Aadheys kureema mithaa

Aahugavame

Aavaa handhaney

Ruqyah (Shifaa)

the most high ranking Aayat in the Quran
Allahu laaa ilaaha illaa huwal haiyul qai-yoom; laa taakhuzuhoo sinatunw wa laa nawm; lahoo maa fissamaawaati wa maa fil ard; man zallazee yashfa'u indahooo illaa be iznih; ya'lamu maa baina aideehim wa maa khalfahum; wa laa yuheetoona beshai 'immin 'ilmihee illa be maa shaaaa; wasi'a kursiyyuhus samaa waati wal arda wa la ya'ooduho hifzuhumaa; wa huwal aliyyul 'azeem
M.e.a.n.i.n.g................... 
"Allah! There is no god but He - the Living, The Self-subsisting, Eternal. No slumber can seize Him Nor Sleep. His are all things In the heavens and on earth. Who is there can intercede In His presence except As he permitteth? He knoweth What (appeareth to His creatures As) Before or After or Behind them. Nor shall they compass Aught of his knowledge Except as He willeth. His throne doth extend Over the heavens And on earth, and He feeleth No fatigue in guarding And preserving them, For He is the Most High. The Supreme (in glory)

AYATUL KURSI

Aavedhaa

Aavedhaa (Remix)

Abadhu thiya loabi kalaa vaananhey

Adhumivee

Aee eki roalhin

Veynee Loabi - Dandana Band

Aharen mivaa loaiybahtaka

Aisha

Alhaanulee loabinhey

Amazey

Amaazakee Thiya Loabi

Aniya hithanudheshey

Zero Degree Atoll
Zero Degree Atoll formed in 1987 with childhood friends Nashid and Mohoj collaborating with fellow music aficionado Ahmed. Their debut song Reethi Handhuvaru – about the natural beauty and serenity of the Maldives – was produced together with Worldview International Foundation and the Ministry of Home Affairs of the Maldives. The video for the song was shown on Television Maldives to raise environmental awareness among locals and the band gained national recognition. The trio then embarked on a musical journey of discovery and experimentation that would result in them being linked by a strong bond lasting to this day.

In 1988, the band began to work on their first album, travelling across the Maldivian isles and living with local communities while immersing themselves in island culture. They recorded various soundbites that made up the natural rhythms of laid-back atoll lifestyles. These soundbites paid tribute to the traditional and cultural distinctiveness in local routines like the cadent clinging of oars on water and the swishing of winnowing rice. These were then interspliced into the band’s music resulting in an album that rang with early morning birdcalls, the thumping of coconut husks and the dancing of waves ashore.

The very essence of Zero Degree Atoll’s inherent national charm lay in their encompassment of traditional poetry and archaic chants as well as the inclusion of the locally esteemed bodu beru – literally meaning big drum – in their songs. The attention garnered to the complex nuances of the mother tongue has led to the band being one of the most sought-after live acts on local terrain, as well a vastly popular act for visiting international audiences.

axim2437

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