Marcus Chill Electronic

Eurythmics - Sweet Dreams (Are Made Of This) (12'' Hot Remix) by Giorgio Moroder

www.annielennox.com
www.davestewart.com
www.giorgiomoroder.com
www.facebook.com/GiorgioMoroderOfficial
www.twitter.com/giorgiomoroder

Sweet Dreams (Are Made of This)

Buy the song on amazon

Eurythmics - Sweet Dreams [Are Made Of This] (Giorgio Moroder Remix)

Billie Jean (Michael Jackson)

Title track from my new EP on Live At Robert Johnson out Jan 15th!

Vinyl here : http://bit.ly/1mNYtgA.

Secrets & Lies

Karaoke Hits 1979, Vol. 5

Boogie Wonderland (Originally Performed Earth, Wind & Fire) [Full Vocal Version]

Gloria gaynor - i will survive

https://kann.bandcamp.com/album/family-horror-x-good-times
Spotify: spoti.fi/2V2cUib

We asked close friends and long time idols to play their part to the full to complete the third edition of the label’s Family Horror compilation series. The outcome is a clear snapshot of the musical inclinations of the three label founders, Sevensol & Map.ache (aka Manamana) and Bender, encapsulating an idiosyncratic, modern house sound that demands an emotional response. 
The compilation comes rounded off by a booklet of photographs from Ria aka Lux which just like the music captures some of the beautiful ‘Good Times’ from this very special period, this time on paper.

Innere Tueren - Eden 
Eau Thermale - Koburger Bruecke 
Underspreche - Against (Dub) 
Sevensol & Bender - Malekula 
Map.ache - Thank U Again 
Matt Karmil - Clean Bus 
Jacques Bon & Eugene Pascal - Château D’Eau 
cmd q - Sequence 
Mary Yalex - Turquoise 
Art Alfie & Axel Boman - Rätt Sida Om Cirkus 
Lawrence - Cany 
Perm - HEGDL 
Philipp Matalla - Island Jam 
FR Fels - Twilight 
Things From The Basement - Coral

Family Horror X

Jacques Bon & Eugene Pascal -  Château D’Eau (From Family Horror X)

/Get 'The Last Trip' here: https://lnk.to/TheLastTrip

Artist: Various Artists
Title: The Last Trip
Label: Stil vor Talent 
Catalogue No: SVT242
Release: 2019-02-22

Initially materialising as a fully fledged happening, The Last Trip is ultimately available in tangible sonic form, as a mini-compilation of party-friendly styles under the Techno umbrella rolled into 12 exclusive tracks.

1. Malandra Jr. - Utter
2. Malandra Jr. - Poison
3. Citizen Kain - Crush
4. Citizen Kain feat. Aves Volare - Balance
5. Heerhorst - Centaurus
6. Heerhorst - Hydra
7. Transcode - String Theory
8. Transcode - Molecular Cloud
9. Olivier Giacomotto - Moonshine
10. Olivier Giacomotto - Bonobo
11. Made in Paris - Warm Hearts
12. Made in Paris - Conjure

Classically trained instrumentalist and Cocoon alum Malandra Jr. kicks off proceedings on a dynamic note with a pair of blissed-out tracks featuring blossoming synths, supple drums and whirring glitches. Citizen Kain follows suit with two energy-loaded numbers, the more dreamy and spaced out 'Crush', followed by the vocal-heavy 'Balance'. Next up is German producer Heerhorst who takes a turn for deep and pensive melodies with 'Centaurus', while 'Hydra' stands out with powerful synths and a rattling beat. Bold, intense synths are also at the core of Transcode’s 'String Theory' and 'Molecular Cloud', with the former offering a massive breakdown fit for peak time, and the latter a more resolute atmosphere overall. In the release’s final quarter, we find Olivier Giacomotto with two tribal-tinged constructions, the slow burner 'Moonshine', and its more unhinged counterpart, 'Bonobo'. Made in Paris rounds off the Trip with a couple of stirring slices brimful of radiating synths and spacious breakdowns.

All in all, a steady trickle of dancefloor-primed pieces setting off sparks of all the different types of energy needed to sustain a coalescent set.

/ Homepage: www.stilvortalent.de
/ Facebook: facebook.de/stilvortalent
/ Spotify: open.spotify.com/user/stil_vor_talent
/ Soundcloud: @stilvortalent
/ Youtube: youtube.com/stilvortalenttv
/ Online-Shop: http://shop.stilvortalent.de/
/ Twitter: twitter.com/_StilvorTalent
/ Instagram: instagram.com/stilvortalentmusic

Olivier Giacomotto - Moonshine [Snippet]

Like the Track? Click the [Repost] ↻ button so more people can hear it!

