tolle dunkle tiefe Atmosphäre mit schönem Vocal-Gewabbel💪🏻🤩👌🏻

starke Konkurrenz zu Kraftwerk's Autobahn 😉😊✌️ richtig klasse gute Laune-Mugge 👍🙌🥳

I attached a  video 

https://youtu.be/vj65T-D3MuQ

You Said That You Would Like It If I Hung Around ... (Damhsa an Leanbh Damháin Alla)

You Said That You Would Like It If I Hung Around(Damhsa An Damháin Alla)

adieu adieu

(em) back to balance 
a gate in the (c) day

(em) Ten of Swords
at the end of a (c) play

(g) (the) purpose of the (c) cross
(g) (the) pain of our (c) Lord

(g) I don’t know what I’m (c) doing 
or not (bm) doing, of (am7) course

(f) how to get back – (g) back to where? back to where?
(f) how to get back – (g) back to where

thy (c) plaintive (g) anthem (f) fades
(c) adieu (g) adieu (f) adieu
in (c) those next (g) valley (f) glades 
and (c) you and (g) you and (f) you

love to drift
through the clouds

far above
the worlds below

(the) blood of the lamb
(the) promise of the seed 

I don’t know what I’m thinking 
or not thinking, indeed

how to get back – back to where? back to where?
how to get back – back to where

thy plaintive anthem fades
adieu adieu adieu
in those next valley-glades 
and you and you and you

clock the seconds 
afore they go

reconnect 
to the flow

tender is the night 
on a winding mossy way

in love with easeful death 
yet still wanting to stay
how to get back – back to where? back to where?
how to get back – back to where

thy plaintive anthem fades
adieu adieu adieu
in those next valley glades 
and you and you and you

split the heart
of the tree

divided self 
one, two, three

(the) nightingale’s repose 
her last song on the air 

I don’t know why I’m sensing 
but not seeing the rose 

how to get back – back to where? back to where?
how to get back – back to where

thy plaintive anthem fades
adieu adieu adieu
in those next valley glades 
and you and you and you (et vous et vous et vous)

(fade out on adieu adieu adieu x 3)

NB
(uses some lines and variation of lines from Keats's Ode to a Nightingale: 'thy plaintive anthem fades'/ 'adieu adieu'/ 'next valley glades' / 'tender is the night' / 'winding mossy way' / 'in love with easeful death')

TASCAM DR-05

adieu adieu

First day of vacation 
25/5 2024 
 Photo: H.Skeneby
 Kungälv - Fontin Forest

Left  ARP 2600
Right  Roland TR 8
Middle  Moog Model D

Summer Rave

Funk meets the Middle Ages

I imagine I have a piano on the beach. I hear the sound of the sea, sit down at the piano and play along.

Ich stelle mir vor, ich hätte ein Klavier am Strand stehen. Ich höre das Rauschen des Meeres, setze mich an das Klavier und spiele dazu.

The Piano by the sea

A 20 minute medley of some of the better bits & pieces from 20 of my solo recordings, all from about 20 years ago (between 2000-2004)

A pretty wide variety of styles - jazz, funk, ambient, classical, world, worldbeat, experimental, alternative, industrial, reggae, electronica, latin, pop, game show music, more. Some unorthodox explorations here... have at it.

0:00 - I, Spy
0:55 - Variations
2:10 - Belle Curves Blues
3:24 - Saxofunk (a)
4:14 - Game Show (b1 - interlude)
4:55 - Game Show (b2 - main theme)
5:35 - Lives of our Days
6:04 - Aulde Europe
6:38 - Multi2dinal
7:56 - Sitar & Santur
9:06 - Last Days of November
11:10 - Industrial Mustard
11:57 - House In Da Jungle
12:45 - Casio Adani
13:26 - Funky Junk
14:49 - Jazzy Ditty
15:44 - Tiger Raga
16:53 - Latin Loop 2
17:59 - Latin Kinda Thang
19:29 - Pennywise (c)
20:50 - Harp of My Dreams (reprise)

(image is a mosaic of mostly self portraits using a scanner)

Mark's Album

Mark Music Medley (part 1: 2000-2004)

Automatenfall - TRAKTOR FAHRN

Piano composition by Anibal Seminara 
Image by Marco Britto

Buy by Apple Music

Dilema Poético

The circle

🧥 Oldman Steptoe’s Tape Diary: Entry #44 — “Remi’s Crawl (Revised)”
It begins with a whisper that shouldn’t be there. Remi’s voice, reversed and stretched, floats over a pad like fog rolling through a derelict playground. The melody—Gb to Eb, F to D, Ab to F, G to E—feels like someone tracing the outline of a memory they’re trying to forget. It loops again, but this time the bass doubles, and a hi-hat ticks like a warning.

Then the chords arrive.

Not chords, really—clusters. Eight-note slabs of chromatic tension. G♯ to G, stacked like bricks in a wall that doesn’t care if you climb it. Then D♯ to B, jagged and restless. Then G to E♭ to E, like a scream folded into origami. Every 16 bars, another synth joins the procession, each one colder than the last. It’s not harmony—it’s architecture. A cathedral built from unresolved grief.

At bar 65, the world drops out. Just the pad again. But now there are children laughing. Playing. It’s not comforting. It’s a memory you didn’t make, but somehow still remember.

Then the final crawl begins. From bar 81 to 161, the same chord clusters repeat like a ritual. Every 16 bars, a new synth layer is added—each one heavier, more suffocating. Around bar 129, the fade begins. But it’s not a fade-out. It’s a burial. The music doesn’t end—it’s swallowed.

By the time it’s over, you’re not sure if you heard a song or survived one.

Remi's Crawl

almost | untitled project 001 sessions | ambient atmospheric psyche drone horror industrial WIP | port 0.1 UL 35 bpm take 1 62225

Automatenfall has been around for more than 40 years. I play on analog and digital synthesizers from the brands Roland, Yamaha and Korg.

Automatenfall - TRAKTOR FAHRN

Automatenfall

Recent comments

SoulFood |SoulCity

Negative Headphone

Phantom Noise

Andronix

Related tracks