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Ребята, вы просто супер! 💪👍

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In The Name Of Freedom

A musical piece I made mixing together the typical score from a movie with some eastern instruments. I also used a Philip Glass chord progression :)

Philip Glass

Alice Matteson (soprano), Meredith Neumann (alto), Jordan Strybos (tenor), and Matthew Cramer (bass) perform an excerpt from Palestrina's setting of the Lamentations of Jeremiah for four voices.

O vos omnes from Lamentationes de Jeremiah à 4 (Giovanni Perluigi Palestrina)

Philippe Jaroussky and his Ensemble Artaserse live, Versailles, 2009. You can find the whole concert on YouTube! (I cleaned up the audio a little.) 

The opera "(La) Merope" tells the story of Merope, the widow of King Cresfonte (greek: Kresphontes). Her husband and children were killed by his enemy, with only her son Epitide (greek: Aipytos) escaping this fate. Growing up in exile, Epitide falls in love with Argia. The plot culminates in Act III, when Epitide finds himself completely alone among the two people who he thought knew him best. 

Originally, the role of Epitide was sung by Farinelli. 

In "Sposa, non mi conosci", Epitide addresses his mother Merope and his lover, Argia, alternately, which makes for a slightly confusing text. Later, Vivaldi used the achingly beautiful piece for his pasticcio "Bajazet", but with an altered text: "Sposa, son disprezzata".

*Italian*
Sposa, non mi conosci? 
Madre, tu non mi ascolti. 
(Cieli che feci mai!)
E pur sono il tuo Cor, 
Il tuo figlio, il tuo amor 
La tua speranza.

Parla, ma sei infedel
Credi, ma sei crudel
Morir mi lascerai?
Oh dio! manca il valor
E la costanza.

*English translation*
And am I to my spouse unknown? 
Will not my mother lend an ear? 
Say, oh ye gods, what have I done,
Deserves a torture thus severe! 
I once was object of thy love; 
Thou plac'd thy hopes in me thy son. 

Speak; but thou dost faithless prove. 
Believe; but thou art cruel grown. 
What will ye both, than, let me die, 
Ye gods, I find I can't prevail: 
And now I feel my constancy,
And former courage both do fail. 

*** Disclaimer ***
I believe the publication of this track fulfils the criteria of fair use, discussion and study. If you have any objections against this being online, please get in touch and I will remove it immediately.

Philippe Jaroussky sings "Sposa, non mi conosci" from Geminiano Giacomelli's opera "La Merope"

This is a track I performed for my cousin's wedding in Italy this week. It was performed by the amazing three piece Il Volo. 

Grande Amore (originally performed by Il Volo)

Shchedrin, Rodion: In the Style of Albéniz, for violin and piano

Thomas Gould, violin
John Reid, piano

Recorded live at the Wigmore Hall, London in 2006.

Shchedrin, Rodion: In the Style of Albéniz

Electronic house music

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Colours Of Motivation

Part of 'Master of Instrumental' radio collection

Listen to us at http://moinstrumental.neocities.org/listen.html
Or play your music with us https://www.dubtrack.fm/join/master-of-instrumental

Susumu Ueda - Sunadokei (1 Litre Of Tears OST)

This little december waltz in my head made me dancing on my way today.. :)

Dezemberwalzer

Sherlock Theme BBC Soundtrack (Ukrainian version) B&B project

Registrazione Live OFC 
Pianoforte | Giovannii Alvino 
Direttore | Arturo Armellino 
Auditorium S. Agostino | Benevento

Il Concerto n. 21 in do maggiore K 467 è un concerto per pianoforte e orchestra del compositore austriaco Wolfgang Amadeus Mozart (1756 – 1791), pubblicato nel 1800 da Breitkopf & Härtel di Lipsia.
Fu terminato il 9 marzo 1785, quattro settimane dopo il Concerto n. 20 in re minore K 466 (sempre per pianoforte e orchestra), concerto più vivace e appassionato rispetto al n. 21, più calmo e maestoso: esso corrispondeva esattamente alle caratteristiche esposte dallo stesso Mozart: semplicità e immediatezza tematica, efficacia espositiva, maestosità sinfonica e brillantezza nel fraseggio solistico.
Secondo lo stesso Mozart alla prima esecuzione, il concerto ottenne “un successo straordinario”, grazie anche alla tonalità di do maggiore e alla grande orchestra (con trombe e timpani), in quel periodo felice stagione per lui, all’apice del successo sia come grande compositore che come eccellente esecutore.
Il Concerto per pianoforte K 467 è virtuosistico per quanto riguarda la parte del pianoforte (che è sempre predominante sull’orchestra), ma anche l’orchestra è molto interessante sia da un punto di vista musicale che timbrico.
È anche interessante notare come Mozart gestisce il rapporto tra solista e orchestra.
Tuttavia all’ascolto sembra molto semplice e scorrevole, grazie alla bellezza dei temi.
Come tutti i concerti di forma classica, il Concerto per pianoforte n. 21 in do maggiore segue la forma tradizionale dei concerti (anche se c’è dentro tutta la genialità di Mozart) ed è quindi composto di tre movimenti: due movimenti in tempo veloce (il primo in forma-sonata, il secondo in forma di rondò) separati da un movimento lento:

   1. Allegro maestoso in do maggiore
   2. Andante in fa maggiore
   3. Allegro vivace assai in do maggiore

L’organico prevede, oltre al pianoforte, un flauto, due oboi, due fagotti, due corni, due trombe, timpani ed archi.


Concert no. 21 in k major K 467 is a piano and orchestra concert by Austrian composer Wolfgang Amadeus Mozart (1756 - 1791), published in 1800 by Breitkopf & Härtel of Leipzig.
It ended on 9 March 1785, four weeks after Concert no. 20 in K minor K 466 (always for piano and orchestra), a more lively and passionate concert than the no. 21, more calm and majestic: it corresponded exactly to the features exhibited by Mozart himself: simplicity and thematic immediacy, exhibition efficiency, symphonic majesty and brilliance in solo phrasing.
According to Mozart himself at the first performance, the concert was "an extraordinary achievement", thanks also to Major Major and the great orchestra (with trumpets and timpani), in that happy season for him, at the peak of success as well as a great composer who as an excellent performer.
The Piano Concert K 467 is virtuoso with regard to the part of the piano (which is always predominant on the orchestra), but the orchestra is very interesting both from a musical and a timbre point of view.
It is also interesting to note how Mozart manages the relationship between soloist and orchestra.
However, listening seems very simple and smooth, thanks to the beauty of the themes.
Like all classical concerts, the Piano Concert no. 21 in do follows the traditional form of the concerts (though it is in all the genius of Mozart) and is therefore composed of three movements: two movements in fast time (the first in form-sonata, the second in the form of rondò ) separated by a slow motion:

   1. Allegro maestoso in C major
   2. Andante in F major
   3. Allegro vivace assai in C major

The orchestra has a flute, two oboes, two bassoons, two horns, two trumpets, timpani and bows.

Sherlock Theme BBC Soundtrack (Ukrainian version) B&B project

B&B Project

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