This feels like a peaceful pause in the chaos.

The quiet art of breaking free. Exquisite

I really love the movement of this piece. Beautiful work!

I like this beautiful music. So great work!!

Another incredible build. Fantastic work man!

to write a story using a piano

Far From the Madding Crowd

This came out after some relaxing days in Christmas holiday.

I'm here

Petite mélodie dédiée à ma maman 🌹

Le Piano De Ma Mère

Vals De La Luz

An emotional Piano melody with a subtle orchestration. In memory of my Dad 💙

As I watch you fade

103 - Surrendering

New EP by Mexican pianist and composer Moab, a hypnotic journey into the depths of emotion. In Lighter than Density, Moab explores serenity and introspection through delicate high notes and rich, resonant chords. Each composition unfolds with quiet contemplation, drawing the listener into a space of subtle refined musicality. A luminous and thoughtful neoclassical experience, now available on all streaming platforms. ad21

Lighter than Density

Majestic

Listen

106 - Exsulere e tenebris

"Crescent Moon” was originally inspired by the first movement of Beethoven’s Moonlight Sonata - a piece I’ve always been fascinated by. There’s something timeless in the way it draws so much emotion from such simple material. That quality is at the heart of what I was trying to explore.

Crescent Moon (felted piano version)

Music, piano, synths, mix: Vicente Bueso

A lingering sense of emptiness follows, like walking through a place you once loved and finding it unrecognizable. There is a quiet ache—an awareness of absence, of something essential now lost to time. It is the kind of melancholy that settles in gently, making you reflect on the fragility of beauty and the deep silence that remains after even the smallest signs of life have faded. After the ferns, all that’s left is memory and the hush of what used to be.

(c) Science Teheran 2025 / Luminous Path

After the ferns

130 - Quiet Escape

Dans ce chemin sonore, instrumental,  les imaginaires en mouvement ouvrent le passage où la pluie interconnecte tous les êtres, jusqu’à ce que surgisse ce qui chante en nous et nous réveille à la cartographie du réseau géofractal, captée par le templophone de mémoire qui inscrit le souffle d’un corps monde guidé par les instruments du Futur.

corps monde

Ethereal ambient soundscapes for your pleasure.

SFS - FAREWELL AND SORROW

The Composer Speaks:

I always knew that I wanted to be a musician when I grew up. Admittedly, there were times around the age 7 or 8 when I thought that that maybe I could become a scientist for, as a child of the 60s and besotted with space and rockets, science was a very big and popular part of my childhood. There were also times, somewhere around my first big double digit birthday, when I felt so alone and detached from children and adults alike, that I seriously wanted to be a horse - not that I particularly liked horses but it seemed easier than being me. Throughout all this though, playing in the background as it were, being a musician was the thing I really dreamed of being, and it was playing music that made me feel alive.

After the age of 11, I hated school so much that I simply stopped going. I educated myself by watching programmes for schools on the TV and reading encyclopaedias and the like. It was around this age that the classical music that I had listened to previously gradually gave way to more modern influences, mainly European bands, generally the stranger the better. At 13 I played my first gig, and at 16 I officially ‘left’ school and I threw myself whole-heartedly into music.

I’ve always written my own music; the songs of my youth have gradually given way to more instrumental compositions and now at 65, and edging ever closer to 66, lo and behold, I’m not only a musician but also a composer. The fundamentals of being a musician these days are so very different to when I first began; in those days I wanted to be successful and rich and so famous that I could have my own studio and be left alone to record and release music whenever I felt like it. Nowadays, although I’m neither remotely rich nor famous,  I do have my own studio, am more or less left alone and I can release music whenever I feel like it - so I guess, in a way, I’m living the dream; I’m living in Dreamtime.

This simple composition appeared beneath my finger tips as I sat in my studio thinking about all of the above; with the old nursery rhyme running through my mind that accurately says it better than I ever could:

“Row, row, row your boat 
gently down the stream;
Merrily, Merrily, Merrily, Merrily
Life is but a dream” 

Dreamtime

state of mind

Sometimes longed for, sometimes unbearable...

Thank you for listening :-)

https://open.spotify.com/artist/072bquD7PdGaPPwFQl0jTV
https://soundcloud.com/petrahall
https://www.reverbnation.com/petrahall
https://www.facebook.com/soundsbypetrahall/
https://twitter.com/petrhall

Solitude

Hello, 
I'm a self-taught ! That mean that i never studied music and i learned alone. I'm interested in a lot of kind of music, but i mainly like composing neo-classical and electronic music. 
I would like to thank the people who have supported me from the beginning and continue to do so !
I hope you'll like my creations ! 
All the best !

130 - Quiet Escape

Nadib

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