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Vocals: Noman Shah
Lyrics: Suhaib Jamal
Composer: Ali Akhtar Allahditta
Recorded at: Musical Ascension Studio

Allah Huma Saleh Ala - Naat

This was telecast on Shan e  Ramazan transmission on ARY digital on 27 night

The best QASIDA BURDA SHAREEF ever heard

منور میری آنکھوں کو میرے شمس الضُحٰی کر دے

The very first Al Maqasid (2014) was a powerful experience.  Set in the Pocono mountains of Pennsylvania, it was a spiritual awakening for people new to such experiences, and a deep revival for old hands.

In a moment before one of the evening sessions, Shaykh Yahya Rhodus asked me to sing something in Urdu.  Before I could begin, he asked me to share the refrain with everyone, and translate it for them. I shared the refrain of a very famous Urdu naat by Ustadh Muzaffar Warsi, "Tu Kuja Man Kuja" (Translation and transliteration of the refrain is shared below. A full translation and transliteration of these words that had everyone swaying, can be found at https://naderkhan.com/discography/water/ ).

There was something very special going on in this moment - everyone was as if drunk in the love of the Prophet (ﷺ).  After I shared the refrain, nobody had to encourage anyone to join in - it was a spontaneous eruption of love, where everyone sang together.  People of every conceivable racial background were swaying back and forth singing in Urdu, in love of the Prophet.  Some were weeping in longing.  Others were smiling ear to ear in celebration.

I am very grateful to have shared this beautiful moment with them.  And I am very grateful to Sidi Ahmed Zaman for having the presence of mind to capture it, and to Sidi Mohammad Najeeb Ahmed for sharing it with me.

If you listen carefully, you can clearly make out voices of Shaykh Yahya Rhodus, Maulana Abdurrahman, Shaykh Muhammad Adeyinka Mendes, and others.

My wife had a creative epiphany and suggested I try out a specific Yemeni tune for this Naat.  I played around with it for a couple of weeks, decided to sing it here.  Those who've heard others reciting it will find this rendition to be *very* different - I hope they still like it.

A studio version of this track is available on the WATER album (rel. 2015), on iTunes, Google Play, Spotify, etc.

This was the longest I'd spent translating *any* Urdu naat.  I found it exceedingly difficult, and I couldn't have done it without my wife and superhero manager Dr. Bano Murtuja.

---
Tu Amir-e-Haram, mae faqir-e-ajam
Tere gun, aur yeh lab, main talab hi talab. 
Tu ataa hi ataa, mae khata hi khata
Tu kuja man kuja, tu kuja man kuja

You: The Leader of the sacred sanctuary, Me: the needy of the ignorant.
Your praise and these lips? I crave and crave. 
You give and give. I err and err.
O, where are you, and where am I! O, where are you, and where am I!

Urdu original by Muzaffar Warsi
Translation © Nader Khan & Bano Murtuja 2013, All Rights Reserved

Image of the Prophet's tomb and mosque from http://alfatihoun.edaama.org/

Nader Khan -- "Where Are You, and Where Am I" -- Al Maqasid Retreat

Chaand Taare

Ab To Bas Ek Hi Dhun Hai Ke Madina Dekhu

AB TO BAS AIK HI DHUN HAI KE MADINA DEKHO

Hafiz Ahmed Raza qadri 0312-9203624

This track was recorded for the background of an upcoming fundraising video for Islamic Relief.
The poetry is from one of Pakistan's most famous contemporary Na'at composers, Hazrat Muhammad Ali Zahoori.  The tune is in the Arabic mode of Bayat.The rhythm and beat are unusual for the Western Ear - it's a 7/8, and is used in Indian and some Arabic music.
The beat had to be recorded live (I used a Nepalese Tribal Madal drum for this).

[NOTE: Booking requests are not processed through this website.  To book Nader Khan, please contact "bookings@naderkhan.com"]


Salam Upon The Prophet

This set of lyrics was originally composed as a poem by Shaykh Hamza Yusuf.

This recording is from a live performance at the Ta'leef Collective in Fremont California, in November 2009.

It was recorded live using a Canon Powershot SX 20i - not sure about the specs of the sound system at Ta'leef that day.

