that mournful longing for nothing and everything

Synth

After all...

whole trombone plus just the mouthpiece at the end

Apotropaic

Bandcamp

Melting Point

workinprogress/sorry/but/another/version

Swamp Interactions

Paper Tree

Cast of characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar

J.J. Terrell– @j-j-terrell – organ, envelope synth, vocals along with Josh

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass

Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his giutar. He is a brilliant composer and expert player, so we're always glad to receive music from him.

Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ and envelope synth throughout. Ken came along shorly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section.

Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear through most of the song. He also added the exotic sitar you hear in about the middle.

Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner.

This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart.

We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Surfers Like Us:
We all live between Sun and Moon
Love and Peace
That's all what we do

Between Sun and Moon (Eclectic Collective)

The phrase "he walks around with a conscious through greed" is an interesting juxtaposition of terms. It suggests someone who is aware of their greedy actions but continues to pursue them, implying a deliberate choice rather than an unconscious compulsion. This could highlight a conflict between a person's moral compass and their desire for more.

The Weight of Gold

This song cover, featuring a serious yet happy Afrocentric cartoon of a male flower child, perfectly captures the essence of an upbeat hip-hop electronic track titled "Impossible."

The artwork itself is a vibrant explosion of color, with the flower child at its heart, radiating joy against a bold blue backdrop. His intricate Afro is adorned with a cascade of colorful flowers and beads, reflecting a deep connection to nature and a free spirit. Dressed in a lively, tie-dye inspired outfit, he exudes an infectious happiness that balances the "serious cartoon" style with a celebratory vibe. The bold, stylized "Impossible" title acts as a confident declaration, suggesting themes of overcoming challenges and reaching for what seems unattainable.

Musically, this cover art speaks to a fusion of genres. Imagine a hip-hop electronic track that blends rhythmic beats and sharp lyrical flow with pulsing synths and uplifting melodies. The "happy vibe" of the artwork could translate into an energetic electronic soundscape, while the "serious cartoon" element hints at thought-provoking lyrics or a deeper message within the music. The Afrocentric focus suggests influences from diverse musical traditions, adding rich layers to the electronic production and hip-hop delivery. This isn't just a song; it's an anthem for positivity and breaking barriers, delivered with a vibrant, modern sound.

Impossible

I had Spitfire Solo Strings gifted to me a while ago, I’m not even gonna say how long, it’s embarrassing. This track took forever. I knew exactly what I wanted (like I always do), but getting it to sound the way it did in my head? Nope. I lost count of how many times I rage quit.. but I always came back. I’m so glad I’m a stubborn bitch with a caffeine addiction and no sense of when to give up, because now I finally love how it turned out. Worth every dramatic sigh, every thrown cushion, and every “I swear I’m deleting this forever.” 💥🎻☕

I hope it brings you even a sliver of the ridiculous joy I felt when it finally sounded right, because this one nearly broke me and my keyboard. I'm not sure I will ever do another.

☕ The coffee machine let out a steamy wheeze and muttered, “My beans.... my soul.... I can finally rest”.
💿 The microwave blinked slowly and whispered, “That sound you hear? It’s the universe exhaling”.
💨 The kettle let out one last hiss and shrieked, “SHE FINISHED IT, SOMEBODY WRITE THIS DATE DOWN”.

Made in FL Studio using u-he Diva, Arturia Analog Lab, Omnisphere, Vital, and Spitfire BBC Symphony Orchestra. Additional textures from LABS and custom sample layers. Reverb by Valhalla. Also features Spitfire Solo Strings and the Arturia KeyLab Essential Mk3 (61-key)

Still 80's

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