Yasmin Levy - Perdono

Album : 12 nouvelles chansons (1966)

Sur la plage de Solenzara
Nous nous sommes rencontrés
Un pêcheur et sa guitare
Chantaient dans la nuit d'été
Cette douce mélopé
Sur la plage de Solenzara
Chaque soir on a dansé
Et le jour de ton départ
J'ai compris que je t'aimais
Et je ne t'ai plus quité
Ah Solenzara
Oh, chi dolce felicita
Ah Solenzara
Pi bnum si posta
Quand j'entends la mélodie
Qui m'a donné tant de joie
Je sais que cette nuit-là
Notre amour a pris sa vie
Au coeur de Solenzara
Ah Solenzara
J'y reviendrai tous les étés
Ah Solenzara
Pi bnum si posta
Pi bnum si posta

Enrico Macias - Solenzara (192 kbps)

"Ne Me Quitte Pas"
Song by written by Jacques Brel from the album "La Valse à Mille Temps"
Published	and released in 1959

"Ne me quitte pas" (English: "Don't leave me") is a 1959 French song by the Belgian chansonnier (singer-songwriter) Jacques Brel. It has been covered in the original French by many artists and has also been translated into and performed in many other languages. A well-known adaptation, with English lyrics by Rod McKuen, is "If You Go Away".

Aurora Chanson - RETRO FRENCH SONGS
Aurora is based in London, UK. 
To book or discuss in more detail, call +44(0)7817 976 989
or visit www.aurorecolson.com

Aurora Chanson - Ne Me Quitte Pas (If You Go Away)

" Aranjuez Mon Amour " is a 1967 adaptation by Richard Anthony of The Concierto de Aranjuez, a composition for classical guitar and orchestra by Spanish composer Joaquín Rodrigo (1939). Rodrigo wanted his work to capture " the fragrance of magnolias , the singing of birds, and running fountains " of the gardens of Aranjuez ( Madrid). Some have thought that Rodrigo’s composition had been inspired by the bombing of Guernica in 1937. Several artists have covered Richard Anthony’s song, including Amalia Rodrigues (1967) and Nana Mouskouri (1994). Amália da Piedade Rodrigues Rebordão (1920-1999) is a Portuguese singer and actress. She was nicknamed « the Queen of Fado ». Fado is a Portuguese musical genre that takes the form of a sad song usually accompanied by plucked string instruments. Fado songs are usually about imperfect love, jealousy, death and nostalgia of the past, the difficulty of living, grief, or exile. The word fado comes from the Latin word Fatum , which means "fate." I didn’t try to sing it like a fado, I just did it my way using Georgio Almeira’s beautiful backing track http://www.youtube.com/watch?v=djHT5plWSPE

"Aranjuez Mon Amour"

Le Beirut - Abeer Nehme لبيروت - عبير نعمة

از صفحه "احوالات شخصی"
https://soundcloud.com/ahvalate-shakhsi/rebuilding-memories

بازسازی خاطرات | بی‌کلام

DW's Collection 15

Love Story - Andy Williams

Lyrics:
Una mattina mi son svegliato
o bella ciao, bella ciao, bella ciao, ciao, ciao,
una mattina mi son svegliato
e ho trovato l'invasor.
 
O partigiano, portami via,
o bella ciao...
o partigiano, portami via
che mi sento di morir.
 
E se io muoio da partigiano
o bella ciao...
e se io muoio da partigiano
tu mi devi seppellir.
 
Mi seppellirai lassù in montagna,
o bella ciao...
mi seppellirai lassù in montagna
sotto l'ombra di un bel fior.
 
E la gente che passerà,
o bella ciao...
e la gente che passerà
dira "o che bel fior!"
 
E questo è il fiore del partigiano
o bella ciao...
morto per la libertà
e questo è il fiore del partigiano
morto per la libertà

Milva - Bella Ciao

Le Trio Joubran - Masar

when i arrived you were already there

A new solo CD from AVIVA ( Jaffa Road lead singer Aviva Chernick)

Comprised primarily of transcendent vocals matched to light, instrumental textures, gentle harmonies and heavily spiritual in nature, these nine compositions are a combination of fully realized songs and musical ideas which simply take flight based on the sensual power of Aviva’s vocal prowess. 

Sung in both English and Hebrew, when i arrived you were already there enlists the support of Canadian World and Indie music heavyweights Ernie Tollar, Joel Schwartz, Chris Gartner, Rakesh Tewari, Aaron Lightstone, Naghmeh Farahmand and others, incorporating exotic instrumentation such as tabla, udu, xaphoon, oud, djembe and bansuri together with electric guitar, piano, bass and percussion.

From the whispered beginnings of “Eili” with elements of flute (xaphoon), electric guitar and trance-like percussion to the more hook-like “Bo’i Kalah” with its guitar-led chorus of singers and flute, you realize that this is not your typical presentation. Quite the opposite, Aviva’s vocals glue this album together, surrounded by flourishes of the familiar. From the highly introspective “L’Chun N’ran’na”, meandering along like a small river before picking up its pace, breaking into a full swirl to the very hymnal, choral characteristics of “Zeh Hayom”, upon which her voice floats softly above the stars, supported by multiple voices, building to a powerful, near-frenzied conclusion.

You need know nothing in advance to marvel at this release: an appreciation for world music, purity and the sheer beauty of a captivating vocalist sharing the intimacy of her first solo flight. She takes care of the rest. 

05 Hashiveinu (Turning and Returning)

Aviva Chernick

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