For booking inquiries, please contact bookings@naderkhan.com

Nader Khan Sings "Springs Gift", By Shaykh Hamza Yusuf

I'd first heard this Urdu na'at brilliantly recited by the late Ustadh Khurshid Ahmad. It's been one of my personal favourites for many years now.A rough translation is pasted below.
This recording is from a recent gathering of Celebrating The Prophet this past Thursday (October 6th, 2011) at SeekersHub Toronto.

TRANSLATION:
Beneath the trellis of your resting place
Are the blessed shades of your mercy
Whosoever desires to gaze upon paradise
Let him take a trip to gaze upon Madina

O visitor of the blessed Rowdah
This is the prayer that I send forth for you
That upon arriving at the threshold of Mustafa
May you become oblivious to the rest of the world

He alone is my well wisher
He alone, O Zahur, is my dear beloved friend
The one who, when he shall visit my grave
Will recite for me an ode in praise of The Prophet

Here I am, setting off into my grave
Convey a request to my Mustafa
That a breeze from your alleyway
Be sent to see me off as I depart

© Translation copyright of Nader Khan 2011, All rights reserved.



Nader Khan: Beneath the Trellis of Your Resting Place [Teri Jaliyon Kay Nichay]

Recorded at SeekersHub (<a href="http://SeekersHub.org" rel="nofollow" target="_blank">http://SeekersHub.org</a>): Nader Khan singing "Balaghal Ula Bi Kamalihi"&#13;
A translation of the first verse reads:&#13;
"The destinations are not distant from anyone,&#13;
Nor is it a matter of proximity&#13;
It ennobles whomever it wishes to&#13;
Such is the matter of the Beloved's threshold."&#13;
&#13;
For a full English translation, see http://naderkhan.com/2011/12/02/nader-khan-singing-balaghal-ula-bi-kamalihi/

Nader Khan: Exaltation Through Perfection [Balaghal Ula Bi Kamalihi]

Beautiful naat shareef

JAN 26/2012 :: Nader Khan ( http://naderkhan.com ) singing "Jashné Amadé Rasül" at the weekly gathering of Celebrating The Beloved : Praising The Prophet, at SeekersHub ( http://SeekersHub.org/ ), every Thursday at 8:30PM. The gathering is also webcasted live through SeekersHub's online classroom. For more information, check ( http://SeekersHub.org/programs )

The Emissary Comes [Jashné Amadé Rasül] is a Naat that is almost never missed out on in Mawlid gatherings during Rabi' Al Awwal - the month of the birth of the Prophet, peace be upon him.

Celebrate the arrival of the Emissary
The delicate flower of Lady Aminah

Truth: There's no deity besides The One God
There's no deity besides The One God

As our master was about to arrive
The maidens and attendants of paradise started to cheer
Amina, upon seeing him, began to smile
Even Eve and Mary joined in the celebration
Lady Amina announced to all:
"The prayer's been accepted."

When the face of Mustafa was finally unveiled 
The stars became concealed, and the moon shied away
Rays of light spread in all directions, overpowering everything
Having Mustafa among us gave our lives meaning
O Halima, in your lap has arrived
An Emissary to both worlds

Tunes of joy played everywhere
Songs of happiness were sung for all
"Sallay 'Alaa" echoed in all directions  
Today the Beloved of God is born
And Jibril himself then proclaimed to the universe:
"This is the Emissary of God"


For booking enquiries please contact bookings@naderkhan.com

Nader Khan - The Emissary Comes [Jashné Amadé Rasül]

UPDATE - AUG 10/2012

Many apologies for the delay in posting the translation - I've managed to complete an initial draft (*only of the 6 verses recited here - it's actually a very long poem) and am only posting it here to give the listeners a taste of the sublime meanings behind these blessed words that were composed about a century ago.  So, this translation is a work in progress.  I'm going to try and refine it further in the coming weeks.  Your comments and suggestions on improving it are welcome.