► YouTube: http://bit.ly/ProgressiveAstronautSubscribe
► Soundcloud: http://bit.ly/ProgressiveAstronautSC
► Website: http://bit.ly/ProgressiveAstronautWEB
► Facebook: http://bit.ly/ProgressiveAstronautFB
► Twitter: http://bit.ly/ProgressiveAstronautTW
► Instagram: http://bit.ly/ProgressiveAstronautIG

Buy: http://bit.ly/2FcYbKN
Release Date: 25-03-2019

► Do Not Sit On The Furniture ♫
https://soundcloud.com/donotsit
https://www.instagram.com/donotsit/
https://www.facebook.com/DoNotSit
https://twitter.com/DoNotSit_
https://www.beatport.com/label/do-not-sit-on-the-furniture-recordings/60794

► Dee Montero ♫
https://soundcloud.com/deemontero
https://www.instagram.com/deemontero
https://www.facebook.com/deemontero
https://twitter.com/deemontero
http://www.deemontero.com
https://www.beatport.com/artist/dee-montero/392381

Tracklist:
01. Dee Montero - Chakra (Original Mix)
02. Dee Montero - Ventura (Original Mix)
03. Dee Montero - Bahia (Original Mix)
04. Dee Montero - Samsara (Original Mix)

Release Info: 
Dee Montero is next up on the ever reliant music tastemakers that are Do Not Sit On The Furniture Recordings. 

Montero is a UK artist with an international profile. He is a former resident at Cafe Mambo for eight years and has some serious skills in the DJ booth. His productions skills are renowned and revered too, with recent releases on the likes of Lee Burridge's Tale & Tones, Hot Since 82's Knee Deep In Sound, and Solomun's Diynamic, where his 'Halcyon' track spent 5 weeks at #1 on Beatport, and was Pete Tong's #1 Track of 2017. Here he goes deep and emotional on his four latest and great tracks. 

Chakra opens up with spine tingling xylophones dancing over rubbery, rolling grooves. It's a late night cut with a real sense of musical spirit that burrows deep into your brain. Ventura then picks up the pace but stays just as seductive, with supple kicks and more busy but enchanting new age melodies floating up top next to draped piano chords that are full of feeling. Bahia then traps you in a trance, with more sustained pads and chanting vocals that are utterly uplifting. It's a magical cut once more. Last of all, Samsara is another hands in the air, lighters out kind of tune with dreamy pads and superbly crafted melodies that are soft and shiver inducing. 

This really is a classy house EP from one of the best labels in the game.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

ALL PREMIERS: https://soundcloud.com/progressiveastronaut/sets/premieres

ALL FREE DOWNLOADS: https://soundcloud.com/progressiveastronaut/sets/free-downloads

ALL PODCAST EPISODES: https://soundcloud.com/progressiveastronaut/sets/progressive-astronaut-mixes

Dee Montero - Chakra EP

PREMIERE: Dee Montero - Ventura (Original Mix) [Do Not Sit]

Bee Gees ♫ Stayin' Alive

Bee Gees - Staying Alive

Boogie Wonderland

Get lucky - daft punk*pharrell williams* nile rodgers - "sò d'ora tony s extended "

Felt these two needed to go together, made it so.

Daft Punk - Get Lucky (Original + George Barnett cover)(Mayday Mashup)

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Buy CD at Amazon USA

Bee Gees - Stayin' Alive (excerpt)

Schooled as a classical cellist, Techstil combines the hypnotic rhythm of techno with warm acoustic presence, and timeless geometrical melodies. Growing up with Kraftwerk he fell in love with analogue synthesizers at early age, and by 2006 he started DJ’ing in the underground clubs of Malmö. By 2008 he  followed the Basic Channel-beats to Berlin to participate in the evolution of the Berlin sound. After 4 years in Berlin he turned to a warmer slower sound, inspired by heavy base from Panorama bar, and never-ending weekends at Bar25... After many years in Helsinki, Finland he recently moved to Stockholm where he plays hypnotic deep house and dubby techno from labels like Sol Selectas, Giegling, Molt, Hypnus, Trolldans, Permanent Vacation and Diynamic

Bee Gees ♫ Stayin' Alive

M-Mars

Recent comments

Wertix Kubataliev

(🚜💨)(vvilliäm)(§ĥąř9)

Benjammin Bodenstein

Ed Sierra

Related tracks