kårÐål §þïñÐål

ͧ (ฟ) ⬲ ⫛ |000042

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Bandcamp

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PLUS

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jtzu

The second single from my “Dog Eared” EP (out end of next week on YUKU) 😊

Pre-order:
www.yukumusic.bandcamp.com/album/dog-eared

Dog Eared

BandCamp

Henry Greenleaf - Ithaca Vox

saunter

First track off the new Plasma Sources EP by @niqhniqhniqh - Familiar Rift.

Familiar Rift

NIQH - Familiar Rift Theme

to the 2 people reading this, here's a rant:

Hey! It's been a few months since i've uploaded anything here that is a solo project, and since the school year is starting up again I'm predicting that my focus is maybe going to shift to a different creative mindset, away from collaboration.

Of course i've got a lot of collaborative projects in the works with people who are all awesome, but I also want to keep developing my own personal compositional style. This in some part requires me to make musical decisions without the assistance of stimuli created by a collaborator.

The reason I'm uploading this 24 second clip is to motivate myself into finishing some solo tracks that I hope to lump together into a release. I haven't thought much about the scale of the project yet, but I'm predicting that it's not going to be an album, and will have at least 2 tracks. I'm gonna try not to do much 'dance music' or 'bass music' focused stuff because even though I enjoy that, I'm gonna try to reserve those skills for collaboration (notably with boxkitty, who if you're actually reading this you've probably heard of or at least seen on twitter a few times). 

My initial, undeveloped concept for the release is likely going to revolve about the recreation or resynthesis of entirely organic things using technology. I'm not really talking about physical modelling here (i'll talk about that in a sec), by the way. I'm talking about the raw concept of humans attempting to mimic organic occurrences, processes, environments, movements, structures, etc. using strictly inorganic, man-made tools and mediums.

This concept mainly grew from the fact that I've been extremely interested in DSP recently, especially within the field of physical modelling. I've been reading a lot of academic sources (JOS, my beloved) concerning physical modelling stuff and it's astounding how much you can do with such simple low-level concepts. To be clear, I am a tiny little baby when it comes to anything computer science oriented, but there's just something about DSP and physical modelling that compels me. I recently bought the full version of max MSP, and have been using gen to build some very basic models. I've build a model with two tubes diffusing into each other, a model for a flat plate, and a model for a human vocal tract. I've specifically used the tube and plate models as musical resonators (very similar to the ableton stock device). 
Aside from DSP that i've built, I've been using a lot of other synths to produce organic sounds. I've discovered unique ways to use use additive and modal synthesis (mainly in melda) to create organic sounding resonators, and various effects such as vocoders to create textures that at surface value sound like that could have originated from an organic source. 

another motive for this project is my college applications. I'm going to be applying to electronic music programs around the United States, and for a lot of them I'm required to submit a portfolio of my compositions along with my transcript and essay and all that. I've been lucky enough to have had the opportunity to have conversations with the faculty in the electronic music departments of a couple of the places I'm applying to, and they've said that I should aim to avoid "beat oriented" music, and not show collaborative work as a primary thing. 

So if I finish this project in time for my college portfolio, it could not only serve as a way for me to experiment musically with physical modelling DSP and as a way for me to develop my skills outside of a collaborative context, but also as something for people involved with more "academic" music to listen to that they don't immediately lump in with EDM.

if you read all the way through that, holy shit get a life. but also thank you! I appreciate it. Hopefully you're looking forward to whenever this project is finished, cause I certainly am.

Teaser for an upcomming project of indeterminate scale (It's out now!)

taken from "The Untold Saga"
https://bffmusicbffmusic.bandcamp.com/album/the-untold-saga

Instruments used: 1) Piano 2) Human voice 3) Ableton 4) Splice

🕓 ➰ ⋆ ˚୨୧➿ ｡⋆♾️

there was a time when Minecraft on creative mode was literally the most sacred place to be and “The Untold Saga” immediately transfers me to that profound memory.

i’m writing this note listening to “Saga” on my Apple Computer and the feeling of overwhelming, excitement is just so explicit.
with digital, almost angelic, Miyazaki Philharmonia Apu is inviting us into their layered, silky smooth, yet crunchy and granular world where everything is changing with each gesture. pure, flowing orchestra is so vibrant i can almost touch it. immersive sound design can be so bright i can almost see it.

i’m addicted to fidget toys and this EP happened to kinda be another one of mine. it’s Ghibli-like, full-of-surprises narrative without compromises refers to bubblegum club music, as well as enters into deeply personal soundtrack areas.

oh and btw can you imagine it's a debut EP?

