Viva la fiesta y libertad.. Buen salud y gracias

José Feliciano - Susie Q (Greet the Mind Remix)

US3 - Cantaloop (pd funky remix)

"Kojak Giant Sounds are back and as always they mean business. Business as in killer disco edits that are bound to set the dancefloor alight!! The culprit on this one is Leftside Wobble, who's chopped up and re-arranged Ashford & Simpson's "Don't Cost You Nothing" and Esther Phillips' "All The Way Down", which has got a super-funky bassline!" 

- Phonica Records

"Finnish imprint Kojak Giant Sounds are back and as always they mean business. Business as in killer disco edits that are bound to set the dancefloor alight!! The man responsible for the essential re-edited sounds on this 12" is Leftside Wobble. On side A he chops-up and re-arranges Ashford & Simpson's "Don't Cost You Nothing" for 7.52 minutes of bump'n'hustle disco-funk that will work the floor a treat. On the flip we get and Esther Phillips' version of "All The Way Down". I'm sure you'll be used to Brenda & The Tabulations' original version, but feast your ears on this groovin' soul-jazz remake, given a touch of 4/4 by Mr Wobble - super-funky!"

- Piccadilly Records

Esther Phillips - "All The Way Down" (Leftside Wobble Edit)

Mop Mop - Destination (Valique Dark Jazz remix) TEASER

The second remix from the forthcoming book/lp Northern Sulphuric Soulboy, executed perfectly by Birmingham's finest Sam Redmore. Shawn Lee on bass & guitar. The book and album are available from the 26th of October via Mark Rae's Bandcamp and through The Tate book store.

Buy Link

The Devil's Horns Feat Shawn Lee (Sam Redmore Remix)

Willie Wright - I'm So Happy Now (Casbah 73 Edit)
Support Casbah 73 (Spain)
soundcloud.com/casbah-73 

Thanks for your love.
credits : Don Mescal 
released July 27, 2017

Follow us : 
speakeasyelectroswing.bandcamp.com 
www.facebook.com/SpeakeasyElectroSwingMTL 
@don-mescal 
speakeasyelectroswing.com

Artwork : Tupi Visual Lab 
tupicollective.com

Free Download

Willie Wright - I'm So Happy Now (Casbah 73 Edit)

Let Me Do It To You

The Africans - Voodoo(Groove Rework)

https://www.youtube.com/watch?v=Emu6VFFP4Kw

Palmer is backed on this Island Records funky cut by The Meters and Lowell George of Little Feat. Palmer sang confidently on this album, despite being backed by more accomplished musicians such as Lowell George, Art Neville and New Orleans singer-songwriter Allen Toussaint.

Track was made available for Nu Blends compilation #17. Click here for a free download of the compilation: http://www.nublends.net/portal/discography/compilation-vol-17/

This retreat is done with respect to the original by RocknRolla Soundsystem

Robert Palmer - Sneakin' Sally Through The Alley (RocknRolla Soundsystem Edit)

http://www.junodownload.com/products/timewrap-lee-mazah-katakana-edits-vol-9/2125511-02/

Timewrap - We Gonna Rule The World (96k)

Some blues riffs from the Sahara desert (Tinariwen), analog bass, a prison song sample, my harp, a house beat and Gil Scott-Heron on vocals with Bessy Smith as backing singer. Unfortunately Scott-Heron's words are as relevant today as ever...

"We have assigned ourselves the task of defining certain, certain trends and certain situations and, in such, have become, I guess, more so than musicians, bluesicians because we have tended to try to define certain means and modes related to the blues.

The blues was born on the American wilderness
The blues was born on the beaches where the slave ships docked
Born on the slave man’s auction block
The blues was born and carried on the howling wind
The blues grew up a slave
The blues grew up as property
The blues grew up in Nat Turner visions
The blues grew up in Harriet Tubman courage
The blues grew up in small town deprivation
The blues grew up in big city isolation
The blues grew up in the nightmares of the white man
The blues grew up in the blues, singing of Bessie and Billie and Ma
The blues grew up in Satchmo’s horn, on Duke’s piano and Langston’s poetry, on Robeson’s baritone
The point is that the blues has grown

And what about now?
The blues is now

The blues is grown now, full grown, and you can
Trace the evolution of the blues on a parallel line with the evolution of this country
From Plymouth Rock to acid-rock
From 13 states to Watergate
The blues is grown, but not the home
The blues is grown, but the country has not
The blues remembers everything the country forgot

And America has got the blues
Got the blues looking for the first principle, which was justice
It’s a blues year for justice

What about now?
The blues is now

It´s a blues year for justice

And we would be silly in all our knowledge
In all our self-righteous knowledge
When we sit back and laugh and mock the things that happen in our lives
To accept anything less than the truth

And the truth relates to 200 years of people and ideas getting by
It got by George Washington
The ideas of justice, liberty, and equality
Got cold by George Washington
Slave-owner general
Ironic that the father of this country
Should be a slave owner
The father of this country a slave-owner

And it’s a blues year all over this country
America has got the blues
And the blues is in the street looking for the 3 principles
Justice, liberty, and equality
We would do well to join the blues looking for justice, liberty, and equality

The blues is in the street
America has got the blues
But don’t let it get by us

And what about now?
The blues is now"

The Blues Is Now

azk

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