~ LAAPS 011 ~ [SEQ.02 - LP11]

artists : Stijn Hüwels + Tomoyoshi Date
album : 遠き火、遠き雲 (A Distant Fire, A Distant Cloud)
durations : 34.12 mn
 date : May 27th, 2021

edition :
-  vinyl : limited to 200 copies / grey colored vinyl / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

----------------------------------------------------------------
pre-order : May 07th, 2021 / official release : May 27th, 2021
----------------------------------------------------------------

All music and sounds by Tomoyoshi Date & Stijn Hüwels. 
Recorded 2020/2021 in Japan and Belgium.

Tomoyoshi Date: piano, harmonium, synths, field recordings. 
Stijn Hüwels: guitar, pedals.

Mixed by Tomoyoshi Date.
Mastered by Chihei Hatakeyama.
Artwork by Lynn Pollard
Design by Sprflxgrfzm

Tōki hi, tōki kumo 遠き火、遠き雲’ (A distant fire, a distant cloud) is a poem by Tadahito Ichinoseki.

----------------------------------------------------------------

Links :
https://laaps-records.com/
https://www.facebook.com/laaps.records
https://stijnhuwels.bandcamp.com/

----------------------------------------------------------------
℗ & © 2 0 2 1 - L A A P S - L A A P S 0 1 1

Stijn Hüwels + Tomoyoshi Date - 朝空に閃く光の粒子（Particles Of Light Flashing In The Morning Sky)

Salutations

Arcoíris

@0 EP1

Morning Spring

Only Love From Now On

Future Memory

With a strong interest in geology and biology, Takahashi started imagining the landscape and life of the Earth in prehistoric times based on fossils and illustrated books, later used as inspiration for his compositions. At first sight, these images make it easy to envision the ecosystems and environments of prehistoric Earth as so distinct from those of today that they could almost be seen as different planets. Living through the pandemic, when Takahashi first started composing the songs, made him rethink his initial thoughts. 

“The Palaeozoic era was a time of extinction, of prosperity and decline. When I think ab out these facts from geology, they are quite spectacular. But I felt that this cycle is still happening today, b ut on a different scale. If you think about the time before Covid-19, people were very active and free to move around. It was with this in mind that I set about writing the music, imagining what it would be like to overcome the social upheaval of Covid-19." 

It's the similarities between his initial analogy and the new pandemic reality that ultimately formed the main context for Paleozoic. This led Takahashi to make an album which sonically reflected the sequence of Paleozoic: starting from a time when life flourished in the sea ,before the arrival of life on land, to the gradual arrival of plants and insects on land and the end of an era due to change. 

In order to create a more vivid representation of the life force and grandeur of nature, Takahashi decided to forgo his signature lo-fi production style of using GarageBand on his Iphone. For this, he enlisted the help of sound engineer, producer and Atoris bandmate Kohei Oyamada with the mix and arrangements, resulting in a highly evocative, expansive sound palette. 

“With his techno sensibility and sound engineering skills, he was able to bring me closer to the sound I've been chasing, which is full of mystery, life and images of a wild and simple time. This record is the first step in my work with him and the foundation for further progress." 

The result is a fascinating journey through imaginary landscapes infused with great dramatic affect and an acute sense for details across sweeping drones and electronic glistens. 
credits
released April 29, 2022 

Composed by H. Takahashi 
Mix & arrangement by Kohei Oyamada 
Mastered by Taylor Deupree (vinyl) and Kohei Oyamada (digital) 
Artwork by Alicia Carrera

Emerald

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

new album out now - rbeny.bandcamp.com

mastered by nathan moody (noisejockey.net)

cascade symmetry

http://greymatterarchives.club/htakahashi.html
@whitecompany

GMA74 - H.Takahashi

Midori Hirano - Close to Life
From the album “Mirrors in Mirrors”

Release date: 5th March, 2019
Pre-order “Mirrors in Mirrors” here: https://daisart.bandcamp.com
© Daisart / daisart.info

From the liner notes:

If you stand between two mirrors facing each other, you’re faced with a curious and unique visual sensation – endlessly repeating reflections bounce off one another into an infinite, spiralling prism. Any movement from your vantage point derails the point of focus, and transforms the illusion in real-time before your eyes. Light bends, and with it, colours slip in and out of dominance, in an
Escherism of endless space, despite no change to the dimensions you inhabit in that ever so concrete space between two mirrors.

Midori Hirano speaks of “waning lights” and “edges blending into fog” as some of the sensory indicators inspiring Mirrors In Mirrors – her debut on Daisart – and these Impressionistic sentiments are deeply imbued within Hirano’s delicate, restrained compositions. The hallmarks of modern classical, electronica and ambient are adopted as an assemblage to explore nuanced tones and techniques less dictated by those stylistic underpinnings, perhaps somewhere hovering between – but never too far away – keenly aware of form and
function.

An emphasis upon the piano is an immediate point of reference for placing Hirano’s work within a broader context, but important to point out is the subtle and careful use of synthesisers and effects processing throughout the record – sometimes providing a more detailed background terrain, sometimes taking centre stage. Whichever instrument she turns her hands to, Hirano has crafted a record with enough dedicated focus and space to allow the listener to immerse oneself in her devised temporal expanse, an Impressionistic liminal space of Mirrors in Mirrors.


Written, produced, recorded and mixed by Midori Hirano in Berlin, Germany 2017-18. 
Mastered by Sean McCann of Recital Program.



“Mirrors in Mirrors” comes in a first edition of 200 x 12inch 145gm black vinyl (incl. download) with Pantone printed inner and outer
sleeves designed by Jeroen Wille and Rudd Ruttens [ruttens-wille].

Midori Hirano - Close To Life

Emily A. Sprague - "Your Pond"

Taken from Water Memory / Mount Vision

smarturl.it/rvngnl58

©2019 RVNG Intl. // www.igetrvng.com

GMA74 - H.Takahashi

AVYSS

Recent comments

MARK E. DEUTSCH

//

Muzan Editions

Related tracks