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INFINIT - MUSIC IS FOREVER
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Sessions

Unrequited- A Blues for Aza pt.1--Fathom 9/Avenging Wind

Golden (Ode to 93)--Avenging Wind

This is a 1 Take jam Session.  I played what I felt.  It's not here for its mix--it's here because I fucking felt like posting it.

Thanks.

#wind

1 Take Jam Session (DeeeeStressER)-Avenging Wind

“As many stars that shine in the sky…are as many atoms vibrating within You.
Can you not comprehend the very vastness of your Potential?!”

Xi (Avenging Fathom)

Down time is an enemy to an Artist.

(This beat is an ode/homage to a simpler time when the boom bap and the truth resonated throughout the land...

I Am..a Sun of The Boom Bap.

Slop E Joe (Boom Bap's Return) Avenging Fathom

A little tribute beat to a song called Therapy by Hodge Podge

Therapy2 (Hodge Podge Tribute)-Avenging Wind

Kool G. Rap – Ill Street Blues | Samplowany Remix

No sleep--messing around with some grooves--decided to attempt at an homage of electric relaxation/mystic brew...

So...THIS.

Enjoy?

Electrelax (Homage to A Tribe Called Quest​)​-Avenging Wind

Purchase EP Now - https://itunes.apple.com/us/album/sunsets-and-clocks-ep/id613789626

Material originally penned for a recent tour of Japan with fellow LA artist Matthewdavid, 'Sunsets and Clocks' is a brand new EP from Anenon.
 
Consider how personal an experience it is to wait. When caught in the space of time before a thing happens, we unconsciously reveal ourselves through our ticks - physical manifestations of where we let our thoughts drift in this non-space. While waiting, each foot tapped, itch scratched and phone checked reflects the places we allow ourselves to explore before we have to jump back into formal time and space to perform.
 
Anenon recorded 'Sunsets and Clocks' in the weeks directly preceding a whirlwind tour of Japan, where expectations and preconceptions (both false and true), collided over and over again in anticipation of the trip to come. In this collection of songs, Brian Allen Simon shares that intimate space, where he was both highly conscious of the relentless march of time and simultaneously removing himself from it, delving into an inner space where the lack of time smeared memories, fantasies, and fears into one another.
 
From the title, we can start to understand his headspace during this period, where the abstract concerns and artistic preparations for an international tour to a new country constantly collided with the pragmatic, binary problems of itineraries, exchange rates, and language barriers. These conflicting drives mirror the sharp contrast of the way the smudged shades of a fading sun mark the end of the day at the same time that the precision crafted gears of a timepiece click into place. 
 
We hear this theme reflected in how these pieces are unified by their maximal approaches to contrasts in the perception of time and meter, voice and tone. Anenon plays with this contrast through the shadowy textures of rhythm in the live improvisation of "We Yearn" and the meticulously interlocking beats driving "Ghost Light" and the title track. Boldly eschewing the use of the Rhodes and piano of his previous releases, these songs instead rely on the tenor sax and synthesizer. This new pairing fully realizes the theme in the marriage of the ethereal vibrations of the lungs and haunting accuracy of the keys.
 
1. We Yearn
2. Ghost Light
3. Dreamer (for Mary Jane)
4. Sunsets and Clocks
 
Music, cover photo and design by Brian Allen Simon.

Anenon - "Dreamer" (for Mary Jane)

From The Forthcoming Eglo 4 Year Compilation

Wires:
written, arranged & produced by Sam Shepherd
Recorded at Fishmarket and Eglo studios london on the 13th and 14th of November 2010
Mixed at Eglo studios London.
Violins; Tsze Yenn Yong,  Qian Wu, Mariko McTier
Viola; Charlotte Bonneton
Cello; Magda Pietraszewska
Flute; Renate Sokolovska
Trumpet; Freddie Gavita
Saxophone; James Bateman
Drums; Josh Blackmore
Percussion; Chris Marshall
Bass; Oliver Buxton;
Guitar; Billy Adamson
Hammond, Rhodes, Oberheim OB8, Buchla 200e, ARP Odyssey; Sam Shepherd
Published by Just Isn't Music.
Copyright Eglo Records 2013

Wires

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Thundercat - Heartbreaks + Setbacks

2007.One of my favorite tune of this era ! 

Bandcamp

Supafuh x Ark [Instrumental]

http://mndsgn.bandcamp.com/album/frugal-earth

stillsoundin (from frugal earth | www.mndsgn.biz)

I want to know a love with you so raw and naked, that all of heaven and hell combined are jealous;
A love so intense the very Sun sweats, and the Moon refuses to set…
Our Nights are endless Days and our souls are ever wet...

-(fathom 9--erotic poem freestyle)

Night Time Days-Fathom 9

An elemental expression; an act of Nature donned with the armor of the gods...

How can an unseen force be described? Simply--it cannot; it must be experienced.

Avenging Wind is such a force: an artistic emissary of a new narrative of free expression; an artist without apology.

. His origins hail from Memphis, TN-home of the Blues. He has been making music for approximately 2 decades, much of which found him in obscurity. The occasional coffee shop emcee battles, and Hip Hop performances drew him local/regional attention, but this was ultimately underwhelming.
We find him in this 'now'- rising from the ashes like the fabled phoenix, and through a musically alchemical fusing of Hip Hop, Soul, Funk/-Jazz and Blues doused with fierce lyricism, Avenging Wind speaks through an innovative medium he simply refers to as: New Blues. 

The world is starved for new narratives, and Avenging Wind means to be a forerunner in that endeavor. In a nutshell: he is The New Blues Man
(Stay tuned...)


http://avengingwind.com/


avenging2754@gmail.com

https://avengingwind.bandcamp.com

www.facebook.com/avengingwind2754

Night Time Days-Fathom 9

Avenging 9.0

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