The Death Of Rave, 30. April 2015, 2LP, Album 
gaborlazar.com / markfell.com

Watch Aphex Twin playing Mark Fell and Gábor Lázár at Field Day London 2017: goo.gl/hkud0m and at Primavera Sound Barcelona 2017: https://goo.gl/3wT1sc

The Quietus on Aphex Twin at Field Day London: "...one of the most head-spinning moments around 30 minutes into his set thanks to a cut from Mark Fell & Gábor Lázár's 2015 record released via The Death Of Rave."
https://goo.gl/6DfjN1

The Wire Magazine (Issue 376, June 2015):

"[...] Formed from an ascetic palette of untreated beats and single-frequency synths, The Neurobiology Of Moral Decision Making flaunts Fell and Lázár's microscopic attention to detail throughout, with each track drawing your attention to a tiny parameter variation. Unlike the pointillist studies of Ryoji Ikeda and Florian Hecker, the results are unexpectedly itchy, funky and exhilarating - as the press release says, this neuroscience is "almost compatible with footwork". Amid all the odd numbered time signatures and disorientating multitimbral drones, the disc works a sincere homage to the intricate web of kick drums and snares of Chicago dance music.

When Autechre and Aphex Twin deployed loops of ball-bearing sounds a decade and a half ago, in "VI Scose Poise" and "Bucephalus Bouncing Ball" ,things could slip up and fall flat. This self-conscious IDM was, as Matthew Ingram put it in The Wire 349, "the worst of both worlds, like pipe-smoking breakdancer". Here, in the untitled seventh track, the same rhythmic pattern spawns five minutes of compelling material, a rapid dancefloor cut in which Fell's beat suddenly drops midway through, leaving Lázár's synth flickering alongside a flurry of invisible trainers. The album retains a focus on the danceable, at least until the 12 minute finale, whose strobing and pitched-up snares from the highest bpm of the entire set. Like Hans Christian Andersen's gory tale of the red shoes, this flurry of hyper-rhythmic noise finally passes the bounds of footwork altogether, pointing towards a mechanical state in which human dance is impossible. [...]"

Resident Advisor:

"Rave deconstruction has been back in the spotlight lately. Established figures like Russell Haswell and Mark Fell are in high demand from young labels like Diagonal and Liberation Technologies. And a new generation of musicians are following in their footsteps, taking the conventions and materials of dance music and reshaping them in weird and wonderful ways. Lee Gamble, a self-professed Editions Mego fanatic, puts techno under the microscope. Lorenzo Senni pens bizarre sonic essays on trance. Budapest's Gábor Lázár, meanwhile, fires out machinegun patterns of abrasive synth tones, transforming a single eardrum-scraping rave sound into a study on the psychedelic properties of the dance floor. Music this intensely minimalist is difficult to get right. It risks draining its subject of the qualities that make it so exciting, or else prioritising concept over a musically engaging outcome. Lázár's productions have been improving in this respect, but it's on this collaborative album with Mark Fell that he makes a major breakthrough. [...]" 

Norman Records:

"If you already know Gábor Lázár’s music then you’re probably already a Mark Fell fan and so you won’t be surprised that this collaboration between them has yielded what has to be some of the most rhythmically radical and seizure-inducing futurist electronica being made on planet Earth right now.[...]"

Bleep:

"On The Neurobiology of Moral Decision Making, the duo deliver 10 pieces of off the grid, unsyncopated mastery, deconstructing of the steadfast preconceptions of dance music through a suite of constantly shifting time signatures, sporadic claps and sterile, modernistic melody. Such production methods obliterate the deeply rooted notions of rhythm, ushering in a new age of dance floor exploration.[...]"

Mark Fell and Gábor Lázár - The Neurobiology Of Moral Decision Making (2015)

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PLEASE EXCUSE THE SOUND QUALITY AND FOCUS ON THE VIBES.
DJ Katapila live dj set 12/31/14. Katapila adds vocals and electronic drums while he DJs. 
Album OUT NOW on Awesome Tapes From Africa. http://smarturl.it/TrotroiTunes

DJ Katapila -- Live DJ Set 12/31/14

Out now on LP/CD/MP3 via Awesome Tapes From Africa.
http://amzn.to/1VszdHu
https://boomkat.com/products/trotro
https://itunes.apple.com/us/album/trotro/id1069030014

Trotro

DJ Katapila -- Zoomlion

JONNY5 & YUNG HURN - GRAUER RAUCH ( PROD. by DRAE DA SKIMASK )

Rinse FM Podcast - Novelist & Grandmixxer & Friends (Ruff Sound Movement) - 20th April 2016

Death's Dynamic Shroud - THIGH GAP

TTT NTS 28.07.16

**FREE DOWNLOAD** - http://www.jpmoregun.com/

JP Moregun are PBDY (Production) and Jeremiah Jae (Raps).

Follow PBDY -
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JP Moregun

JP Moregun - 'Holy Matrimony'

Barba hits its 12th edition with one of the coolest records in its catalogue. Having said that, if you have an expectation on how a Barba record should sound - this one might throw you a curveball.

Russian producer Information Ghetto (aka Clapan aka Dennis Korsunski) is no stranger to Burek/Barba/Pomalo family and on this 12" he's pulling all the right moves. Both of the originals, "General Trip" and "Unused OrtoDox", are seriously trippy slow-burning 303 affairs executed flawlessly in a sort-of-a breakbeat manner.

However, the surprise comes on the flip. "General Trip" got a treatment from none other than Luke Vibert, British electronic music legend responsible for some of the most loved albums of the 90s and later. Track's signature acid line is here, and breakbeat moment is sounding as fresh as back in the day. Add an irresistible 90s reminiscent piano hook and it doesn't take a genius to realise you've got on your hands a monster tune which will send any party into overdrive. Big.  

All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by EmaEmaEma​.
Out on april 17

https://soundcloud.com/barba_records

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borks

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