https://soundcloud.com/deathvia remix of 𝑟𝐢𝞀𝞀Į3 sĶ3𝜔 
from https://axine.bandcamp.com/album/-

get it here::: https://axine.bandcamp.com/album/haunt3d-body-r3mix3s

to benefit For The Gworls :::
https://www.forthegworls.party/donate

mastered by https://soundcloud.com/deflect0r

ⓟⓤⓡⓒⓗⓐⓢⓔ

𝑟𝐢𝞀𝞀Į3 sĶ3𝜔 ( SYANIDE r3mix )

https://www.nts.live/shows/nkisi/episodes/nkisi-3rd-august-2022

NKISI 030822

Lucid - 2023

Art by Nick Castonguay
Graphic Design by Kristian Spears
Mastered by Cristobal Urbina at See You Mastering
Organized by Thom Speakman
We acknowledge the support of the Canada Council for the Arts

Jesse Osborne-Lanthier - NO AGE, KNOW AGE, NEWS AGE MUSIC (m.s-t.i.t.e.i.15m.o.e.)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Felix-Florian Tödtloff – Cinnamon Drone [digital only]

devil in the details

lost memory w/ weepingwillowtree - Apr 2nd 2023

the hound's breath (Liverec)

Juniøri

fall 2009

After inaugurating sferic with the ’Synthetic Space’ LP in 2017, Echium now leads the way with a remarkably refined, even meticulous grasp of sound design steering away from purely “synthetic space” to imaginary spaces that smudge the listener’s perceptions of artificial and organic texture, tone and spatial dynamics

As part of the next wave of artists innovating within dub techno and experimental ambient zones, Echium looks to loosen up its strictures while playing deep within its unfathomable dimensions, literally urging a dematerialisation of mindsets and musical structures...

Edition of 300 copies on translucent orange vinyl, housed in hi gloss sleeve.
Mastered & cut by Stefan Betke at scape mastering.
Distribution : Boomkat
Vinyl & Digital out March 2020.

A1. Collapsed Senses
A2. Overlapped Fluidity
A3. Considered Instances
A4. Yellow-flowered
A5. Melt

B1. Glacial Rust
B2. Sunken
B3. Multiple Frameworks
B4. Adaptive Senses : Reflection

https://boomkat.com/products/disruptions-of-form

https://sferic.bandcamp.com/album/disruptions-of-form

@echium_air

Echium - Disruptions Of Form (sferic005) [Preview]

m @ axine . net

@embalming-lately
https://soundcloud.com/2389-time

𝑟𝐢𝞀𝞀Į3 sĶ3𝜔 ( SYANIDE r3mix )

Axine M

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