Name: One More Dance by Ayden Koan in Future Track Twenty
Duration: 2 min 11 s
Description: A track about wanting to spend a little bit more time with the person you love.

what a cool track!! One more dance 💃🏻

I like the lyrics and admire the well-performed tune. Pleasantly catchy work, nice vocals, cool listening.

You have a great contemporary modern sound. You will have many hits. Good work!

Cool tune but it sounds a little too perfect, is this AI?

Future Track Twenty

A track about wanting to spend a little bit more time with the person you love.

One More Dance

Stare at a half-frozen lake for two weeks waiting on snow, and this is what happens

Lakeside Loony

Girls Night

Hello everybody,

this is my new song She Wasn't There. It took me some time to get courage to upload this one, because it's very personal (Story of my life) but I felt it is the right time to go out with it ..If the real art comes from the pain than this is it hahahahah Let me know in the comments how did you enjoy this one and don't hesitate to contact me :-p 

Have a nice day 
Your Darcis

She Wasn't There

The Chronicles of Manimal and Samara
“It goes"

🔗 Stream on all platforms: https://ffm.to/_itgoes
🔗 Watch Official Video: https://youtu.be/Z8BKfg862dw

Music and Lyrics by: Daphne Ang & Andrea Papi
Performed by: The Chronicles of Manimal and Samara
Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara:
‣ Official Website: tcomas.com
‣ Spotify: open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: music.apple.com/artist/the-chroni…samara/1521325813
‣ YouTube: www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: www.instagram.com/tcomas.music
‣ Facebook: www.facebook.com/tcomasmusic 
‣ Twitter: twitter.com/tcomasmusic

#TheChroniclesofManimalandSamara #TCOMAS #ItGoes

Origins

It goes

⚡️Watch Video⚡️

When we were working on the production for ‘Doin' It,’ I wanted to create something that was both modern and timeless. So, we went for a clean, tight beat right from the start. You can hear how the drums are crisp and set the foundation, but they don’t overpower the rest of the track. They allow space for the vocals to really shine.

The verses have this laidback feel, with subtle synths and warm chords that support the vocals without distracting from them. It’s minimal but intentional, giving the listener room to focus on the lyrics. In the verses, I’m really telling a story about taking control, moving with confidence, and staying true to yourself, no matter what. There’s this almost conversational tone in the way I sing it, like I’m talking directly to you.

When we get to the chorus, the energy lifts, and that’s when you feel the anthem side of it. The instrumentation fills out more, and the backing vocals come in to add richness. The bass starts hitting a little harder, and it’s almost like the song is saying, ‘Yeah, this is it, this is your moment.’ I wanted it to feel empowering, like the music is wrapping around you, supporting you.

Then, as the song moves into the bridge, things strip back a little again. I always love that moment in a song where it pulls back before building back up. It’s like a breath of fresh air before you push forward again. In this part, there’s a bit more focus on harmonies and vocal layering, giving it this reflective, almost introspective vibe. It’s a chance to pause and take in the message before we bring it all home.

The outro leaves you on a high, like you’re ready to take on the world, which is exactly what I wanted. You should feel like you can conquer anything after hearing this track.

26/10/2024

Tasha - Doin'  It

This song is really personal to me. It’s about the struggle to trust and let your guard down when you've been hurt before. In the first verse, I talk about ‘fight or flight’ something I learned from my dad. He taught me to protect myself, but over time, I realized that instinct can make it really hard to connect with people, especially in relationships.

There’s this idea in the song that love feels dangerous, like you can’t ever fully relax. That’s what I mean when I say, ‘My love sleeps with one eye open.’ Even when you want to give someone a chance, there’s this voice in the back of your mind saying, ‘Be careful, don’t let them in too much.’

The chorus is kind of the heart of it. Sometimes it feels easier to just walk away before you get too deep, especially when trust doesn’t come naturally anymore. Overthinking everything can feel like a trap, so leaving feels like the safer option. But at the same time, there’s that desire you want to believe in someone, you want to trust, but it’s hard when you’ve been let down before.

In the second verse, there’s a little glimmer of hope, like, ‘Okay, maybe this could work if you prove you’re different.’ But that hope comes with conditions. It’s not easy to rebuild trust when you’ve been through pain before. There’s this frustration, like, ‘I don’t have time to fix something that’s already broken prove to me it’s real from the start.’

For me, this song is about navigating that tension between self-protection and vulnerability. It’s about being honest with yourself about your fears, your walls, and the fact that trusting someone again takes real effort. But there’s also this underlying hope that maybe, just maybe, it’s possible if the right person comes along.