LYRICS - REFRAIN:
subha taiba mein hui bat-ta hai baada nur ka
sadqa lene nur ka aaya hai taaraa nur ka

LYRICS - VERSES:
baagh e taiba mein suhaana phool phoola nur ka
mast buein, bulbulein padti hain kalima nur ka

tere hi maathay raha ae jaan sehraa nur ka
bakht jaaga nur ka, chamkaa sitaara nur ka

taray hi janib hae paanchon waqt sajda nur ka
rukh hai qibla nur ka, abru hai ka’ba nur ka

tere aagay khaak par jhuktaa hai maathaa nur ka
nur nay paaya tere sajday say seema nur ka

chaand jhuk jaata jidhar ungli uthaate mahd mein
kya hi chalta thaa ishaaron par khilona nur ka

teri nasl-e-pak mein hai bachchaa bachchaa nur ka
tu hai ‘ayn-e-nur tera sab gharaana nur ka



TRANSLATION - REFRAIN:
Dawn has broken in Taiba, grants of light are being handed out
A star is spotted arriving to receive it’s alms of light

TRANSLATION - VERSES:
An enchanting flower has just bloomed in the garden of Taiba
As heady, intoxicating fragrances permeate, the Bulbuls chant the Proclamation of Light (Muhammadun RasüluLlah)

To you, O Beloved, belongs the credit for all the blessings of this light
Through you, light’s destiny was made fortuitous, light’s fame spread everywhere

Towards you, light prostrates itself all five times
Your visage is its Qibla, your brow, its Ka’ba.

In your presence, light lowers its forehead upon clay and dirt
It’s through this prostration, that light attains its glow.

The moon would lower itself as you’d point to it while in your cradle
What a wonderfully obedient toy of light it was, obeying your every gesture

In your blessed, pure progeny, every child is a child of light
You’re the very essence of light, indeed your entire household is one of light

Translation © Nader Khan, August 2012, All Rights Reserved.

--------------------------------------------------------------------

FEB 23/2012 :: A clip from the weekly gathering of Celebrating The Beloved at SeekersHub Toronto [http://SeekersHub.org], of Nader Khan [http://naderkhan.com] singing the well known classic naat, The Ode of Light [Qasida-e-Nur].

The gathering takes place every Thursday at 8:30PM EST, and is also webcasted live through SeekersHub's online classroom. For more information, check [http://SeekersHub.org/programs].

SeekersHub is an Islamic learning centre in the Greater Toronto Area, committed to providing a wide spectrum of free learning opportunities and spiritual activities that are open and welcoming to all individuals.

Help us continue to provide education without barriers through your ongoing monthly support or a one-time donation: http://seekershub.org/support-us/

Nader Khan - The Ode Of Light [Qasida-e-Nür]

A rough second-draft of a planned rendition for sometime in the near future.

This classic and popular Urdu piece in praise of the Beloved Medinan Emperor is very dear to me for many reasons.  Hope you all enjoy it.

Nader Khan -- The Emperor of Madina [Shah-e-Madina]

This recording is the third one in my #iPhoneStudio series, and the very first one in which live drumming is recorded with the singing.  Just like the previous one, this was recorded on an iPhone 5 placed about 12 inches away from me. The *only* postproduction that I've done on this is a fade-in and a fade-out.  Everything else here is intact from the original raw audio.

It was recorded at the most recent weekly "Circle Of Light" gathering of remembrance and reflection at SeekersHub Toronto [http://SeekersHub.org].

"Jalla man qad sawwarak" is a classical Levantian devotional piece, sung in the "Bayati" mode, with what's to the Western ear, an unusual 7/8 beat (referred to in Arabic music as "dawar Hindi").  Personally, I *really* enjoy singing in this beat and in this mode.  Singing a piece with both of these together, is something else.

The English translation of the Arabic lines was done by Sidi Amjad Tarsin (Muslim Chaplain at The University of Toronto), and proofread by Sidi Ghuydar Bashmaf, a gifted singer of Islamic devotional songs, and Shaykh Faraz Rabbani, a scholar of Islamic law, Executive Director of SeekersHub Global, and someone whom I regard as my best friend.

I've added lines in Urdu and English to this piece.  The lines in Urdu are from two separate poets: the first two are from Muhammad Zahuri, and the last two are from Syed Iqbal Azîm.

The first two lines in English, are an attempt at conveying the translation of the famous couplet by the Prophet's Companion, Sayyidna Hassan ibn Thabit, while remaining within the meter of the song:
“More beautiful than you, my eye has never seen,
And more perfect than you, no woman ever gave birth to;
You were created free from any flaw whatsoever,
As though you were created just the way you wanted”.  
[Diwan Hassan ibn Thabit]

The last two lines came to me as part of a larger poem, while attending an event in Toronto where two eminent scholars were talking about the Prophet, May God bless him and give him peace, always and eternally.


