2020

From Nerissimo, the new album by Teho Teardo and Blixa Bargeld
p+c 2016

Teho Teardo & Blixa Bargeld - The Beast

MOONWALKS// IN LIGHT (THE SCALES IN THE FRAME) OUT 1/26 STOLEN BODY RECORDS

DUST IS MAGIC

Demo 1

Produktion og Sang: Jonas Suni 
Bas og Elguitar: Anders Ahle
Mix : Frederik Braad & Jonas Suni

Drømmene ses

This is a song about longing. Longing for a place and loved ones that are so far away, they feel like only a dream. There are no words that can describe being so deeply connected to a place on the other side of the world from you. There are no words to describe the feeling of saying goodbye to people you love and admire, and not knowing when you will see them again. So here is an attempt to capture the feeling in a song.

Written, recorded, and produced by Valley Hush.
Mixed by Alex Kaye
Mastered by Jon Zott.
Live drums recorded by David Dionise.
Photo in cover art by Nick Hagen.

@valleyhush

Goodbye, Sweet Mango

Disco Treats v. 1

Cody

Welcome to Detroit

Lyrics:

We walked along the wall 
Shared some alcohol 
Felt small against the sea 
And shuttered at it all 

Looked at those condo lights 
Centuries in the night 
Still on guard along the shore 
When you said you might 

We started to black out 

I don't remember much 
But I'm sure that we kissed 
Twist together like two serpents in the mist 

I don't remember much 
I'm not sure what I missed 
Twist together like two serpents in the mist 

We woke up in a daze 
Ultraviolet rays 
How my head was pounding 
Let me count the ways 

I looked you in the eye 
Asked -- 
You just smiled back 
Then you said you might 

We started to black out 

I don't remember much 
But I'm sure that we kissed 
-- two serpents in the mist 

-- I'm not sure what I missed 
Twist together like two serpents in the mist 

Two serpents in the mist

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

SLIP OFF IN THE DARK (EP)

written & recorded by Deep Cuts
mixed by Steve Christensen
mastered by Joe Lambert

release date: Friday, July 13th 2018

singles:   "Serpents" & "What Are We Celebrating"

Serpents

written, recorded, produced by valley hush
mastered by jon zott

No Barriers

Soft Light

Talkin To Myself

It's Not Living (If It’s Not With You)- Demo and production

Free Downloads enabled! Dan and I had a helluva time making this track back in August. First release of 2020 and it's feelin' real good. Some Halftime - Acid Feels and we're really lovin' how this came together. Thanks for listening let us know your thoughts in the comments!

https://distrokid.com/hyperfollow/labdenanddancemyth/datamosh <<< Link to All Other Platforms

Labden x Dancemyth - Datamosh

Concrete and Glass

Time On My Hands (feat. Kirin J Callinan)

The universality of music and its importance in the life of man is in many ways analogous to water. It may exist in countless forms and several states. It nourishes and sustains many kinds of internal life. 
It nourishes religions, philosophies, and – sciences, without being identical with any of them. Like beauty it is forever ministering, enriching, and expanding the potentials of human consciousness. This is harmony as controlled dynamic force. Music is disciplined sound. 
It is important that all students of philosophy and comparative religion should appreciate the spiritualizing force of great music. 
It is equally valuable to consider the development of music consciousness and music appreciation through the ages and among the different civilizations which have been enriched by its gentle and gracious persuasion. Music has a meaning for man; it fits into his moods without any compromise of its own integrity. Like water it adapts itself instantly to the shape of its container. In a square vessel, it is square; in a circular vessel it is circular. This is true because of the nature of the element itself, and not because it is catering to the shape of the jug, the vase, or the bowl. We must learn to appreciate the difference between music and noise, but overcome the tendency to consider unfamiliar musical forms as merely untutored sounds. While musical impulses are common to all mankind, musical forms divide into familiar and unfamiliar. As we have difficulty in understanding persons whose ways of life are different from our own, so we have difficulty in recognizing and responding to the arts of peoples psychologically remote. The final measure is sincerity, not proximity, but until we have experienced some kind of social communion with a larger world of human aspirations this communion is comparatively impossible. As psychological sympathy develops we gain the possibility of measuring arts and art values in terms of basic integrity rather than by the false standards of personal taste. We have forgotten completely that great music must originate in a great concept of life. 
It is just as important, in fact more important, to release music from within the self than merely to listen. We need the growth resulting from personal performance as well as the civilizing force of appreciation. To the old philosopher, the human body itself was a musical instrument. It is the musician within the body who must control and direct the impulses which flow outward through the personality. We talk much of the science of living but we should think more about the art of living. By surrounding himself with the art which is meritorious, true and beautiful, the music of integrity which wiII restore his ideals, Products of small minds are no to be compared with those of great minds and cultures. This is all we need to understand, even in a jittery world, to sharpen the edge of discrimination for the choice of surroundings and the environment that will spiritually achieve for us that desirable thing known as the balanced life. - Manly P. Hall

Soft Light

Bad Fashion

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