Aediixo

This was the beginning of my ambient orchestral works. Written as the opening track for the OTA project (See For We Are Many - it was part of this unfinished work).
I wrote the string line to be somewhat unpleasant with a lack of fidelity. It was designed to mimic how AM radio signals carry at night. The voice was designed to hint at neutrality, but plays with the listener to make them wonder if there is something more sinister going on(there is indeed an enmity between this voice and the choir beneath). -Avers

Delta Foxtrot Delta

Dark track, slow build. An exercise in solo cello, full strings and sonic oddities.
This was to be part of a conceptual piece called "Numb3r5" (Numbers). The story line being about the powers of good and evil using broadcast frequencies to influence the world. "For We Are Many" was the track that was meant to introduce the antagonist in the story. I borrowed the title from Mark 5:9. 
-Avers

For We Are Many

Hope is not seen, heard or felt, but it is present none the less.

Hope Cannot Be Seen

***As the end credits roll***
An experiment in taking minimal instrumental ideas and incrementally stacking them to create the illusion of complexity. This is a work in progress (aren't they all?).

#5 (end credits)

Unfinished sketches that had only begun to take form. I have yet to return to this work, it makes me think of darker period pieces. 

-Avers

(painting used by the kind permission of Shilowe Ensminger)

Ancora Imparo

Michelangelo put it best:

"Ancora imparo" (Yet, I am learning)
                                                              -Avers

Avers Emending