Tasha - How To Trust A Man

Hey everyone! I wanted to take a moment to break down the production of my track, Shame, and let you in on how we crafted the vibe of this song.
We started with the drum tight, punchy kicks and crisp snares that really set the mood. There’s a subtle swing in the hihats, giving it that laidback but still driving groove. The percussion is layered with soft claps and rim shots, adding texture without overpowering the vocal.
The bass is deep but not overwhelming it moves smoothly underneath everything, creating warmth and depth. It’s a mix of an electric bass with some slight saturation for a vintage feel, helping it sit perfectly in the mix.
We laid down some rich, reverb drenched keys to carry the emotional weight of the song. The chords have a bit of a jazzy, R&B influenced progression, making everything feel intimate and nostalgic. There’s also a soft pad in the background, filling out the space and making it feel dreamy.
For the vocals, we went with a clean, upfront mi just a touch of reverb and delay to give it some space. There are subtle harmonies tucked in behind the main vocal, adding warmth without distracting from the raw emotion in the delivery. The background vocals are panned slightly left and right to create a sense of depth.
Throughout the track, there are these little ear candy moment reverse vocal chops, a gentle vinyl crackle for texture, and soft ambient swells that keep the song feeling alive. The outro has a slightly lofi filter sweep, pulling everything into a dreamy fade-out.
Overall, we wanted Shame to feel like a late night confession, intimate, warm, and just a little bit haunting. Hope you guys enjoy this breakdown, and let me know what your favorite part of the song is!

Tasha - Shame

Tin Pan Alley

Come Home

Ce titre, avec ‘AU PUB DES REGRETS’ et ‘INFIDÈLE’  fait partie de la trilogie ‘des amours tumultueux’ du micro-album PHONOGRAPHE de MCDC. Le couple ne va pas bien et en est presque à se séparer mais il existe encore une part d’espoir dans la tête d’un des amoureux en  crise. Il ne veut pas se retrouver seul où il fait noir.

This title, with ‘IN THE PUB OF REGRETS’ and ‘UNFAITHFUL’, is part of the trilogy 'of tumultuous loves” of the EP PHONOGRAPHE. The couple is not doing well and is almost separating, but there is still some hope in the head of one of the lovers in crisis. He doesn’t want to be alone where it’s dark.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles et musique, guitares, back vocals et programmation.
Michel Otis : piano
Frank Corneau : Basse
David Simard : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

J'veux surtout pas

This instrumental track is an adaptation of an earlier song I wrote and recorded called “Age of Humans”. Unfortunately for that song, the arrangement was too uplifting and did not suit the content, which was a warning about global warming and its consequences.

So “Hope for Humanity” tries to convey a more pleasant listening experience!


Hope for Humanity

Lost In Cairo

Molding Clay

1970s Disco Love Edition

(Warm, romantic, glitter-soaked, Studio 54 energy with Hopefire emotion.)

A shimmering re-imagination of Let Me Be Yours, dipped in golden disco light and reborn on a 1970s dancefloor.
This edition blends lush strings, satin-smooth basslines, soulful harmonies and retro-romance — the classic sound of the disco era.

Every track glows with:
✨ warm analogue synths
✨ shimmering orchestral flourishes
✨ Four-on-the-floor heartbeat grooves
✨ glittering guitar licks
✨ and that unmistakable 70s soul-disco magic

This album feels like neon slow-dances under a mirrorball, champagne bubbles, velvet nights, and that electric moment when two people find each other across the dancefloor.
It’s nostalgic, cinematic, deeply romantic — and completely alive with Connor Charles’ modern glow.

This is love… the 1970s way.

8, You Know Its True -  1970's Disco Love Edition

https://open.spotify.com/album/65zcegErFQr7Iqj0RAZm8I?si=jcokJFfdRF6-dCYFt5JwDQ

ive got faith in my soul, and i dont need no arrow
ive got love in my home, i dont care if you follow

i was a little kid, and now im grown
its been a while ive been on my own
i tought i knew a lot of things about life
but nothing close to what we call right
the more you learn the more you know you dont know
humble yourself, prepare for tomorrow
help one another, remember each other
we re all ending up facing the mightyy father

ive got faith in my soul, say i and i need no throne
ive got love in my home, im not alone im not alone im not alone

people use to tell me if you want to be free
you have to work a lot and look up for money
the time you have in life is worth than gold
you ve gotta think twice before you get bold
dont you be afraid in the valley of shadow 
you can brake that stone with just one blow
they will call you maybe
they will call you crazy but

ive got faith in my soul, and i dont need no arrow
ive got love in my home, i dont care if you follow

Yes I

Im not alone

DOWNLOAD

Im Not Alone

Producer and Composer Score Film, Movie Soundtrack, Epic Cinematic TV Games...
Germany Born, Pavia based, Rino is a multi-instrumentalist, composer, songwriter, producer and sound engineer from Italy.
Specialized in hard rock, psychedelic rock, rock blues, pop, ambient guitar.
Experience with years of studio and live work as a musician and songwriter.

One More Dance

Ayden Koan

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