Name: ZYROTEK X LIAM SMITH NUMBER TWO by ohsido nivya
Duration: 1 min 2 s
Description: LIAM SMITH DON'T LEAVE MEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

hello evribodi my name is liem sfhiss 🔥🔥🔥

Free dl -> https://www.toneden.io/czyser/post/dual-damage-echoes-of-yesterday-czyser-300-follower-special-edit

First of all thank you so much for all the positive support I've gotten on my music. It's been such a blessing to just be able to create this loud ass music in my free time and have it actually be listened to and enjoyed by a lot of people <3

I've also got a few more releases coming your way so be on the lookout for that :>

Anyways, if you wanna listen to the original banger of a song:
https://on.soundcloud.com/FUwGiN2agHTqArGOiy

And ofc leave @dualdamage-raw a follow too <3

Much love!

Dual Damage - Echoes of Yesterday [Czyser 300 Follower Special Edit] [Free dl]

This one's for the Backstage Queens! 




Socials: 


HardwithCore
Insta: https://www.instagram.com/hardwithcore_official/
Spotify: https://open.spotify.com/intl-de/artist/5GniPuP4fY2u0mURtfy7by

FLIXE
Insta: https://www.instagram.com/flixe_dj/
Spotify: https://open.spotify.com/intl-de/artist/5r6erLeCV5F6CshCSjnIA8


For feedback and wav feel free to text us! 

Have fun! 

Backstage Queens

LIAM SMITH DON'T LEAVE MEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

ZYROTEK X LIAM SMITH NUMBER TWO

PROBABLY SOME OF THE BEST EUPHORIC HARDSTYLE YOU'LL EVER HEAR A WHITE TEAR WENT DOWN MY LEG AFTER HEARING THIS

THE BEST EUPHORIC HARDSTYLE YOU'LL EVER HEAR CALLED JOURNEY

The rights to my edit of The Underworld rightfully belong to Kior and Schlot, for they represent the creative essence of the entire project. Kior was the conceptual architect, shaping the philosophy of the “experienced descent,” while Schlot transformed these ideas into sound and structure. Together they built the foundation upon which the edit stands. Their contribution was not supportive but essential—without Kior and Schlot, The Underworld (Edit) would not exist as it does today.

Yet the creative process reached far beyond theory. When Oxy stubbed his left toe against Schlot’s amplifier, the dull sound that followed became known as the “Echo of the Depths.” That moment of pain turned into a symbol of artistic sacrifice. Menniel’s toilet, too, became strangely significant: within its solitude, insights flowed; in the rhythm of flushing water, the team heard the pulse of the underworld itself. It became a paradoxical sanctuary of reflection and renewal.

Equally vital were Tryen’s raw eggs, embodying fragility and potential. Their unprocessed form mirrored the state of the edit—constantly in motion, never entirely stable. One egg even cracked over Kior’s notes, leaving a golden stain now regarded as the turning point of the work.

Ultimately, The Underworld (Edit) is not the product of intention alone, but of accident, symbolism, and devotion. It was shaped by pain, porcelain, and protein. Thus, the rights must belong to Kior and Schlot—not by legal claim, but by cosmic necessity.

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Die Rechte an meinem Edit von The Underworld gehören mit Recht Kior und Schlot, denn sie verkörpern den schöpferischen Kern des gesamten Projekts. Kior war der geistige Architekt des Konzepts: Seine Theorie des „erlebten Abstiegs“ gab der Arbeit Tiefe und Richtung. Schlot hingegen formte das Material selbst – er verstand Stille nicht als Leere, sondern als erzählerische Energie. Gemeinsam schufen sie die Struktur, auf der das Werk ruht. Ihr Einfluss war nicht ergänzend, sondern grundlegend: Ohne Kior und Schlot gäbe es The Underworld (Edit) nicht in seiner heutigen Form.

Doch der kreative Prozess war mehr als bloß Technik und Theorie – er war durchzogen von Symbolik und Zufall. Als Oxy sich den linken Zeh an Schlots Verstärker stieß, entstand ein Ton, der im Team als „Echo der Tiefe“ bekannt wurde. Dieses kleine Unglück wurde zum Sinnbild des Opfers, das wahre Kunst verlangt. Auch Menniels Toilette spielte eine unerwartete Rolle: In ihrer Einsamkeit fand man Ideen, im Rauschen des Wassers den Rhythmus der Unterwelt. Die Toilette wurde zum meditativen Ort der Erneuerung, ein Symbol für Reinigung und Rückkehr.

Tryens rohe Eier schließlich standen für das Unfertige, das Potenzial jeder Schöpfung. Ihre fragile Struktur spiegelte die Zerbrechlichkeit des Projekts wider – eines, das stets zwischen Chaos und Vollendung schwankte. Ein geplatztes Ei auf Kiors Notizen markierte sogar den Wendepunkt der Arbeit.

So zeigt sich: Das Werk ist nicht nur das Produkt menschlicher Intention, sondern auch von Schmerz, Porzellan und Eiweiß. Deshalb gehört The Underworld (Edit) Kior und Schlot – nicht durch Vertrag, sondern durch kosmische Notwendigkeit.

Kior, Schlot - Underworld (SPLINTR Edit)

I'm back with 150 BPM madness on this new track !
I hope you'll enjoy it ! 
Future tracks will be faster, and maybe less dark, so be ready !

Always feel free to give some feedback !

Check my socials on my profile

THIS IS HELL

All rights to @invaderz_official
-
@mrhardcore432
Mr.Hardcore

@lguatempo
Lguatempo

Invaderz - Decibel '2014' Mashup (nullify x Mr.Hardcore x Lguatempo Edit)

Havent posted in a while, new kicks :)

Free DL: https://www.toneden.io/snax_uptempo/post/noize-bangerz-here-we-go-snax-edit

lazy ahh cover sorry just want to post this

All Rights To The Original Artists And Labels!

Noize Bangerz - HERE WE GO (Snax Edit)

All rights belong to @mbkofficial and @ditzkickz

(Free DL)

MBK & DitzKick - Final Destination [Dendrobate Edit]

INTRO TOOL OUT NOW
THIS IS AN ORIGINAL BUT I CANT GET MONETIZED 


My tiktok https://www.tiktok.com/@mrbass395?is_from_webapp=1&sender_device=pc 

ITS F*KING MRBASS [FREE DL]

Follow Vexyn:
https://soundcloud.com/v3xyntmp0

Follow Mr.Hardcore:
https://soundcloud.com/mrhardcore432
https://hyperfollow.com/MrHardcore

Toza & Wavehi - Hit the gas [Mr.Hardcore X Vexyn Edit]

i love to say the n word
i am zyrotek
WE are zyrotek

ZYROTEK X LIAM SMITH NUMBER TWO

ohsido nivya

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