This song looks straight from some old disney movie. I miss that era and those movies

60 second commercial #1 slowed + reverb by peachy ! !

4:00 A.M. (Taeko Ohnuki) ~ slowed (lower pitch)

hatachi no koi - lamp (slowed)

Banana shake - Hus | Best Part loop × slowed × reverb × room effect |

Just a little bit of reverb, not to much

🚀🪐🌻☀

𝙴𝚗𝚓𝚘𝚢

𝙼𝚒𝚌𝚑𝚊𝚎𝚕 𝚁𝚎𝚢𝚗𝚘𝚕𝚍𝚜 - 𝚂𝚒𝚡𝚝𝚢 𝚂𝚎𝚌𝚘𝚗𝚍 𝙲𝚘𝚖𝚖𝚎𝚛𝚌𝚒𝚊𝚕 1 (Slowed + Reverb)

taking what’s not yours (slowed)

Sixty Second Commercial 1 - Slowed

L'amore Dice Ciao - Slowed

This album is shaped by the instruments that have meant the most to me. The piano was the first one. My grandmother taught me by ear in the living room, guiding me to listen for the notes instead of reading them. That memory still sits underneath everything I make.

I have always been drawn to the violin because it feels almost vocal, able to carry emotion the way a voice does. My wife has the same bond with the cello and the warmth it brings, so that sound found its place in our home too. Bringing all three together felt natural.

The music blends these roots into a Modern Instrumental style that is serene, expressive, and personal. The violin leads with lyrical motion. The cello adds depth and softness. The piano and Rhodes set the foundation. The sound moves through easy listening, neo classical color, soft R and B influence, and gentle cinematic moments.

These pieces were shaped with the help of current creative prompt based tools, guided carefully to preserve the same warmth and emotion these instruments have always held for us all.

Running the Edge

Silently the Shades of Evening is a Civil War–era hymn cycle told from the perspective of a God-fearing army surgeon, Christopher Christian Cox. It opens with an instrumental portrait of Baltimore on the brink of war, then follows his choice to don army blue, his first exposure to battlefield carnage, and the long nights inside canvas hospitals lit only by lanterns. Songs arise in the very places where the wounded lie—campfires before dawn, crowded wards, and a quiet riverbank where he tries to make sense of what he’s seen. Instrumental pieces move the war forward in waves of battle and exhaustion, while the vocal tracks are the surgeon’s own sung prayers and field hymns, written to steady frightened soldiers and his own soul. The album closes with an evening hymn that gathers all the sorrow, mercy, and small acts of courage into one twilight song, pointing toward the later hymn-writing life that waits beyond the war.

Sixty Second Commercial 1 - Slowed

BachOctopuss

Recent comments

Nadine Louise

🧑‍🦳🔫🥸

schierke

Soul’light’life

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