See https://johncarlosbaez.wordpress.com/2021/10/17/conjectures-on-the-kuramoto-sevashinsky-equation/

Sonification of the Kuramoto-Sivashinsky equation

First experiment in a long project about "metallicity" (through aesthetics, physical modeling, metaphor, recording etc) on the Buchla modular analog synthesizer.

Metallicity, study 1

909 / sample rate / freeverb / detuned pulse-osc

Track composed by recursive composition methods, mainly an experiment in developing data structures and functions for composition methods in rhytmic music. First full track programmed in Overtone.

Prisma

Scrambling frequencies also scrambles meaning

From an experiment in sound and images involving the algebra of functions over R^2

Recursive variations of noise in time and frequency

In this work, I take an interest in everything metallic. I collected sounds from the Buchla analog synthesizer at Elektronmusikstudion. These were then arranged in layers, in a collage technique, to give the impression of metallicity: reflectivity, dark mines and anharmonic sounds.

Metallicitet (nerklippt version)

Interested in music programming / experimental sound synthesis.

Axel Gagge