LUTTO LENTO SIRENA

INSIDE album 2022

Label : Du Cœur Records
Artwork : S1m0nc3ll0
Music, Lyrics, Recording : Hildegarde
Mixing & Mastering : Hildegarde & Lorenzo Targhetta

Collaborations :
SWAMPI : EURROPE
NORTON WAS THE VIRUS : FX and additional vocales by Cindy Bluray

Thanks :
Jules Du Cœur, VoXaXoV, Hermance Humbert, Jules Durand, Vabaira, Aariel136, Harpies Records, Cindy Bluray, LB, Frère Vivianne, LB, Boris Goudounov, Lorenzo Targhetta, Petra Von Schatz, Léo Lenvers and any loving creature living in my heart.

Download / Support

Hildegarde - Disconnected

The Copenhagen-based artist Muskila is set to release his new EP, "OK, Fatma," on the 4th of March. The EP takes the listener through emotive club music, incorporating North Kurdish timbres and delving into the realms of bassy dubs. Muskila originally had an EP ready in October last year but decided to delete all tracks and write something completely different that was relevant to the world as he experienced it. The EP was written between October and December 2023 and is a product of how the artist sees the world changing. The visuals for the music portray a contemporary dancer, embodying the concept of being stuck, either physically or mentally.

Furthermore, the EP has 2 remixes and 1 collaborative song. The 1st one from Siu Mata, who has made a name for himself on the club scene with his versatility and genre-bending productions. The 2nd remix is from the Nyege Nyege affiliated artist, DJ Travella, who is responsible for the most exhilarating music of recent years, injecting crackling cybernetic energy into singeli in a semi-improvisational style. Lastly the collaborative song is made with, HEDO HYDR8, an artist who emerges from the rave-rich grounds of Denmark to create immersive, transcendental musical experiences.

Artwork by: Luke Griffith
Mastering by: Calyx, Normann
Mixing consultancy: David Nordlund
Much love to Ahmed, Mamou, Hakim and Roberto

Muskila - 92

Free Ting 

Throbbing Gristle - Persuasion (Happa's Kind Of 4 The Floor Edit)

Inspired By True Story

When the going gets tough, the tough get going.
Here's a ballroom track for the hard times for the LGBTQ+ community in Poland, featuring a conservative Polish MP, Krystyna Pawłowicz, commenting on how LGBT relationships are unproductive and the state cannot sanction them. LET'S VOGUE THROUGH IT TOGETHER!

The track is part of Total Solidarity, a charity compilation we've released with @oramicspl in cooperation with @psychicwarfare and Berlin's Uferlos Studios(mastering). I was also responsible for the artwork. Proceeds from the compilation go straight to LGBTQ organisations in smaller Polish cities, where homophobia, biphobia and transphobia are the hardest to endure. Please, buy the whole compilation if you can.

#charity #lgbt #lgbtq #lgbtqia #queer #ballroom #experimental #avtomat #bass #synth #grime #electro #ciezkibrokat #wmocynocy #outlines #poland #polska #wixapol #uptempo #percussive #harddrum #hard-drum #postclub #hybrid #oramics #industrial #sub #moody #dark #feat #politics #newyorkhaunted #totalsolidarity

Total Solidarity

Avtomat - Ignorance Ha

Pelada - Movimiento Para Cambio
Format: LP / Digital
Cat.No: PAN 102
Release Date: 04 October 2019
Purchase: bit.ly/2N5ID0M / bit.ly/2yWc1yu

Movimiento Para Cambio, is the full-length and debut for PAN from Montreal based duo Pelada. Comprising of vocalist Chris Vargas and producer Tobias Rochman, they have gained international attention through the city’s underground warehouse rave scene.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.

While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users' data and behaviours.
These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity. Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making.

Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN' which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

The album is mastered by Jeremy Cox, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Movimiento Para Cambio

Pelada - Asegura (PAN 102)

Following her breakout EP, SiS, Jasmine Infiniti returns with thirteen disruptive club tracks fit for the The Infernal Ballroom. On her meticulously-crafted debut LP, she conjures occult rave incantations with sub-tectonic bass and spectral, seductive harmonies. Audaciously championing R&B, vogue and hip-hop sounds, Jasmine Infiniti’s latest collection of techno-hybrid dance tunes is bound to be the new soundtrack of NYC’s queer underground nightlife. 

Where SiS was an ode to queer solidarity, community and sisterhood, BXTCH SLÄP is as much about personal myth-building as it is about claiming individual space as a queer person. 

BXTCH SLÄP is cunt, unflinching and uncompromising, but it also boasts surprising range—moving briskly between ethereal hardcore house (“HOTT”), the anxious pounding of dark electro (“SPOOKED”), and certifiable techno bangers (“YES, SIR”, “WELLFAIR”). Meanwhile album standout “<3” hovers just above 100 BPM, a defiant statement of sensuality, calmness, and euphoria that’s no less gripping for its dramatic deceleration. Closing number “SHONUFF” clocks in at ten and half minutes; not a second of this adrenaline-rush of an acid techno tune feels wasted. BXTCH SLÄP might be most appropriate for the club, played at dangerously high volumes, but this music certainly takes on a new life after hours, in the moments we spend between the parties, alone and full of desire. 

The Queen of Hell is back and her powers are stronger than ever. 
All hail The Queen!


(Photo IG @shotbyguerilla)

Bandcamp

12 - Jasmine Infiniti -  HOWEVER

@europainflames unites soothing atmospheres with galvanizing rave blueprints and breakneck techno ready-made for quarantine clubbing. 
please dig into this and reach higher levels of living room ecstasy while your walls are being torn down.

Œuvre Mix 27: Europa - Who's that dancing next to me

Visual >>What becomes Legends most? by Curtly Thomas aka smallboydanger
Audio >> Cosmic Power by Nkisi

Cosmic Power - Nkisi

Dueños de Nada

The Curtain Fall

Not your run-of-the-mill working-class Eastern European non-binary DJ. The producer, vocalist, but also visual and digital artist strives for innovative sound design and visceral body response, despite (or maybe coupled with) raw emotion that permeates their musical output. They’re a proud member of the Ciężki Brokat crew (with whom they run the annual Warsaw Pride official afterparty), ex-Oramics member (2019-2022), co-creator of Radio Kapitał, Polish ambassador for Keychange and SHAPE Platform 2021 resident.

Their own music has morphed several times throughout the last 15 years – from industrial or purely synthetic timbres, through polyphonic singing with Pleśni to a perplexing fusion of rhythmically and sonically jagged compositions, bass-heavy club tracks on their EPs, 'Gusła (Human Rites)' on Tańce, a limited vinyl release on London-based 51-53 Records, 'Doolska' and the latest, more experimental 'Lamenty' EP.

They presented their music during numerous festivals (Unsound, CTM, Schiev, Up To Date, Tauron Nowa Muzyka, Les Siestes Electroniques, Audioriver) and an assortment of clubs (including the legendary Berghain) in Poland and abroad (Berlin, London, Prague, Oslo, Copenhagen, Ljubljana). They remixed tracks by Kamp and Baasch, recorded mixes for Resident Advisor, DJ Mag, HӦR and CRACK, composed and created impromptu live music for interactive theatre plays: Method of National Constellations, quadraphonic sound for Jawić się, music for a Women’s Strike street theatre Manifesta and original score for Ideologix, a US-written and directed queer opera.

In the club their seventeen-year experience of supporting queer, anti-fascist and underground scenes results in an almost annoyingly disparate selection of the most forward-thinking sound offered by today’s scene. In their series of DJ-sets and club nights they blend unusual rhythmic patterns kicked up a notch with their improvised vocals.

Avtomat - Ignorance Ha

Avtomat

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