This track makes me think and it touches my soul from the deepest part of my soul. Just thank you. What a masterpiece, love 🖤✨

weiß gar nicht, warum das album garbage heißt? klingt für mich eher nach Hintergrundrauschen vom Urknall:-)

Garbage

VLetrmx

We Are Reasonable People

Orange Romeda

Quaristice

Altibzz

This track is eerie or something. 

If you like the track, consider following me and/or reposting my music! 

This track's "sister" track: https://soundcloud.com/evoava/modular-hash-demo

Chromatic Hash v0.19

MARCHROMT30a Edit 2b 96

XMAS_EVET1 N

Boards of Canada - Whitewater

th1 [evnslower]

AFX - Analogue Bubblebath 3 (08) - (CAT 008'97 - B1) - 1997

Rezo Glonti - @auxfield
During the Soviet era, art often had to align with propaganda, seemingly fostering a symbiotic relationship between the state and its people. Consequently, in the realm of “Social Realism,” most forms of artistic experimentation were strongly discouraged and even punishable. With few exceptions, 20th-century Georgian classical/chamber music remained quite conservative; however, when faced with dysfunctional cultural phenomena, there will always be gaps in societal walls through which oppressed cultures can carry their historical heritage and unique paradigms.


In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market.The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection.


Recollection I-II will be the first release in a series of 7’’ records, followed by three more releases. The artwork by Dmytro Nikolaienko of Day Night reflects the generic qualities of Soviet-era cover art.
credits
released December 6, 2024

Artwork by Dmytro Nikolaienko
Mastered by Tim Rees

*All proceeds will be donated to organizations supporting Georgia's fight for freedom and democracy.

Rezo Glonti - Recollections I–II

Kahuna

Kali Malone’s “Organ Dirges 2016 - 2017" is a collection of isorhythmic canons following the tradition of pipe organ requiems found in early modern music. Malone’s purified organ dirges echo embodied recollections of the piercing numbness of those battled encounters when the armours were stripped down, left with nothing other than will power, yet still standing upright as the columns of Sounion. The soothing and perceptive harmonies resonate to a presence that leans elegantly towards a courageous aftermath and a gleaming salutation. While the dirges themselves have minimal melodic and rhythmic variation, they appear in constant cyclical motion, revealing their refracted selves in a coherent yet unpredictable manner; like a rotating wheel where all spokes are perceptible but at any given moment in a different place.

Kali Malone (b. 1994, Colorado) is an American artist living and working in Stockholm, Sweden since 2012. Her solo works implement unique tuning systems in minimalist form for analog and digital synthesis often combined with acoustic instrumentation - such as pipe organ, string and wind instruments, lute and gong. Malone’s 2017 debut LP “Velocity of Sleep” was released on her own label XKatedral following tape releases put out by Ascetic House, Bleak Environment and Total Black. She is active in the groups Sorrowing Christ, Swap Babies, Upper Glossa with Caterina Barbieri. Her sophomore LP “Cast of Mind” is due spring 2018.

http://shop.ascetic.house

ASCETIC HOUSE
201∞

VLetrmx

Autechre

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