From forthcoming 12" LP 'New World' - Out October 1st 

New World is the fourth album from Nipaluna (Tasmania) via Meanjin (Brisbane) based artist Scraps. Over the past ten years Scraps has proven to be one of the largest unsung heroes in the Australian music underground. Her sound draws links between 80s and 90s synth pop and club music whilst remaining firmly set in the contemporary Australian underground. ‘New World’ is the follow up to 2016’s highly regarded “TTNIK” - New World takes us deeper into her infectious universe of abstracted wave classics, free form humour and contagious song writing. These are charming pop songs with a certain indistinguishable glow floating around them. This album sees Scraps distilling what we love about her sound even further to produce one of her most realized albums to date.

New World

Scraps - Hot Sauce

So happy to welcome one of my favorite new labels to the series, Infant Tree. Malvern Brume, the mind behind the label and this mix, has released some wonderful music this year including his most recent album "Harsh Miniatures", and a collaborative effort called The Sprigs. Make sure to check out the labels Bandcamp if you'd like to get treated to some strange / warm / other-worldy sounds. Thanks Malvern <3

https://soundcloud.com/malvern-brume
https://infanttree.bandcamp.com/

Motion Cast Vol. 78: Infant Tree

axaxaxa #81 by @juliettehenriu – Green Elephants Freestyle

don't forget to check her show on root radio!
http://rootradio.live/residents/7c7368363430343e000002e9

1. Ariel Kalma - Astral Enigma
2. Moon Mullins - Beyond the Reef
3. Carlos Nino & Friends, Laraaji, Surya Botofasin, Photay, Will Logan - Commenc, NYC Peace 2
4. Earthen Sea - Stolen Time
5. LA Timpa - Animal
6. Fernando Falcao - Amanhecer 
7. Ralph Heidel , Joseph Shabason, Vibrant Matter - AVI
8. Dynooo - Ravenz
9. Coby See - Petals Have Fallen 
10. John Glacier - Green Elephants Freestyle 
11. Sky H1 - Air
12. Yawning Portal - Water Lvl 
13. M. Sage - Polish Triangle 
14. Schneider TM, KPT.Michi.Gan - The Light 3000
15. Kenny Larkin - Tedra 
16. Croatian Amor, Alto Aria - Paper Birds 
17. Field Works, Hanna Bean, Janie Cowan, Masayoshi Fujita, Stuart Hyatt, Qasim Naqvi - Station 2

AXAXAXA

axaxaxa #81 by juliettehenriu – Green Elephants Freestyle

https://www.nts.live/shows/dimension-door/episodes/dimension-door-11th-august-2022

Dimension Door 110822

Three recordings of Terry Day’s Solos. The first one is a rare extended solo performance on mandolin by Terry.
Luton Piano is part of a series of recordings at 33 Art’s Centre, Luton. The LMC was home for the London Musicians Collective, and is where Terry recorded with various musicians & groups. This recording reflects the great acoustics and lively ambience of the LMC space.

TDA021 - "Albert Alto" from 'Solos '79'

Anna Peaker 25/09/22

Tracklist → https://lyl.live/episode/lilith-9

Accueillir toutes les facettes est le chemin le plus sûr pour aller au cœur des choses. 
à l'essentiel
Y planter les graines et les laisser émerger le moment venu

Lilith (18/01/23) w/Gem & I and Humn

Detox № 19 - 2000-2001

Penultimate Press is pleased to present A Sunset for Walter, the first duo release from long-time collaborators Jérôme Noetinger and Anthony Pateras. Having worked together in a number of different collaborative contexts over the years, the pair used Pateras’ 2018 residency at Schloss Solitude in Stuttgart as an opportunity to develop a major durational work for Steinway piano and multiple Revox tape machines. Presenting four excerpts from a three-hour concert, the LP’s opening moments immediately establish its distinctive sound-world: an austere sequence of octaves slowly sounded by the piano gradually develops into passages of fragmentary lyricism as Noetinger’s tape manipulations dilate the sonic space with rumbling sub-bass, distant echoes, and hints of uncanny backmasking.
 
A Sunset for Walter was conceived as a loose tribute to the piano works of Walter Marchetti, particularly the slowed-down subaquatic expanse of Nel Mari Del Sud. As Marchetti described his own work, A Sunset for Walter is ‘music without beginning, or end, or development’, where the lack of obvious structural divisions creates something like an endless present. But where the monochrome surface of Marchetti’s work – in its willingness to descend, in his own words  to the ‘pits of aesthetic poverty’ – often approaches total stasis, A Sunset for Walter is calmly immovable in its overall texture but perpetually changing in detail, as the performers respond intuitively to each other, their instruments, and the environment. Noetinger’s tape manipulations range from nearly imperceptible shadowing of the live piano to anarchic bursts of rewinding tape, floating wisps of feedback, and dreamlike concrète interjections of children’s voices and splashing water. Pateras’ piano performance moves from single pitches left hanging over a backdrop of silence to almost Messiaen-esque sequences of complex chords and arpeggios, all sounded within a temporal framework that seems to follow internal rhythms of breath and bodily movements.
 
Caught in this hall of mirrors, the listener is often unable to distinguish the live piano from its tape-manipulated reflection. Like the sunset of the title, here outlines blur into a crepuscular haze, as fleeting effects of light and shade catch our attention just as they disappear.

A Sunset for Walter

Jérôme Noetinger and Anthony Pateras - 19h39 / 19H46

Lucy Railton / cello

---

"...What is it about the telling that provides comfort or consolation? Perhaps it's partly in the curative power of naming, an act that can bring our experience into relief and ward off the depressive forces of nothingness, formlessness, and monstrous plasticity. There are also other forms of telling that are not lexical, and our too-easy separation of sound and speech, music and words, belies the existence of something deeply healing and transformational that grounds and unifies them both." - Sofie Fetokaki  

This music was improvised and recorded on April 31st in the quiet bunker-esque venue, Ausland, just 20 doors down from where I live in Berlin. Additional processes and editing were competed on May 2nd 2020. Special thanks to Cafe Oto, Billy Steiger, Petter Eldh and Sophie Fetokaki for their part in the making of this work.

TR014 - Lucy Railton "First Lament"

Lucrecia Dalt - Cao 

From No era sólida (outtakes)
Learn more: https://smarturl.it/rvngnl65-3

axaxaxa #81 by juliettehenriu – Green Elephants Freestyle

axaxaxa mixed media

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