Mid bpm ep

PRE ORDER - https://subwax.es/product/bsu006/

Butter Side Up's sixth EP comes from Stockholm's super slick Basement Space, who serves up four tracks of spacey, tripped-out house and breaks.

Patrik Edenhall is an audio engineer and producer with a love of old school broken beats. In his hands, those beats are worked into everything from jazz to techno, with deft ambient melodies and complex IDM patterns. His meticulous approach shines through once again on these four more timeless tracks.

BSU006 is another innovative EP of multi-faceted club tracks from a fresh underground talent.

@basement-space

Neptune Sunrise EP 

BSU006: Basement Space - Neptune Sunrise EP

SPND20007 Out now!

A2 sees FJAAK & Mr Neumann handle business themselves on F-Zero, a cut which would surely work a treat had it been included in the video game series its is named after.

FJAAK & Tobi Neumann - F-Zero

Available worldwide June 15, 2017
Distributed by Honest Jon's

D. Tiffany - Get Back To You Soon

* Read more: https://bit.ly/2GxvHPl
* Pre-order : https://bit.ly/2H9J1Xi
* Watch on YouTube : https://youtu.be/YZOxp-9XDdc

Melbourne’s prolific electronic music scene recruited another valuable member last year, when Perth-born producer Katie Campbell, or Roza Terenzi, joined what has become a popular migration of budding West Australian musicians moving to the east coast.

Roza told us that about two years ago she felt she’d progressed enough musically to warrant an identity shift, taking the solid reputation she’d built with her first moniker Catlips into her Roza Terenzi alter ego.

And it looks like it’s paying off. She’s been making big waves around Australia – at least big enough to induce international demand that will see her set off on her first North America and European tour later this year. These waves have come in the form of some impressive gigs and records, like her debut live set at the carefully curated Inner Varnika festival near Melbourne last weekend. And on the record front, she’s about to drop arguably her biggest record to date: a four-track EP on Voyage Recordings.

“I was in the zone of listening to lots of experimental and trancey stuff,” Katie told us, explaining the creative origins of the upcoming record.

Our premiere is the remix from Vancouver’s own, D. Tiffany, AKA DJ Zozi. At least for the sake of the EP’s musical unity and cohesion, D. Tiffany was a wise choice for a Roza remix, with plenty of stylistic similarities between the two. In fact, their cross-continental synergy recently saw the completion of their collaborative EP on Vancouver label Planet Euphorique, set for release on April 30. So it’s no surprise this remix slots in quite seamlessly next to the three originals.

PREMIERE : Roza Terenzi - Weakest Link (D. Tiffany Remix)

A1 stevn.aint.leavn - Domenu
A2 Steve.Martin - Rebreather
B1 Porter - Yasse
B2 Steve.Martin - Enormous Apparatus

Release Date: September/October 2018

CC04 Snippet

Artist: Ron's Mobile Disco
Title: Subconscious Exploration EP
Label: Seven Hills
Cat No: SHRR02
Format: 12” Vinyl

Tracklist: 
A. Subconscious Threat (Edit)
B. Simpleton (Edit)

SHRR02 is a 2-track compilation EP consistanting of music released by Ronan O Ciosoig on One Louder Recordings between 2001 – 2002. A peculiar and short-lived Irish label, One Louder recordings only released two records, both of qhich are now highly sought after and practically begging to be repressed. Remastered for both a vinyl and digital 2019 release, we hope to make this music accessible again. 

Subconscious Threat (Edit) combines haunting melodies, cavernous warehouse-rave bass, and a hypnotic skipping tech house groove throughout its expertly crafted 6 minutes of run time, this 2018 red-edit (edited by Ronan himself), switches the quick fire kick drums of the original for a straighter four-on-the-floor pattern, utilises some sharper high-hat and snare action, and reduces the pace slightly. One the flip, and taking a more light-hearted turn, the slow down 2018 re-edit of Simpleton utilises its bouncing minimal framework to create a slightly more abstracted and playful mood. Both tracks work very well on the dancefloor, and have been receiving playtime from a few high profile DJ’s over the past decade or so.

Seven Hills records is a label forged in Sheffield, cultivated in London. 
SHRR02 is our second reissue. Keep your eyes open for SHR001 – the first original release on Seven Hills. Coming soon.

Ron's Mobile Disco - Subconscious Exploration EP (SHRR02)

CC05

A1 Sota - Kleo's Dub
A2 Sandilé - Riddim Man
B1 Diego Krause - Hyperbolic
B2 SY - Zero

CC05 Snippet

In celebration of International Womxn's Day 2020 all proceeds from this release will go directly to the following organisations;

-VDAY www.vday.org
-The Society of Gynecologic Oncology www.sgo.org

Purchase via our Bandcamp www.radiantlove.bandcamp.com

Special thanks to all the artists involved in this project and VASE for mastering.

