Astrolomy (Mike Slott Remix)

Found on the Elliptic 12"/EP:
vesselsband.bandcamp.com/album/elliptic-ep

Watch video of the radio edit here: http://www.youtube.com/watch?v=7h9z2VjTZ9E
https://vimeo.com/76332539

Elliptic EP

Elliptic

Grandbrothers debut album 'Dilation' is out now!

Listen to the album on Spotify:
http://hyperurl.co/99jqvj

2LP: http://hyperurl.co/0qni9n
CD: http://hyperurl.co/m3qg7y
MP3: http://hyperurl.co/jbznyb

Grandbrothers - Ezra Was Right

Remix by Four Tet. Featuring Luke Lalonde, Adem and One Little Plane

Caribou - Melody Day (Four Tet Remix)

buy at:

Bleep - https://bleep.com/release/56933-nathan-fake-glaive
Juno - http://www.juno.co.uk/products/nathan-fake-glaive/561496-01/


01 Nathan Fake - Fortune Bru

Original Music by Desert (Cristina Checa & Eloi Caballé)
Remix and Additional Production by Sau Poler, Pedro Vian, Sunny Graves, LANOCHE. 
Artwork by Arnau Pi
Modern Obscure Music 2015

www.modernobscuremusic.com

Desert - Saps Prou Bé (Sau Poler Remix)

Kelpe's hard to place. A natural son and heir to Generation Warp and the fathers of Krautrock, he's much like scene-savants Prefuse 73 and Dimlite: enormously respected, yet a stalwart of the fringes. His reputation weaves over a decade, won variously across the more amorphous side of the soundworld (oddball ambient, hardware experiments and sample-heavy beat-craft) but recently, it seems he's firming things up some.

Kelpe returns to puff up his still-young Drut imprint with a second full-length: 'The Curved Line'. It's a record transfixed on tonality and texture – Moogs, Korgs and pocket pianos are all in heavy supply here. The mood is forward, approaching more urgent, dancefloor-ready club grub. Our pick of the bunch is 'Valerian', a track that's all sun-swollen chords, droning synths and quietly frantic percussion. It's bigger and bolder, but all said and done – it's definitive Kelpe.

Kelpe "Valerian" - Boiler Room Debuts

Will & Held - Mend (A.1)

Dummy Mag Premiere - http://dummymag.com/new-music/2012/03/02/premiere-anenon-this-is-what-i-meant/

From 'Inner Hue', available 5/1/12. 

‘Inner Hue’ is the debut full-length release from Non Projects founder and 2011 Red Bull Music Academy alum Brian Allen Simon.
 
While sharing similar stripped down recording approaches to the companion ‘Acquiescence’ EP, the music of ‘Inner Hue’ is an entirely different journey. With ‘Acquiescence’, the source material of grand piano and tenor saxophone remain fairly transparent, letting the instruments themselves tell the story, but with ‘Inner Hue’ Brian goes far deeper inside of the notes and takes the instrumentation of Rhodes piano and tenor saxophone into entirely new territories, coaxing nuanced textures and sounds with personal vocabulary unique to each track. An album that moves with sonic intent and abstract narrative, ‘Inner Hue’ naturally demands listening from start to finish, always revealing new paths with each play. This is personal, patient and thoughtful music to live inside of, or rather the music that lives inside of us, aching to get out.

Throughout ‘Inner Hue’, the sound of electric piano timbres remain prevalent - raw, elegant and crystallized into time, lucid tone colors embossed onto a tangible spectral audio field. Seductive and ruminating melodies run rampant, in shifting counterpoint with luxuriant, ageless textures, always with a corporeal melodic yearning. Sometimes physical and upfront, as when the saxophones roar over sturdy, cracking drums in “Murmurs” and layers of Rhodes build and amalgamate with double time percussive syncopations on the title track, or patiently ebbing and flowing through space on tracks like “Embers” and opener “Eighty-Four,” the timeless music of ‘Inner Hue’ is communicated with a unique and individualized finesse so rarely heard these days. A testament to Brian’s both formal and informal studies of composition over many years, ‘Inner Hue’ advances with a unique cinematic tension in the most organic of ways, coming to a harmonious close with “Entwine”, a highly visual piece of lullaby like high notes, raw bass tones, studied counterpoint and delicate ambience. An artist obsessed with building his own voice, no matter what palate he chooses, Anenon’s ‘Inner Hue’ truly marks only the beginning of a long and idiosyncratic life of music ahead.

Anenon - "This Is What I Meant"

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Find "The Waiting Room" in The Ghostly Store: http://www.theghostlystore.com/collections/music/products/lusine-the-waiting-room

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b.fleischmann

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