly structured and dance floor focused tracks that blur the boundary between house and techno in true Trevino fashion. 


Trevino 'Casino'

Video here - https://www.youtube.com/watch?v=HUV-B0VsdDI

Completing a triptych of fantastic LPs for 2016, Will Saul’s Aus Music is delighted to announce the debut full length fromYouandewan. The Berlin based Brit’s ten track ‘There Is No Right Time’ lands in October 2016 and shows a distinct development of his musical style.

Youandewan is Ewan Smith, a DJ and producer who has quietly but consistently gone about forging his own tender brand of deep house. He has been doing so since 2009 and most recently settled on this label with tracks that are shy but seductive, and full of both motive and emotive forces. This album stays true to that narrative, but sees Ewan finding his feet with his mostaccomplished and elegant work to date.

Much of the music was sketched out during a wintery Berlin three years ago. Having left London, hungover from a breakup,Smith found himself broke and secluded in an apartment for four months. All this lent the music he wrote a melancholic vibe;one that nods to the lonely nature of the job and to the darker side of constant partying and all that comes with it.

A swelling, expansive piece of melodic atmospherics starts things off, then the soft hues of analog chords bring a neon glow to

the weightless whirl of ‘Be Good To Me, Poly.’ Soaring synths marry with a raw drum and bass combo on “Waiting for L,’ then ’Time To Leave (Can’t Mix)’ resets to a piano laced beatdown vibe that is wilfully wallowing. ‘10405 (Alice)’ is a shimmering, crescendoing piece, and from there the second half of the album begins to take an upward and optimistic swing through the floating, graceful harmonies of ’Our Odyssey.’

‘Something Keeps Me Real Quiet’ is a concession to the ‘floor with its rusted electro slither, ‘Left On Lucy’ calls upon friend Huerta for a hi-tech soulful house cut Derrick May would be proud of, and 'Earnest Kelly' nods to the ‘80s with its stomping retrosynthesis. Finally, ‘4D Anxiety’ allows all the pent up emotion and energy to dissipate with a playful hip-hop jam effortlessly tapped out on an MPC.

‘There Is No Right Time’ is a listening album which proves that deep house done well needn’t be reserved for the club. It’s a vulnerable and musical work that stays with the listener long after the final chords have dissipated.


There Is No Right Time

Youandewan 'Waiting For L'

Aus Music follow up a string of records from fresh signees Paul Woolford, Tom Trago and Recloose with the return of a long term friend and label favourite Marquis Hawkes. Hot on the heels of his recent LP ‘Social Housing’ - the Berlin based artist lines up ‘Doornroosje’, a tight a two-tracker that remains consistent with his output on Aus: dancefloor-focused jams suffused with simplicity and soul.

‘Discopuss’ kicks things off with a potent combination of samples and hardware as sassy Funk samples are propelled by tough crunching drums. The title track then follows up with piano stabs and busy, percolating synth lines driven at a pacy rate to rapturous effect rounding off another solid addition to Aus Music’s catalogue.

Marquis Hawkes 'Doornroosje'

Aus Music proudly present their final release of the year which brings with it the return of recent signing Paul Woolford. The Houndstooth and XL Recordings regular continues to refine the emotionally charged drama of his recent work and in doing so, enhances his constantly evolving catalogue with a continuation of the recent ‘Heaven & Earth’ EP on Aus. 


The ‘Father, Son & Holy Ghost’ EP sees Woolford propel heart-wrenching melodies with thunderous drums in a manner that only few are capable of. Progressing with resolute intent, the package includes 2 club-ready cuts and the beatless, string-laden ‘Son’ which completes a release of radically heightened compositional intensity and rounds off a stellar 2016 for Aus.

Paul Woolford 'Father'

Marquis Hawkes marks his fifth release for Aus with another classy 2 tracker titled, 'The Phoenix' (Part 1 and Part 2). The Phoenix follows up summer hit 'The Basement Is Burning' which saw Midland, The Black Madonna and Gerd Janson all supporting at festivals worldwide.

The Phoenix is two takes on one concept. 

Part One takes the Disco and House amalgam which Marquis has developed in recent times to it’s logical conclusion, perfectly walking the tightrope between joyous abandon and classy depth, and giving DJs the perfect weapon for all floors, from sweaty basements right the way through to much bigger dancefloors. 

Part Two then flips the program with the same raw materials and sets up the perfect shot, directed at a big room House/Techno crossover, building on the foundations laid by the Detroit techno originators by infusing contemporary production values and a more modern twist.

The Phoenix is something of a landmark EP for Marquis Hawkes, once again redefining his sound. We can't wait to hear what he does next.

Marquis Hawkes 'The Phoenix' Part I

Child

George Fitzgerald - Child

Nobody Else

Dusky  Nobody Else

Hits beatport and all good record stores on the 18th March. 

What I Never Knew

Dusky - What I Never Knew

Ahead of Wanderist's debut EP, Maarten's recorded us a mix for the auscast series. Ninety mins of deep dubby techno and electro :)

AUSCAST010 Wanderist

From Frankfurt with love, Damiano delivers the latest Auscast

AUSCAST011 Damiano Von Erckert

Following the release of her debut Album 'Skylines, City Lights' Cinthie returns with 'Just Us'

AUSMUSIC

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