Electronica

Synkro - Acceptance

Sense

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Established in 2011, Insight Music has been exploring the depths of ambient music, defining genres such as atmospheric, chillwave, cinematic, drone, future garage, soundscape, wave and more.

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Ridgewalkers Feat. El - Find (Vancore Remix)

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Pensees - Dawn



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Alex van Deep - Crazy for You

ALMA DE UNIVERSO

New mini-album 'Night Melody' out August 5th
Order it on 12"/DL: www.erasedtapes.com/store/index/ERATP087
or digitally from iTunes: http://snip.ftpromo.net/nightmelody
More info: www.rivalconsoles.net

London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.

During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

“I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”

The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa. 

“After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”

‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”

The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

“This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”

This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space, Ibiza. ‘Night Melody’ will be available on 12” vinyl and digitally, August 5th.

TRACK LISTING:  	

A1. Pattern Of The North
A2. Johannesburg
A3. Slow Song

B1. Lone
B2. Night Melody
B3. What Sorrow

Night Melody

Lone

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Rival Consoles - Lone

Download / Stream : https://HungryMusic.lnk.to/mellotron

@Worakls
@Hungry-Music

The classically trained musician Worakls surprises with yet another high-quality two tracker for Hungry Music. He dedicates the release and track one to the electro-mechanical, polyphonic tape replay keyboard named Mellotron. The Mellotron was often used by the Beatles, Genesis and King Crimson. It became a notable instrument in progressive rock during the 1960s until the 1980s. Worakls crafts a well balanced musical piece featuring the trademark Mellotron sound, combined with a cutting-edge and warm dance groove. The orchestral atmospheric elements give ‘Mellotron’ that indescribable timeless touch that Worakls delivers so well.

Next up is the dramatic & energy filled ‘Pandemonium” composition. Worakls once again skillfully combines not only two but three musical genres and molds them into an epic dance track. The string section and diabolical brass instruments set the dramaturgical vibe, while the various layers of guitars rock their way into mayhem. The strong 4/4 beat carries the musical elements gracefully and provides full dancefloor compatibility.

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Worakls - Mellotron

Download or Stream : https://HungryMusic.lnk.to/lacledeschamps

@ntonto

N’to is finally back with a brand new release on Hungry Music and his mission is to wave an exciting summer season goodbye in perfect style. His latest two-track endeavor features handcrafted sounds and lush grooves. 

La Clé Des Champs is an arpeggiated excursion into N’to’s world of deep frequencies and mesmerizing pads. Crisp hi-hat patterns gently provide the energy, while thick moog-ish melodies set the vibe.

The laid back, charismatic In The Mood For Noune composition is the perfect soundtrack for a late summer evening. Built around a slow jamming groove and funky shakers, the earthy tones dance wonderfully alongside the sparkling & heartfelt keys.

N'to - La Clé Des Champs

Download or Stream: https://HungryMusic.lnk.to/Nocturne

@worakls

Hungry Music returns with a fantastic release from Worakls. It features the epic “Nocturne” composition that showcases Worakls’ incredible fines of building musical tension with cutting edge drum sequences, and beautiful classical textures.

Over the course of more than nine minutes Worakls layers up diving bass frequencies, reverb drenched chords and intense strings. Once all of the above get joined by the thundering groove the whole track really takes off and carries the listener with it!

Spotify, Itunes, etc

Worakls - Nocturne

Pre-order the album 'Tuesday Maybe': anjunadeep.lnk.to/WOWTM

Release Date: 16th June 2017

Way Out West (a.k.a Nick Warren & Jody Wisternoff) present their new studio album - ‘Tuesday Maybe’ - to be released on June 16th on Anjunadeep (“One of the hottest electronic labels in the world” - Hype Machine).

The pioneering duo have forged a reputation as as one of the UK’s most influential electronic acts in their 25 years together, reaching the Top 20 of the UK’s singles chart, touring their live show globally, and remixing the likes of Orbital, Unkle, James Holden, St. Etienne and Ian Brown.

In addition to their impressive collaborative back catalogue, the duo are both internationally renowned DJs in their own right. Nick runs the influential Soundgarden label and has helmed eight instalments of the iconic Global Underground compilation series. Jody released a solo album on Anjunadeep in 2012 and has since mixed the last four editions of the labels much-loved compilation series, all of which have topped the iTunes Dance Album chart.

They now return as Way Out West with ‘Tuesday Maybe’ their fifth LP, and their first in almost eight years.

Known for fusing elements of breaks, techno, trance and progressive house, Nick and Jody again combine wide-ranging influences on their new album. Title track ‘Tuesday Maybe’ has become something of a cult favourite since it’s release in early 2016, it’s haunting melody and rolling low-end becoming a firm favourite for the likes of Pete Tong, Lee Burridge and John Digweed. Parisian legend I:Cube worked his magic on an atmospheric remix that was supported by Mano Le Tough, Ricardo Villalobos and Maceo Plex.

