NARA VAEZ - REFLExXXx

Premiere of Benfika ( https://soundcloud.com/benfikaa ) with 'Obsesión' as part of the first compilation of Latigazo Club ( https://soundcloud.com/latigazo-club ) 'LATIGAZO VOL. 1', where they present 6 tracks. Out this April.

LATIGAZO VOL. 1 is the first release of a compilation series that seek to show the musical vision of Latigazo and celebrate the emerging club scene in Tijuana. This first edition brought together 6 artists from Tijuana who, as the only creative requirement, were asked to share a small selection of samples to form a sample pack which would serve as a source material for the creation of these tracks and as a representation of the amalgamation of sounds happening in the border city.

Bandcamp:

Sample pack comes as a free bonus when purchasing the compilation.

Benfika * Obsesión [Premiere]

full ep: https://abssys.bandcamp.com/album/lowkey

LOWKEY

Wanton Witch - obcecado por você

PREMIERE* Naxxo - Toy Boy

Promesa es un netlabel latinoamericano que busca dar espacio a la exploracion en la música club desde una perspectiva intima, melodica y emocional, uniendo la pista de baile con el sentir del artista, así como del oyente ᰔᩚ

PRM001: LATIDO ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ marca el nacimiento del sello. Primer promesa, release y compilado, en donde durante 13 tracks se fusionan las propuestas sonoras de 14 productorxs latinxs provenientes de países como Colombia, México, Ecuador y Argentina, quienes se encuentran redefiniendo el sonido del club underground en la escena global actual ⋆.˚✮˚.⋆

pre-order via Bandcamp 

https://promesacore.bandcamp.com/track/toy-boy

PREMIERE* Naxxo - Toy Boy (PROMESA netlabel)

Promesa es un netlabel latinoamericano que busca dar espacio a la exploracion en la música club desde una perspectiva intima, melodica y emocional, uniendo la pista de baile con el sentir del artista, así como del oyente ᰔᩚ

PRM001: LATIDO ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ marca el nacimiento del sello. Primer promesa, release y compilado, en donde durante 13 tracks se fusionan las propuestas sonoras de 14 productorxs latinxs provenientes de países como Colombia, México, Ecuador y Argentina, quienes se encuentran redefiniendo el sonido del club underground en la escena global actual ⋆.˚✮˚.⋆

OJOSFINOS - Monte Nativo

MAZACOTE COMPILADO: 

https://soundcloud.com/machetecore/sets/mazacote

BUY LINK : machetecore.bandcamp.com/album/mazacote

Tenemos el honor desde Visceral de estar presentando la Premiere de @jec7a , productor y Dj argentino basado en Dubai. Con producciones que van desde breakcore y cybertek hasta ritmos de latinclub y post-club, nos deja un track para mover el piso de la pista.

Arde pertenece a MAZACOTE, primer compilado del nuevo sello basado en Buenos Aires @machetecore, representado por DJs y artistas venezonalas.
Un compilado orientado a la reimaginación de las fantasías inmateriales del club latinx a través de la fusión de géneros; dedicado a la exploración y expresión de las experiencias disidentes a través de la música y el club.

Contact Artist:
ig: www.instagram.com/jec7a/?hl=es
sc: https://soundcloud.com/jec7a

Contact label 
sc: @machetecore
instagram: www.instagram.com/mache.t.e
bandcamp: https://machetecore.bandcamp.com/

Mastering compilado x @soy.tru

Mazacote

ARDE

[Premiere] Jecta - Arde [Machete]

MAMITA

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.22.57 am

Kadabra - Am I Dreaming?

BEAST - FICTION ( XINGLONG REMIX ) - Free Download

AUX1 Netlabel 
Music platform that seeks to make visible queer and migrant artists from the Global South. FLINTA perspective and Latin Club obsession.

Booking Agency representing:
@yajairamami69 @genosidra666 @negraconda (EU) @whiteprata (EU) @tiyumii @pielmixtaaa


Reach us aux1akaauchi@gmail.com

Curated by @pielmixtaaa

Wanton Witch - obcecado por você

AUX1

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