Artwork by Byron & Brandi

<3

Bliss Inc - Innerstate

https://soundcloud.com/d-tiffany

"Diva Demos" 

A selection of tracks from D. Tiffany's demo folder. Recorded between 2018-2020 :) Mad love and respekt to Sweet Pup, The Plush Penthouse, and The Cosmic Café.
SUPPORT YOUR LOCAL DEEJAY 😘 ❤️ available on our bandcamp 👹 

https://planeteuphorique.bandcamp.com/album/diva-demos

ZOZI'S HOUSE

SlapFunk Records strikes again with a solo EP by none other than Huerta. While having released a wide variety of music with a strong own identity, it’s fair to say that he fully incorporated the SlapFunk vision on this one. Even though all 5 tracks have a different character, they all share the same energetic beats specially designed for the dancefloor. This reflection is clearly the core of the artwork made by Firpo a.k.a. Freshcore. On the other hand, the graphic design by Studio Airport truly does justice to the the work of both Huerta and Firpo it deserves. Huerta his strong musical and intelligent identity, makes him one to keep an eye on closely.

Artist: Huerta
Title: Ayo Skidlo EP
Label: SlapFunk Records
Cat No: SLPFNK024

Tracklist:
A1. Tatra Motokov
A2. Kollecta
B1. Ayo Skidlo 
B2. Explorateur
B3. Buzz Off Like

Illustrations by Firpo A.K.A Freshcore
www.instagram.com/firpoakafreshcore/
www.facebook.com/Firpoesfreshcore/

Graphic design by Studio Airport
www.studioairport.nl/

Order: https://www.store.subwaxbcn.com/product/slpfnk024/
Bandcamp: https://slapfunk.bandcamp.com/album/huerta-ayo-skidlo-ep-slpfnk024

Discogs: https://www.discogs.com/release/15384577

Release date: Summer 2020

Huerta - Ayo Skidlo EP (SLPFNK024)

ORDER:
https://www.rubadub.co.uk/records/hacking-the-planet-ep
https://radiantlove.bandcamp.com/album/bliss-inc-hacking-the-planet

@bliss_inc
@sunnysibar

There is not much information to be found online about Bliss Inc., whose Hacking the Planet EP comes out on Radiant Love this summer. Beyond the fact they’re named Alexander and hail from Saint Petersburg, the project is cryptic – somehow this is fitting for a set of songs that could’ve fallen out of an obscure 1994 catalogue. This is the year of Robert Leiner’s Visions of the Past, Opus III’s Guru Mother, and Paul Oakenfold’s BBC-1 Essential Mix: an aesthetic region in which tech and new age spirituality braid together, a time before this synthesis reached Silicon Valley; while it still lingered in the rave, incredibly sincere, everything sounded kind of wet, and the efficiency of spirit was means to no end but a state of bliss.

What keeps Hacking the Planet from falling into pure nostalgia is its tuning – the palette of 1994 has been lifted and run through a delicate sensibility. The title track is a piece of buoyant, airy trance, with orbiting filters and a set of loopy, very vocal synths. It bumps along at 130 BPM, but feels slower because of the ease and clarity with which the track progresses. “Infinite” has got the aquatic motifs and soft, panning cymbals of a set-opener, or a comedown jam. The break that swings in after a minute-thirty feels less like a punctuation than another stream of sonics joining the flow. Picking up the pace a little, “Transitions” opens with a whir that could issue from a field of crickets or a stack of hardware. The entrance of the bassline was the first moment in this EP one could call nasty. But its drive and weight is also tempered, played against by a clever drum break, a run of piano keys, and the ethereal reverb-washed vocal sample we expect in a piece of classic mid-90’s trance – absent, however, is any kind of signalling to Goa, “exoticism” or indigenous aesthetics. (1994 was also the year of Jean Paul Gaultier’s Les Tatouages collection, which, for all its romantic nomadism and deft tailoring and syncretic spirit, has no need of a 2020 update).

Bliss Inc.’s songs stream, rather than track – one gets a sense that the elements flow in and out rather than ride a structure. Sansibar, who provides a remix of “Hacking the Planet” to round out the EP, is solidly a producer of tracks: often electro-derived ass-shaking material that hits, and hits in recognisable sections that progress serially. His version of the title cut brings in a hefty acid baseline, jungle-style stretched vocals, and kicks out of the 4/4 grid. But let there be no mistake, this is a producer also quite capable of coaxing delicacy out of hardware. The chimes of the lullaby-like breakdown halfway through the remix sound like nothing but a ghost in the machine.

BLISS INC.
Title: HACKING THE PLANET
Cat: RADIANTLOVE002
Format: 12”
Distributed: RUBADUB
Artwork: BYRON YEATES
Text: NAT MARCUS
Release date: 24.08.20

Mid bpm ep

Max