Across the LP we hear a contemporary take on classic Way Out West elements, from raucous basslines and ravey breakbeats on ‘Set My Mind’ and ‘Slam’, to warm melodic deep house on ‘Lullaby Horizon’ and ‘We Move In The Dark’, featuring vocals from Hendrik Burkhard. The duo collaborate with five vocalists on the album, including label-mates Eli & Fur on opening track ‘Running Away’, and former Solomun collaborator Liu Bei on ‘Oceans’.

Released alongside the announcement of the album, ‘Oceans’ is a trademark piece of emotive dancefloor music from Nick and Jody, pairing textured melodies with haunting vocals.

Throughout 2017 Way Out West bring their well-honed live show to venues large and small across North America and the UK, with a notable performance at Glastonbury Festival in June the week after the album’s release.

‘Tuesday Maybe’ is set to be the eigth artist album to be released on Anjunadeep, an A&R hotbed celebrated for the release of debut LPs from Dusky, Cubicolor and Lane 8. With nearly 300 single releases and a string of iTunes #1 albums and compilations under its belt, the label has distinguished itself as one of the scene’s leading imprints, earning glowing coverage everywhere from Resident Advisor to Pitchfork, whilst receiving heavy support on BBC Radio 1 from Annie Mac, Pete Tong, B.Traits and Phil Taggart.

Tracklist:

1. Running Away feat. Eli & Fur
2. Set My Mind
3. Oceans feat. Liu Bei
4. Lullaby Horizon
5. The Call feat. Doe Paoro
6. Slam
7. We Move In The Dark feat. Hendrik Burkhard
8. Diamond Dust
9. A Sheltered Place
10. Closer feat. Krister Linder
11. Tuesday Maybe

Follow Anjunadeep:
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Instagram: www.instagram.com/anjunadeep
Google+: bit.ly/deep-google‬ 
SoundCloud: @anjunadeep

Oceans

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Oceans feat. Liu Bei

Fejká LIVE 2022: https://www.bandsintown.com/de/a/9128355-fejka

Twilight

Fejká LIVE 2022

Sunlight

@azaleh 

IMMINENT Collective - Florescence (Compilation)

support: https://fanlink.to/IMMINENT

Azaleh - Moonlight 

The perfect beginning of the newest IMMINENT story. 
The opening track on the Florescence compilation tenderly embraces listeners with a soft piano intro, signifying the beginning of evening time in the digital city of our sonic aesthetics. In a moment, Moonlight starts to project a beam of bright white light with the track immediate unfolding. 
The viscous dynamics of Moonlight is led by tangible bass-line and pulsating percussion, reminding of the medusa underwater movement. Vocal samples and atmospheric synth pads, appearing and dissipating like momentary echoes, provide listeners with an eclectic mix of nostalgia and a sense of new discoveries. Less intense ambient sequences without percussion straighten sonic variety of the piece, creating a visual image of a fade out screen before the next scene of our music story called Florescence is introduced. 
Interestingly, the possibly final text supplement for our fundamental Florescence compilation release is a review on the opening track by a producer named Azaleh, his commentary and, most importantly, an upcoming exclusive interview with the artist himself. Nevertheless, it’s a great opportunity to rediscover this sonic gift that is the compilation release. More art miracles are coming your way from the IMMINENT collective. 

Azalehs commentary on the track:

Moonlight is a really important track to me. Most of it's melodic work was laying around for a long time and I didn't know how to finish it. One day, on a train ride through Sweden I started writing what became the outro of the track later. I didn't mean to combine it with the rest of the track at first, but when I had the idea it made so much sense and sounded great to me too.
Listening to it wakes so many memories, it reminds me of the places I've been to and the people I met.
I hope that it makes you feel alike and takes you on a journey too.

Review by Benjamin Kushenko

Design by Alik Molo

Listen compilation "Florescence": https://goo.gl/QtWLBL 

Azaleh:
https://soundcloud.com/azaleh
https://azaleh.bandcamp.com/music
https://www.facebook.com/Azaleh-443970115764772/?fref..

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Azaleh - Moonlight

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Aufbruch

Border

Concubine

https://victoriya.bandcamp.com/track/lost

Lost

I'm a computer engineer grad from UT Austin, and I like to dj/produce. I've promoted/dj'ed for Austin Night Culture(<a href="http://nightculture.com" rel="nofollow" target="_blank">nightculture.com</a>), and El Paso’s SMG. I’ve opened up for some popular Dj’s such as Deadmau5, Lee Burridge, Damian Lazarus, Audiojack, Funkagenda, Chris Lake, Sydney Blu, J Phlip, and the Crystal Method just to name a few. Recently i’ve teamed up with a long time friend, M!ke P.  We're focused on producing Techno, Tech-House, Prog-House, and Electro, but we like to experiment with all genre's.  As a dj, I tend to stick with minimal/tech-house beats, techno/dub-techno beats, anything with a dark touch and heavy bass lines, and even the progressive house side of the electronic world. I'm a slave to the dark beats...

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Follow me on Facebook:
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Macro Records Interview:
http://macrorecords.wordpress.com/2012/09/09/atticus-mikep-exclusive-interview/

Aufbruch

Azaleh

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