ARABIC:

Glorious is He, Who's fashioned you, A radiant full moon, out of water and clay.
And He enabled in your appearance, A joy for all those who behold it.

Be gentle and merciful to your lover, Who has melted in the heat of his painful groans.
I ask God to protect you, From the eyes of the envious.

O my Beloved I ask you by the Prophet, Put an end to this fondness,
What has befallen me is enough, Of your barring and delaying.

My mind is captivated in your love, And my heart is drawn to you,
And your love, O my master, A joy for all those who behold it!

URDU:

I send salutations to the daybreaks and the evenings of the Prophet's mosque
O Prophet, I send salutations to the ones who serve your servants.

It's not at all possible to describe your character with this tongue of mine,
O emperor of the masses, O crowned one of the emissaries.

ENGLISH:

No eye has seen such beauty as thine, no dame has born such a one so fine
You're created free of flaw, as if by your own design

More generous theres never been, more beautiful was never seen
I surrender at your doorstep, all my dunya and my deen

© Translation Copyright Nader Khan 2013, All Rights Reserved

Nader Khan [ #iPhoneStudio ] - "Glorious is He, Who's Fashioned You"

Qasida Burda recited by Sheikh Hamza Yusuf and Moroccan Munshids

LANGUAGE: English

SONGWRITER: Nader Khan

INSPIRATION: 
A song of repentance, based on the very first couplet of Maulana Jalaluddin Rumi`s famous poetic compilation, the “Mathnawi”; a section of the litany “Hizb al Kabir” composed by the founder of the Shadhili Sufi order, Imam Abul-Hasan al Shadhili; the “Ode of Repentance” from the poetic compendium of the renowned Sufi scholar Shaykh Muhammad ibn Al-Habib (where the first two Arabic lines come from); and a few other readings.

The “covenant” being referred to in this song, is found in the seventh chapter of the Holy Qur’an, "The Heights" ("Al A'raf") , verse 172, but can also be taken to refer to any oath, promise, or responsibility. This event is sometimes referred to in Persian Islamic literature as “Ruz-e-alast” (the day of “alast”). The prayer at the end of the song is the prayer of Adam and Eve as they accept responsibility for their misjudgment, also from same chapter of the Qur’an, in verse 23.

LYRICS:
Visit http://naderkhan.com

06 - The Sound Of Tears (TAKE MY HAND, rel. 2008)

LANGUAGE: Urdu

SONGWRITER: Muhammad Iqbal Naqibi

INSPIRATION:
This qawwali was masterfully delivered time and again by Nusrat Fateh Ali Khan. It is rendered here more as a song than a pure qawwali. The various tangential improvisations that are expected in a qawwali have been kept to a minimum. I’ve also opted to use an opening verse that was presented in a television rendition by the Indian singer Toshi Sabri.
___________________________________

LYRICS:
Hava khilaf thi, lekin chiragh khub jala
Khuda bhi hone ke kya kya sabut deta hai

Tere hi nam se har ibteda hai
Tere hi nam tak har inteha hai
Teri hamd o sana, alhamdu liLlah
Ke Tu mere Muhammad ka Khuda hai

Ye zamin jab na thi, ye jahan jab na tha
Chand suraj na thay, asman jab na tha
Raz-e-haq bhi kisi par ayan jab na tha
Tab na tha kuch yahan, tha magar Tu hi Tu

Kawnain ka masjud hai, ma’bud hai Tu
Har shai Teri shahid hai ke mash-hud hai Tu
Har ek ke lab par hai Teri hamd o sana
Har soz mein, har saaz mein mawjud hai Tu

Tu jo har aan nai shaan dikha deta hai
Dida-e-shawq ko hairan bana deta hai
Dali dali Teri takhliq ke gun gati hai
Patta patta Teri qudrat ka pata deta hai

La ilaha Teri shan ya wahdahu
Tu khayaal-o-tajassus, Tu hi arzu
Ankh ki roshni, dil ki avaz Tu

