Tellement très belle La pièce a une âme si délicate Magnifiquement orchestrée !! 

Amazing Artists multi Genre November 21

at sunset

Seasons Change

Lets Go Bradon

Part 57 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | Part 57

The gift that can only give
More than riches
More than Beauty that Fades as time lingers on
Music that's in my heart and soul
a conversation

Gift To You

Fuga No.3 Organ in G minor

We Move Lightly

Naruto ~ Sadness and Sorrow

This piece was written specially for the second edition of the "Omnibus Laboratorium" in Tashkent in August 2006. The piece was inspired by Georg Heym's Berlin I:

Beteerte Fässer rollten von den Schwellen 
Der dunklen Speicher auf die hohen Kähne. 
Die Schlepper zogen an. Des Rauches Mähne 
Hing rußig nieder auf die öligen Wellen. 

Zwei Dampfer kamen mit Musikkapellen. 
Den Schornstein kappten sie am Brückenbogen. 
Rauch, Ruß, Gestank lag auf den schmutzigen Wogen 
Der Gerbereien mit den braunen Fellen. 

In allen Brücken, drunter uns die Zille 
Hindurchgebracht, ertönten die Signale 
Gleichwie in Trommeln wachsend in der Stille. 

Wir ließen los und trieben im Kanale 
An Gärten langsam hin. In dem Idylle 
Sahn wir der Riesenschlote Nachtfanale. 

Berlin I

This is my Cover really an Adaption to ELP'S Lucky Man , its not note for note..  Just my take on it Cheers The Dark Queen G

HE HAD WHITE HORSES

ALL THE DREAMS WILL CRY WITHOUT YOU
Written & Produced by Andrew Borderick Copyright AB Music 2015/2020
Featuring MIke Gabriel (UNGUIDED EXPRESS) on all guitars.
Key, Bass & Vocals by Andrew Borderick
Mastering by Mike Gabriel
Cover Design by my Granddaughter Elke Fletcher

WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
YOU WILL ALWAYS SHINE

YOUR ROCKY MOUNTAIN LAND
TAKES MY HEART AND SOUL GIVES AN ENDLESS SMILE
I COULD LIVE IN YOU
YOU GET ME ROLLING HIGH IN THE SKY WITH YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

NOW THAT I KNOW YOU
THERE IS MORE TO LIFE IT MAKES YOU CRY
THERE'S SILENCE IN THE AIR
NOW WE'RE FAR APART THERE'S ONLY PICTURES OF YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU
(break)
WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
i WILL ALWAYS SHINE AN ENDLESS LOVE FOR YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU - Featuring MIke Gabriel (UNGUIDED EXPRESS) on Guitar.

Left Behind

Stream the digital version which includes this remix on other platforms & pre-order the CD + T-Shirt (shipping mid December): https://idol.lnk.to/NightMelodyArticulation

Some of London-based electronic songwriter Ryan Lee West’s most recognised work to date comes in the shape of spontaneous EP or so-called mini album releases— clocking in just under the 40-minute mark, keeping their contents urgent, immediate and to the point.

As with his 2013 EP Odyssey and 2014’s Sonne, which were later compiled to a full-length release titled Odyssey / Sonne in 2015, there is a similarly strong synergy between his 2016 mini album Night Melody and this year’s Articulation. Bundled together to one long player under the title Night Melody / Articulation, digital formats including a bonus remix by Berlin-based Japanese pianist and producer Midori Hirano are available from today, November 24, 2020 — with the CD version on pre-order and shipping mid December.

His 34-minute, 6-track mini album Night Melody was born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

The opening statement Pattern Of The North starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by Johannesburg, an early sketch gradually filled out during his tour in South Africa. The closing statement What Sorrow is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

July 31, 2020 saw the release of his highly anticipated new album Articulation with an equal running time of 34 minutes. Lead track and album centrepiece ‘Articulation’ links the record back to the analogue fluidity and colour of 2016’s Night Melody. The division of varying time signatures, intertwined with a complex structure of notes, creates an expression of a moving structure and conjures a dreamy, motorik energy.

Articulation was conceived with a very visual way of thinking, unusual for the London musician and producer. During the writing process Ryan drew structures, shapes and patterns by hand to try and find new ways of thinking about music, giving himself a way to problem-solve away from the computer. The album title references a piece by the avant-garde contemporary composer Györgi Ligeti, though not for its music, but for the non-traditional graphic score that accompanied it.

The idea of using analogue drawings and tools to bolster digital creations can be heard in the structure of the pieces that make up Articulation from the broody techno opener ‘Vibrations on a String’ all the way to the album’s boundless closer ‘Sudden Awareness of Now’. Rising out of birdsong heard from his studio window, it has a particular urgency about it and seems to perfectly capture a
longing for escape. Built around a simple and repetitive melodic theme, expanding and retracting over the course of its seven-minute odyssey.

Tracklist / Cover Artwork:
1. Pattern of the North
2. Johannesburg
3. Slow Song
4. Lone
5. Night Melody
6. What Sorrow
7. Vibrations on a String
8. Forwardism
9. Melodica
10. Articulation
11. Still Here
12. Sudden Awareness of Now

Night Melody / Articulation

Articulation (Midori Hirano Remix)

Order CD · T-Shirt

Rival Consoles - Articulation (Midori Hirano Remix)

Reprise de l'air d'Edward aux mains d'argent, arrangé autrement.
En grande partie composé via le VST LABS sur FL Studio 2020, j'attend vos retours !

Edward aux mains d'argent ( reprise )

minimalistic piano

https://industrial-1.bandcamp.com/track/lines

perpetuum

Lines

minimalistic piano

https://industrial-1.bandcamp.com/track/perpetuum

Perpetuum

We all are on a musical Journey together
 my repost page: Dark Queen Support, sc link below cheers!! and thank you for listening!!! 

https://www.facebook.com/gwmusic20
https://www.iheart.com/artist/gina-wood-and-other-34050102/?autoplay=true
https://music.amazon.com/artists/B07YBX47S5/gina-wood
https://www.youtube.com/channel/UCwbAHOs4zLXfd-IdR0UNeZg
https://music.apple.com/us/artist/gina-wood/1481317527
http://ginawood.bandcamp.com/album/one-more-day
My Collaborations:
Lukowig
Amanda Sanderson 
Andy Bushell
Josef Umo
Stina of Darkness
The 3 M Group
The Gat(s)
Shin*semia
wypernet
The Boilerman
ANNO of UNsoundmind
XITB
Other
UNGUIDED EXPRESS
Franck Douvin /Composer
Tulipe Records
Shin*semia
Idematoa
my music page below
https://www.facebook.com/gwmusic20

Pianiste depuis très jeune, très grand fan de musique en tout genre, en passant par le rock progressif, a la musique classique, d'époque et contemporaine. De l'électro, au rap, ou même des grands nom de la scène française.

Je compose via logiciel numérique : FL Studio 2020. Je base mes compositions sur des samples classique composé par mes soins, en donnant une évolution aux morceaux sans pour autant le rendre répetitif.

Je vous invite a écouter mes musiques, donnez vos avis, qu'ils sois positif ou négatif !






Pianist since very young, very big fan of music of all kinds, including progressive rock, classical, period and contemporary music. From electro, to rap, or even big names on the French scene.

I compose via digital software: FL Studio 2020. I base my compositions on classic samples composed by myself, giving an evolution to the pieces without making them repetitive.

I invite you to listen to my music, give your opinion, whether positive or negative!

Edward aux mains d'argent ( reprise )

& Away Songs

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Gina Wood

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