Magnifique song Axel. Réalisation musicale excellente. Superbe à écouter. Belles voix.

I needed a dark ambient, but this one is good too.

Hi Axel, happy sound, nice voice and sound :)

Shock the Algorithm

I see him each morning, hair askew, face needing to be mowed with an electric razor, a face wrinkled and weathered by experience and decisions good and bad.  None the less, I am thankful he is looking back at me; I'm still alive and thankful to have another day.  
Peter's poetic meditation begins like a prayer and becomes deeply introspective into how life has changed the man looking back at him.  His initial inspiration was Arvo Part's "Spiegel im Spiegel" but for this reflective journey, he asked pianist Debra Buesking to accompany him which she does  with great feeling and eloquence.  I come into the picture as the one invited to bring them together for a memorable moment, a great honor and a labor of love for two of my favorite Soundcloud artists.  More of Peter's thoughtful music and spoken word can be found @https://soundcloud.com/user-264930040/tracks, and more of Debbie's beautiful playing can be found @debra_buesking.

Some Words for Mr. Part:

Dear God, just look at the state of you - what the hell happened?
Did time do that all by itself?
Chiselled and scraped with gentle, temporal strength?
Yesterdays now patterned well with telling tales of wear and tear.
Always took such good care that you ticked every health kick box
But all the ticks collect their tocks, bundling up the time we thought was
dangling spare.
And wrinkly skin comes out to play, crafting plots with crumpled neurons
badly frayed, and
Liver spots about the edges worn of happy recollections,
Waltzed away, invisible to the swinging of that penduled clock.
Take your eyes off it for just a minute and you’ve lost a day,
And then a decade’s worth of wry reflections,
Lovingly to fold them up and let them lie in memory’s pocket.
Those lines that contour of your brow, a biography of creases now
And all cut down so very deep.
Each epidermal void crevasse life’s stylus tracks a scratching past
Evinces of a record no mortal hard re-format could delete.
And of your eyes, sallow yellowed at the margins, framed by corvid feet
Rigid-set to well outlast whatever bargained span of life your good Lord
deems replete.
As if your face lampoons of age itself, wrecked and bent
Of scars that trace minutiae, carved in master sculptors’ stone
And none too soon, for just that task and that alone, recording compressed
of the past..
We both know well which ones are smiles and which the pain that heaven
sent,
The former few, soft of the flesh, the many others sunk unto the very bone,
The harshest welt of any sole upon the universal cobbler’s last.
But does it help to so reflect, or but to hurry time’s neglect?
Of such consideration circles wrapped in worry tearing down
All edifice of self respect, the towering pit of pity comes once more to town,
Parades a circus fine of talents, self deprecating jestered clowns
And galloping horses all the while stampede about the rounded ropes
Vespered peace forever sought, just out of reach, concedes of futile, now
confounded hopes.
So what of forward self projection, folding the creases back behind
And out of sight to speculation on future solaced peace of mind?
Perhaps again the crashing wall of fast reality, solid bricked
Determines upward focus but to fall, as if to gravity’s grounded truth
Tricked of consequential solitude, rimed of age, aching of the aged sick
No respite there nor rectitude as once you found in torrid youth.
But perhaps I’m speaking out of turn and out of place,
For though your memories sear and burn as if to carbonise some
worthwhile trace of validity
On that unholy visage lit by lives lived long before….
It matters not and changes nought, not a jot nor yet a thought
For you and I know better than to seek a settled score from comment fair
After all, you are I, staring back at me from the mirror mounted there.

Inspired By Mr. Pärt's "Spiegels" (Peter, Debra Buesking, David; final production)

This is an old song that was orginally called 'Flowers in Your Head'  begun in the late 70s by my dad and his friend. He completed it in the 90s and recorded it with a local band (we can't fully remember it). Having not come up with much myself lately,  I was inspired again when remembering how much I liked this, so I re-wrote it again with some different words,  and probably ruined it. 
Melody by Rob Benson (Verse, Chorus) and The Cobbled Moth (Middle 8, or whatever its called). Lyrics by The Cobbled Moth, and Hoppo (who wrote the first verse and part of second).

Cooler is slang for jail. The Song of Songs is worth a study. Beno of LCR FM is in there and the Azerbaijan link. 

Phone recording 24.12.24. 

