Introducing: Avers: http://www.drunkenwerewolf.com/blog/introducing-avers/

2015 part 3

From Silent Lion's forthcoming EP, due out early 2014. 
Produced by Zach Shipps /// written by SiLi

Stolen In The Heat Of The Moment

Close Talker's new album "Flux" will be released on November 4th via Nevado Music - more info www.closetalker.ca // www.nevadomusic.com

Close Talker - Heads

Copyright © 2014 Arash Parsee and Brendan Thompson, Brendan Thompson Music Publishing (ASCAP) and Triple AM Music Publishing (ASCAP). All rights reserved.

Like us on Facebook www.facebook.com/corsicaartsclub
Follow us on Twitter twitter.com/corsicaartsclub
Follow us on Instagram instagram.com/corsicaartsclub

Untamed

Shana Cleveland & The Sandcastles 
"Oh Man, Cover The Ground" CD/LP/DIG
Order: CD/LP/DIG - http://suicidesqueeze.scdstore.net/
Order: Cassette - https://hairdo.bandcamp.com/album/oh-man-cover-the-ground 
Release Date: May 26, 2015
Label: Suicide Squeeze Records
http://www.shanacleveland.com/ 
http://shanaclevelandandthesandcastles.tumblr.com/
http://store.suicidesqueeze.net
Artist Instagram: @crawdadcleveland
Label Instagram: @suicidesqueeze

PREORDER

Golden Days by Shana Cleveland & The Sandcastles

Avers – 'Omega / Whatever' – Out July 29th via Egghunt Records
Order: po.st/AversOW

With four songwriters, four singers, and 11 tracks of guitar-saturated rock & roll, Avers' second album, Omega/Whatever, is proof that there's strength in numbers.

The record shines new light on a band that made its first splash with 2014's Empty Light. Avers supported that debut release by leaving their hometown of Richmond, VA, and crisscrossing the country on tour, opening for bands like Foo Fighters and J. Roddy Walston along the way. They made a national splash during the 2015 SXSW Festival, too, with everyone from Esquire Maga-zine to The Daily Beast listing them as one of the week's breakout bands.

Two years after Empty Light's release, Omega/Whatever finds them returning to their unofficial headquarters — Montrose Recording, a modern studio located on a historic Richmond plantation and operated by bandmate Adrian Olsen — and creating another self-produced album of rumbling rock, shot through with pop hooks, layers of percussion, and coed melodies from four different vocalists. It's a mix of old and new, much like the studio that birthed it.

It's an album about balance, too, centered around the struggles of living in the modern world. There are songs about divorce, technology, late nights, corrupt politicians, and societal norms, all delivered by a group of songwriters who share their creative duties equally. Olsen, Alexandra Spalding, James Mason, and JL Hodges trade off vocal duties, too, with multi-instrumentalist Charlie Glenn pitching in on keyboards, harmonies, and swells of electric guitar. There's no consistent frontman, no singular leader, no main guitarist. Those roles are fluid, which makes Omega/Whatever very much the product of a band, not just one bandmate's vanity project.

Like the album that came before it, Avers' second release came together during a series of in-spired sessions at Montrose, with each song beginning as a fledgling idea brought to the table by one of the band's four writers. The entire group would then pitch in, turning that idea into something nuanced and layered. Avers would ultimately finish each song as a collective unit, recording the track the same day it was written. The result is an "infectious" and "ebullient" (The AV Club) sound that not only reintroduces the band, but not also offers an insider's look at their creative process.

Mixed by Peter Kadis (The National, Kurt Vile) and mastered with Greg Calbi, Omega/Whatever is a battle cry from a band that's fighting the good fight.

www.aversmusic.com
www.facebook.com/aversrva

July 29 – Richmond, VA – The Broadberry (Album Release Show)
Aug 3 – Washington, DC – DC9 Nightclub
Aug 4 – New York, NY – Mercury Lounge
Aug 5 – Philadelphia, PA – Johnny Brenda's

Vampire

The second single off The Muscadettes "Side A" EP available 4/21/2015

Pre-order "Side A" on iTunes bit.ly/1DbBNHn

iTunes

The Muscadettes - Pearl And Oyster

From 'Successor' - out June 30th on Misra Records and Wild Kindness (USA/EU), Flippin Yeah (AUS), and Canapé King Records (NZ) http://www.misrarecords.com/collections/anthonie-tonnon

Railway Lines

Why by Leena Voxx

Stream Why by Leena Voxx on Spotify: https://spoti.fi/39vKaGD

Youtube: https://youtu.be/USohOkQZmUY

Antidote

If You Go

The first single from Why We Run's debut album, Holograms, which is available here: http://tinyurl.com/zqut6br
Produced & mixed by Wayne Connolly.
Watch the video: https://www.youtube.com/watch?v=09FnYjuoCw8

A Moment To Return

Father

The new single 'Forget It' will be released on 22 September. Taken from the new EP 'This Could Be Anything'

Forget It

Released 25th of August 2017.
Produced and Mixed by Steven Schram

Love Decide

Single from The Sweet Serenades upcoming album HELP ME! Out September 12 2012.

Join us on Facebook: https://www.facebook.com/thesweetserenades
Preorder the album "HELP ME!": http://www.smarturl.it/tss-helpme
Buy song on iTunes: http://tinyurl.com/cpybvaf
contact: info@leonrecords.se
web: http://www.thesweetserenades.com

The Sweet Serenades - Can't Get Enough

With four songwriters, four singers, and 11 tracks of guitar-saturated rock & roll, Avers' second album, Omega/Whatever, is proof that there's strength in numbers. 

The record shines new light on a band that made its first splash with 2014's Empty Light. Avers supported that debut release by leaving their hometown of Richmond, VA, and crisscrossing the country on tour, opening for bands like Foo Fighters and J. Roddy Walston along the way. They made a national splash during the 2015 SXSW Festival, too, with everyone from Esquire Maga-zine to The Daily Beast listing them as one of the week's breakout bands. 

Two years after Empty Light's release, Omega/Whatever finds them returning to their unofficial headquarters — Montrose Recording, a modern studio located on a historic Richmond plantation and operated by bandmate Adrian Olsen — and creating another self-produced album of rumbling rock, shot through with pop hooks, layers of percussion, and coed melodies from four different vocalists. It's a mix of old and new, much like the studio that birthed it. 

It's an album about balance, too, centered around the struggles of living in the modern world. There are songs about divorce, technology, late nights, corrupt politicians, and societal norms, all delivered by a group of songwriters who share their creative duties equally. Olsen, Alexandra Spalding, James Mason, and JL Hodges trade off vocal duties, too, with multi-instrumentalist Charlie Glenn pitching in on keyboards, harmonies, and swells of electric guitar. There's no consistent frontman, no singular leader, no main guitarist. Those roles are fluid, which makes Omega/Whatever very much the product of a band, not just one bandmate's vanity project. 

Like the album that came before it, Avers' second release came together during a series of in-spired sessions at Montrose, with each song beginning as a fledgling idea brought to the table by one of the band's four writers. The entire group would then pitch in, turning that idea into something nuanced and layered. Avers would ultimately finish each song as a collective unit, recording the track the same day it was written. The result is an "infectious" and "ebullient" (The AV Club) sound that not only reintroduces the band, but not also offers an insider's look at their creative process. 

Mixed by Peter Kadis (The National, Kurt Vile) and mastered with Greg Calbi, Omega/Whatever is a battle cry from a band that's fighting the good fight. 

Vampire

AVERS

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