Lars Danielsson & Mathias Eick - Duos from Liberetto II

April 1st will see Peter Broderick’s classic Erased Tapes debut Music For Falling From Trees reissued on vinyl and CD.

Through relentless touring and multiple album recordings, Portland-based Peter Broderick has established himself as a contemporary composer, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.  The scope of Peter’s work is vast – his recordings and original score work currently feature in dance arrangements, art installations, films and documentaries. He collaborated with many like-minded contemporaries such as Nils Frahm and Greg Haines, and featured on Clint Mansell’s Last Night soundtrack. Peter’s signature emotional depth cuts through any instrument to create stirring, personal music that is full of artistic detail. Currently an artist in residence at Sirius Arts Centre in Cobh, Ireland, 2016 has much in store for Peter.

2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres. 

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. 

IN HIS OWN WORDS: “In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers. 

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano. 

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work. 

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

'Painfully young and unnervingly talented' 
– The Economist’s Intelligent Life

Buy CD/LP/DL

Peter Broderick – Part 4: The Dream

Pasodoble - Lars Danielsson & Leszek Mozdzer - Pasodoble

Lars Danielsson & Mathias Eick - Duos From Liberetto II - The Truth

Lars Danielsson & Mathias Eick - Duos From Liberetto II - III Violet

🎷 Smoke & Brass – A Collection of Jazz & Blues

Smoke & Brass drapes you in the velvet warmth of late-night clubs and the golden glow of brass horns. 🎺✨ This collection blends soulful jazz and deep blues, weaving smoky saxophone lines, sultry piano chords, and heartfelt guitar licks into an atmosphere that’s timeless and intoxicating.

From the sway of slow-burning blues ballads to the swing of bustling jazz ensembles, every track feels like a whispered story told over a glass of bourbon in a dimly lit room. Perfect for lovers of classic style and rich, emotive soundscapes. 🌙🎶

Velvet Drizzle

Kawaita Tsuki / The Barren Moon ft. Yuri Kono (Will Samson Remix)

Video: https://www.youtube.com/watch?v=uJTknlfpIQ4
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I am happy to announce the release of my new album - "Yet Another Love Story"! This is the first album recorded on my acoustic grand piano will be released on 29th of March - The Piano Day, 88th day of the year (http://www.pianoday.org/)! The album is available for pre-order (I have a small lot of CDs to sign):

BandCamp: https://milana.bandcamp.com/album/yet-another-love-story
iTunes: https://itunes.apple.com/album/yet-another-love-story-live/id1210505002
Amazon: https://www.amazon.com/Yet-Another-Love-Story-Live/dp/B06XC8NQ26/

There is no love story that is unique, yet no love story is the same. My love happened to be deeply intertwined with music and with my husband. When he asked me to improvise different feelings on my piano, I didn't think it would end up as a story of our life: from the anticipation of the first date, from the surprise and joy of new relations to the moments of doubt and fear, disgust and anger, followed by guilt, sadness and contemplation. But above all it always comes down to trust and love. 

I let my piano play and it sang me this song, jazzy and romantic, swinging and rocking, lush harmonies and memorable motifs. Starting today, I will post videos of each track every week, unveiling  this love story chapter by chapter.

From me to you, 
    into eternal story,
        with love in every note I play.
        
            Milana

"Anticipation" for the Piano Day 2017 by Milana

Created for piano lovers in celebration of Piano Day; the 88th day of the year. This track is dedicated to Armenian composer Mikael Tariverdiev.
Mastered by Alan Douches at West West Side Music.

Available for purchase at: http://bradfantmusic.com/album/untitled

Tariverdiev

All Its Colours On Me

F.S.Blumm & Nils Frahm - Kugler

René Aubry - White Horse

Easy

Easy, easy to kiss
Easy to push away
Easy, easy to cherish
Easy to get away

	Your heart is full of ghosts
	Your love is a ghost town

Easy, easy to feel
Easy to fade away
Easy, easy to try
Easy to throw away 

	Your heart is full of ghosts
	Your love is a ghost town

		As he tries hard to reach the surface
		Devils pull him into the dark
		He’s yelling, begging to find a path
		But the ghost’s hold him in their arms
		Now by shutting down his eyes,
		He gives up deep pains of the past
		Shinning lights now seems to reply
		Blowing that thick fog in a blast

Easy, easy to give
Easy to run away
Easy, easy to love 
Easy to break away 

	Your heart is full of ghosts
	Your love is a ghost town

Lars Danielsson & Mathias Eick - Duos From Liberetto II - The Truth

autre Rivage

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