🕓 ➰ ⋆ ˚୨୧➿ ｡⋆♾️

moodboard:
🦢📔💐🎀🗝️

music by @apunanu
https://apunanu.bandcamp.com/
https://www.instagram.com/apu.nanu/

artwork by Alena Eisenmann
https://www.instagram.com/alenib3b1/

master by @fausto_mercier
https://linktr.ee/faustomercier

♫°003

The Untold Saga

The Journal

Apu Nanu - The Journal

TDK CD-R80CB100T_20031217

windswept destroyed_20231230

Immense collection of sixty orchestral tracks set in frozen and glacial environments, covering a wide range of moods, intensities, and focuses, and serving as the perfect companion for documentaries and any other content set in Arctic or glacial regions. Whether for playful moments on the ice, majestic views of icy panoramas, adventurous expeditions among glaciers, or capturing the beauty of wildlife in extreme cold, this album provides a vast array of soundscapes to bring frozen worlds to life, helping to shape narratives, enhance visuals, and capture the many sides of the planet's coldest realms.

BMG Production 

Cold Desolation

original song by radiohead (exit music (for a film) - 1997) 
cover/flip in french by orrionn, translated and re-prod by orrionn 

lyrics: 
réveille-toi
il te reste la trace de tes larmes
aujourd'hui, on s'en va, on s'en va

fais tes affaires et habille-toi
avant que ton père nous entende
avant que l'enfer se déchaîne

respire, continue de respirer
ne perds pas ton sang froid
respire, continue de respirer
je ne peux pas y arriver seul

chante-nous une chanson
une chanson pour nous tenir au chaud
il fait si froid
il fait si froid

et tu peux rire
d'un rire jaune
nous espérons que tes règles
et ta sagesse t'étoufferont

maintenant nous ne faisons plus qu'un
dans une paix éternelle
nous espérons que tu t'étouffes
que tu t'étouffes
nous espérons que tu t'étouffes
que tu t'étouffes
nous espérons que tu t'étouffes
que tu t'étouffes

exit music (for a film) (french cover)

spotify

Taken from Kostas Maskalides’ ninth studio album Soundscapes, For Every Lost Hope blends ambient textures with subtle experimental layers, creating an atmosphere that feels both immersive and deeply emotional.

Carefully sculpted sound design and expressive detail invite listeners into a world where calmness meets intensity, harmony flows into chaos, and every note carries meaning.

Soundscape

For Every Lost Hope

RÖYKSOPP - VISION ONE 
Oliver Ferdinand Virtual Reality Edit

Röyksopp (Norwegian pronunciation: [ˈrøyksɔp]) are a Norwegian electronic music duo from Tromsø, formed in 1998. Since their inception, the band has consisted of Svein Berge and Torbjørn Brundtland. Röyksopp is the Norwegian word for puffball.

Berge and Brundtland were introduced to each other through a mutual friend in Tromsø, Norway. They enjoyed the same films and music, and shared an interest in electronics. The two experimented with various forms of electronic music, and bought a drum machine together during the Tromsø techno scene before going their separate ways. Several years later, the two met up again and formed Röyksopp during the Bergen Wave. After experimenting with different genres of electronic music, the band solidified their place in the electronica scene with their 2001 debut album, Melody A.M., released on the Wall of Sound record label.

Röyksopp has consistently experimented with various genres pertaining to electronic music. Stylistically, the band makes use of various genres, including ambient, house music and synthpop. The band is also known for its elaborate concert performances, which often feature eccentric outfits.

Since their 1998 debut, the duo has gained critical acclaim and popular success around the world. To date, Röyksopp has been nominated for one Grammy Award, won seven Spellemannprisen awards, performed worldwide tours, and produced albums which have topped the charts in several countries, including four consecutive number-one albums in their native Norway.


Please don't forget that this edit/mixtape is only a way to promote our world as DJs. Songs mixed on this set is to discover music. If you're an artist or copyright holder and if you want remove something because you don't want to be a part of it send a message. If you're happy that we don't forget you, send a message too!

If you love the track(s) inside the remix; buy it!

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

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