When I'm feeling lonely and my life is dead and I feel so useless that my face is red 
And I know I can't get away 
The cooler's in my head 
The coolers in my head, the cooler's in my head no no no no oh
Well I turn the radio way down low DJ D says not to go
Back to Stockholm yeah I'm alone just like they said 
The coolers in my head, cooler in my head no no no no oh
You're locked up in a teacup
Diagnoses all wrong 
Bad domain, rage in vain
For lost Song of Songs
Even though you fled
The coolers in your head cooler in your head wo oh oh oh
Where we met was Persia but the north turned red, later left turned right
The same families led 
And I know I can't get away the coolers in my head 
The coolers in my head, cooler in my head No no no no oh 
Cooler in my head, Cooler in my head oh oh oh 




The Cooler's in my Head (collaboration)

Synth drones accompany Alto Saxophone and Tenor Recorder tracks. 

Image c/o Corrie White (Pinterest)

Liquid Air

Live in Munich .. opening for .. Willy de Ville  !

Music   (git.voc.)  Hubert Stytz
Lyrics   Pee Gee

I was waiting for the midnight-show
In a place called  "The Spanish Rose"
I thought that s the way I like it
Let the red vine flow
As the curtain opened slowly
The lights were dimmed down low
The main attraction of the evening
Let the tension grow
She appeared like an avenging angel
With a bright but deadly smile
If looks could kill I would have died
Unable to move for a while

She left me behind in a fever
Tempting but out of reach
Like a " Joie De Vivre"
With a bitter taste in it

She danced the best flamenco
I had ever seen before
When her dress accidentally touched me
I was ready to ask for more
She moved like a heavenly creature
A hot bit of stepdance encore
When her skirt accidentally touched mie
I was ready to beg for more

She left me behind in a fever-  My Spanish Rose !
Like a "Joie De Vivre"
With a touch of flamenco flair
She left me behind in a fever. My Spanish Rose !
My Spanish Rose !

01 Spanish Rose                  Stytz/Pee Gee

10.01.2025 New Playtime

'Rhythm Marauders' Is a Jazz Fusion track in collaboration with my good friend, drummer/percussionist John Corsaro.
The track was recorded around ten years ago, but has never been posted on SC before..

Rhythm Marauders

Rhythm Marauders (Hamilton & Corsaro)

We are pleased to present track 7 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven


Haunting One Seven

A Deity Looks After Me

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

Copyright 2025 Joe Stroffolino
Lyrics:
Some people say these are the best of times, Other people say times are bad.  But don’t you know it’s always a good time when you’re around.
You always have something good to say, even on the most miserable day.

All it take is a smile from you and they sky turns from grey to blue
You’re a ray of sunshine, busting  through the clouds.
You make me turn up the music play it loud


Play it loud, you make me turn up the music play it loud.
Play it loud, you make me turn up the music play it loud.
You make me turn up the music play it loud.

Some people say this town has seen better days
 but everything looks good to me
Cause don’t you know that when you’re by my side, that’s the only place I want to be.  
Every time I see your beautiful face, I know I’m living in the right place

All it take is a smile from you and they sky turns from grey to blue
You’re a ray of sunshine, busting  through the clouds.
You make me turn up the music play it loud

Play it loud, you make me turn up the music play it loud.
Play it loud, you make me turn up the music play it loud.
You make me turn up the music play it loud.

All it take is a smile from you and they sky turns from grey to blue
You’re a ray of sunshine, busting  through the clouds.
You make me turn up the music play it loud
You make me turn up the music, Turn up the music, Turn up the music play it loud.

Guitar (Taylor 114ce) 2 tracks (1 strumming and 1 picking) (played by me)
Vocals (Sung by me)
Bass (PG Music Real track)
Drums (EZ Drummer 3)

All It Takes Is A Smile - New Guitar version

Let The Music Play On

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum

This song began as one of Joe's catchy, lyrically centered songs, which he wrote on his acoustic guitar, and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani, who began the thought process of a song about becoming a musician.
Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group.
Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song.
It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though.
Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it.

Lyrics by Michele Ansani and Joe Stroffolino
Music by Joe Stroffolino (@joseph-stroffolino)

When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics,
your push a few buttons let the AI choose.

And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure

AI Sucks - Eclectic Collective

Venus

LE COEUR ET L'ÂME ( demo )

fusion picking road

runx3 3.1 gp1 135 bpm 9325 take 1

01 - UVI - Falcon
02 - Spitfire Audio - British Drama Toolkit

Morning Day

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

I like to compose in different styles, deeply influenced by classical music, especially Baroque. I love soul, funk, jazzy rock and pop.

Venus

Axel's Sound Connection

Recent comments

Gabriel

Steph OUNA

SASAN

Karin-Maria Brunner

Related tracks