Name: 07 - Nanuk by Axial in experimental
Duration: 3 min 50 s
Description: SiMBiOSE é o terceiro álbum do Projeto Axial.

experimental

Musica de Sandra Ximenez e Axial 
Pré produção a partir de gravação em ensaio.

Costura

A Minhoca e a Formiga letra Julli Pop , musica Julli Pop e Guilherme Chiappetta

- Vocal-Julli Pop
- Coro- Julli Pop, Cynthia Domenico, Paula Portella
- Guitarra- Rick Mastria 
- Clarone- Diogo Maia
- Baixo, Teclado, programacao, Samples- Guilherme Chiappetta

A Minhoca e Formiga

Sabe?  letra Guilherme Chiappetta, Cynthia Domenico, musica Guilherme Chiappetta e Rafael Amaral

- Vocal- Enrico Minelli
- Coro- Julli Pop, Cynthia Domenico, Paula Portella
- Bateria- Marco da Costa
- Percussão- Dalua
- Guitarra Rafael Amaral
- Clarone- Diogo Maia
- Trompete- Roger Brito
- Baixo- Guilherme Chiappetta

Sabe?

Lá na Lagoa  Letra Julli Pop, Musica Julli Pop e Guilherme Chiappetta 
- Vocal- Paula Portella
- Coro -Julli Pop, Cynthia Domenico, Paula Portella
- Baixo, Guitarra,  Percussão, Programção, Samples - Guilherme Chiappetta

Lá Na Lagoa

Miau letra Julli Pop , musica Julli Pop e Guilherme Chiappetta

- Vocal- Tita Lima
- Baixo- Marcos Fló
- Trompete- Roger Brito
- Guitarra- Guilherme Chiappetta
- Estalos-  Marcos Fló, Guilherme Chiappetta

Miau

Piô musica e letra Julli Pop

Vocal Julli Pop

Piô

xtredan... arte sonoro experimental.. sello independiente Chipmusik Records... Lima Underground.  año 3000 - CD Original en mejor calidad de audio disponible en www.myspace.com/chipmusikrecoreds

XTREDAN - 09 LSD

Interpretado e arranjado por AXIAL
(Kiko Dinucci)

Beijo da Iara

Faixa título do nosso primeiro trabalho oficial, produzido e mixado por Diogo Guedes e masterizado por Don Grossinger. A arte ficou a cargo de Ianah Maia. 

Kalouv - Sky Swimmer

SiMBiOSE é o terceiro álbum do Projeto Axial.

07 - Nanuk

9th March 2011 was the start of a bad time for Japan. An earthquake, followed by another 2 days later, set the stone rolling for a series of actions that affected the country in a more intense manner than anything else since World War II. The people behind “Hope for Japan” don’t want to initiate a debate on nuclear power, global warming, or other individual aspects of what caused Japans’ pain, the classic media and news channels have covered that from every possible perspective, we want to help. 
We are not calling out people to start sending their hard earned money to Japan, although of course you’re more than welcome to do so, we want to make an offer. Across the world, people participate in hobbies and activities because they want to. You’ll often hear people talk about their passion. Everyone behind “Hope for Japan” and the pending “More Hope for Japan” has a passion for music – from musicians, to labels, to artists and even a pressing company. It’s disasters like Japan’s that make us think, that force us in to introspection. As such, a group of people decided to help with what they do best: 
Music. And that’s what we offer.

Labirinto - Cairo

Música Experimental - Mixta: Guitarra, Bajo, Saxo Alto, Clarinete Bb y Procesos en tiempo real
Experimental Music - Mixed: Guitarra, Bajo, Saxo Alto, Clarinete Bb and Realtime process 

Piezein

01-Areia do mar

Much more than mix, the show AXIAL intends to connect art and ideas through music. Sandra Ximenez (vocals and keyboard) and Felipe Julian (basses and computers) joined with sax and clarinet player Leonardo Muniz Correa to present a show which suggests new ways of listening, joining electronic and electroacustic music, world music, literature and technology.. This connection inspires the audience to rediscover the capacity to listen in a creative way. A new language inspired by ancient tongue. Inspired by Sandra Ximenez's ten years of etnico-musical research, the repertoire intermixes the group's original compositions with recriations of traditional music from Brazil, Haiti and Africa. Why we are able to understand music sung in a unknown language? Where is the meeting point between traditional and contemporary? The union between art and technology may even not be of such great importance to art but it will certainly be fundamental for technology as a way to allow it to have more human features and to present it as a playful object and not only as a tool. The artistic initiatives that, like Axial, make use of computerized resources somehow contribute to the formation of a society whose creative interests are not only intended to generate wealth. Our aim is to propose an interdisciplinary esthetical dialogue between music and other forms of plastic arts manifestations such as painting, web-art, sculpture, performance or installations so as to create a special and visually oneiric universe for these songs.

07 - Nanuk

Axial

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