Khaliq-e-kul hai Tu, is mein kya guftagu
Sare alam ko hai Teri hi justaju
Teri jalvagari hai ayan charsu
Tha bhi Tu, hai bhi Tu, hoga bhi Tu hi Tu
___________________________________

TRANSLATION:
The wind was hostile, but the lantern did burn ever so intensely
How wondrously strange are the affirmations that God presents, of His own existence

From Your name is every beginning
Unto Your name is every ending
To praise You is to say that all praise is for You alone
You are, after all, the God of Muhammad

When this land was not, and neither was this earth
When the moon and the sun were not, and neither was this universe
When the secret of Reality hadn’t yet been bestowed upon anyone
Then, there was nothing here, save You

You’re the one prostrated to, and worshipped in both existences
Every thing attests to Your existence, ergo You are The Witnessed
It’s Your praise and extolling that is on the lips of everyone
You are Existent in every rhythm and in every tune

You Who manifests a novel majesty ever so frequently
You thereby bewilder eyes that are anticipating an experience of Your manifestations
Every branch sings the praise of Your creative feat
Every leaf is a sign that points towards Your supreme power

That there isn’t another god is of Your majesty, O Peerless One
It’s but You Who occupy my imagination, my curiosity, my aspiration
You are the light in my eyes, the voice in my heart

You are the Creator of every thing, without doubt
The entire universe is busied with it’s seeking of You
Your sublime manifestations are evident in all directions
You were Beginninglessly Eternal then, are Ever Present now, and will forever be Endlessly Eternal
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

07 - TAKE MY HAND - PreviewClips - Allah Hu [Urdu]

LANGUAGE: Urdu

SONGWRITER: Sayid Iqbal Azim

INSPIRATION: 
This naat was rendered to popular acceptance by the Pakistani Qur’an reciter and Naat performer, Qari Waheed Zafar Qasmi, and enjoys a strong emotional attachment all across the Indian subcontinent. The current rendition presents it in a typically Arabic tune of the hijaz mode.
___________________________________

LYRICS:
Faslon ko takalluf hai hum se agar
Ham bhi bebas nahin, besahara nahin
Khud unhin ko pukarenge hum dur se, 
Raaste mein agar paun thak jaaenge

Jaise hi sabz gumbad nazar aaega
Bandagi ka qarina badal jaaega
Sar jhukane ki fursat milegi kise
Khud hi aankhon se sajde tapak jaaenge

Hum madine mein tanha nikal jaaenge
Aur galiyon mein qasdan bhatak jaaenge
Hum vahaan jaake vaapas nahin aaenge
Dhundte dhundte log thak jaaenge

Naam unka jahaan bhi liya jaaega
Zikr unka jahaan bhi kiya jaaege
Nur hi nur sinon mein bhar jaaega
Saari mehfil mein jalve lapak jaaenge

Ae madine ke zaair khuda ke liye
Dastaan-e-safar mujh ko yun mat suna
Dil tadap jaaega. Baat badh jaaegi
Mere mohtat aansu chhalak jaaenge

Unki chashm-e-karam ko hai iski khabar
Kis musafir ko hai kitna shawq-e-safar
Hum ko Iqbal jab bhi ijazat mili
Hum bhi aaqa ke durbar tak jaaenge
___________________________________

TRANSLATION:
If distances prove themselves to be pretentious towards us
We are neither helpless, nor are we without support
We shall entreat Him ourselves
Should our feet grow weary along the path

The moment the green dome becomes visible
Slave hood shall manifest itself differently
Who will have respite to bow their heads
Prostrations, of their own accord, shall trickle from the very eyes

We will go out in Madina, bereft of familiar company
And deliberately lose our way in its streets
Having reached there, we shall not return
Be it that looking for us, people grow weary

His name, wheresoever it shall be mentioned
His remembrance, wheresoever it shall be made
Light, and yet more light, shall fill up the breasts of those gathered
Spiritual manifestations shall leap out upon the entire gathering

O Visitor of Madina, for God’s sake
Do not thus share your journey’s narrative
The heart will grow restless, anxious; the matter shall exceed all bounds
My guarded tears shall spill forth

His magnanimous insight is well informed
As to which traveler harbours how much aspiration for his journey
Whensoever it may be that we be granted permission, O Iqbal
We too shall pay a visit unto the court of the Liege-lord
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

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Ayaz Mohammad