the cover that you made for this looks sick.

cool eighties vibe in this track. keep it up!

Electronic?? AND I'm feeling a dancing groove? This is just epic keep it going

Brilliant Composition, has such an oldskool vibe going, good work 👏

Yeah. Totally my favorite! Best chill track.

aye this is a crazy tune. full of positive energy

Smooth track, the melody flows really well

This relaxed ambient track with its monotonous yet playful, and inspirational demeanor has ambient keyboards playing subtly evolving melodies over a hypnotic Trip-hop groove. Distant ambient sounds and vocal effects embedded in dreamy pads add to the ethereal, floating vibe, making it ideal for thoughtful moments in films, games, or documentaries as well as for Spa or meditation.

War on Wednesday

War On Wednesday

This may be some kind of modern jazz, I think. It's neither house nor techno. But there's a music video with lots of coffee: https://www.youtube.com/watch?v=NHCsyIEeDhA

The Rhythm Is In Us (Coffee Track) [Radio Edit]

Produced by BLAISE MC

www.instagram.com/blaise_mc/

JTXTHREE

(c) 2022 Obsidian Productions
Recorded at The Jester's Court, NYC

Written By Jester Black

Porcelain

Music mix and mastering by me with Logic Pro X. Use of guitars, electric bass synth and sampled drums.
Enjoy!!:)

Sunrise

Here comes the night
All things satin
The stars torch the sky
Their web untangling

The stage is ready
Let the show begin

Breathe
Feel
Kneel

They command and I heed
Surrender feeling surreal
Willing me to rein in
My senses within

For now comes the night
The queen of quiet
Her countless starry knights
Command my allegiance

The stage is ready
And the show begins

I move to a new reality
Parallel to the world we live in
There's one last pass that's looking for a name
Are you game ?

There's a new world out there
Do you care ?
There's one last pass that's looking for a name
Are you game ?


Music - Mateusz Kowara & Sreyashi Mukherjee
Lyrics and Vocals - Sreyashi Mukherjee
Instruments - Mateusz Kowara
Mixing and Mastering - Mateusz Kowara

Single (C)2019
EP - Serendipity (C)2020
www.thewingbeats.com

Celestial Delight (Last Pass)- By The Wingbeats

Saman -  Ólafur Arnalds Cover

Copyright @ Karline "I Don't Even Know", 2022. Any illegal reproduction of this content will result in immediate legal action.

For song use or collaborations Dm me.

I Don't Even Know

A Journey Down Unknown Roads

sublimation

Meet me at the fountain near Dillard's

iTunes

Meet me at the fountain near Dillard’s

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

Meet me at the fountain near Dillard’s

Azealotrous

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