haven't heard this one before, lovin it yep!

you are so wanderfull!!!! that voice send my to another galaxy! :D

This track is absolutely amazing, I can't believe it's not all over the internet and swimming in comments and plays! It's simply gorgeous!

Actually I felt the need to comment again. Such posivite vibrations!

BackBeatSoundSystem

Get 'Everyone's A Winner - The Mixtape' for free download at http://dizraeli.bandcamp.com/

'Cup of Tea' produced by DownLow using an MPC and a pair of turntables.

Recorded and mixed by DownLow using his brain and a sly computer, in his (girlfriend's) bedroom aka The Feminine Boutique aka The Man Castle.



Dizraeli & DownLow - Cup Of Tea?

On Point proudly presents our long-awaited debut album: Sound Culture. Over 13 years in the making, we are finally prepared to clean out the vaults and turn it out! Showcasing remixes and new exclusive tracks hand picked by On Point Co-Founder Everfresh. Featuring remixes by Serial Killaz, Serum, Bladerunner, and the new Brazilian Sensation: L-Side. Come take a journey with us through the depths of the Jungle.

Demolition Man & Marcus Visionary - The Music

I don't own this song and the cover image.

Son Of A Pitch (feat Taiwan MC) - Nintendo Riddim (6Blocc Remix)

Boots on the floor, elbows on the bar — this is the full pub version of Hell’s Bells and Empty Barrels. A riotous stomp-along packed with shouts, claps, cheek, and chaos. From stolen kisses to spilled pints, every verse swings with swagger and singalong energy. Pour it loud and raise a glass.

[LYRICS]

I punched the jukebox for a jig,
Spilled half me pint on Old Man Briggs.
He cursed, I laughed, then took a bow,
The crowd just roared — they liked it now.

Slipped on a boot that wasn’t mine,
Kissed the wrong lass — said, “You’ll do fine.”
Got slapped so hard I saw the stars,
The band struck up — I missed me bars!

Raise yer mugs and bang the floor!
We’ve all been thrown out once or more!
Love and bruises, rum and sin—
And I’d bloody do it all again!

AND I’D BLOODY DO IT ALL AGAIN!
HEY!

Won a card game with a stolen ace,
Till Maggie’s cousin showed his face.
He swung a stool — I ducked and tripped,
And knocked the barkeep as I slipped.

She spilled gin down me bloody shirt,
Said “Pay me back, you cheeky flirt!”

I grinned, she poured, then said “Alright
Now mop it up — or take a bite!

I said: “Who drank all the bitter, boys?”
“YOU DID, LAD — and made some noise!”
I said: “Who kissed someone’s mum last night?”
“YOU DID, LAD — AND SAID SHE’S RIGHT!”

They chased me round the busted drum,
I hid behind the barmaid’s bum.

She winked, I ducked — we kissed again,
She said, “Next round? You’re buyin’, then.”

Woke up wedged ‘tween stool and door,
Me boots were swapped, me knuckles sore.
A note was pinned to me left thigh:
“You owe three drinks and one black eye.”

The priest walked in with Maggie’s hat—
I said, “She’s not mine! …Well, not like that!”

He prayed, I cursed, then rang the bell
“Let holy water come from hell!”

Raise yer mugs and bang the floor!
We’ve all been thrown out once or more!
Love and bruises, rum and sin—
And I’d bloody do it all again!

And I’d bloody do it all again!
Aye, I’d bloody do it all again!

With me boots, me sins, me grin
I’d bloody do it ALL again!
So fill that pint and count me in!

Hell’s Bells and Empty Barrels - Live & Loose at the Barrel

Futuristic roots was conceived out of a love of Jamaican music and the sound system culture it spawned as the first ever bass lead genre, since the sixties Jamaicans have pushed the boundaries sonically in the dance halls and socially through conscious thinking, this album is our take on the evolution of those genres.

Fiyah Feat. Leaf

Old Friend Of Mine

Having already released a handful of singles on NICE UP! it seemed like high time for Nottingham's Origin One (aka Kevin Thomson) to step up with his debut album. Written and produced over the space of around 2 years in the artists own Deeper Than Roots studio, the album represents a wider spectrum of roots and reggae influenced music, taking the foundations of this music and applying a modern style and sound to it, traversing dancehall, bashment, grime, jungle and dubstep along the way.

Guest vocalists come thick and fast, kicking off with Russian envoy Tenor Youthman who starts proceedings with the provoking "World Peace", then its onto Doncaster's very own Parly B who serves up his classic "Mi Bredrin" - already a staple in DJ's sets as a single. Next, Bristolian rudeboy Gardna and Congo Natty songstress Nanci Correia bless the bouncing vibes of "Nice & Easy" whilst Manchesters Peppery comes correct on the dancehall rousing "Where You Come From". Hip hop charged ganja anthem "High Grade" single makes an appearance featuring festival fire starter K.O.G. then South London's grime don Irah gets deep on the massive "My Yout", leading into up-and-coming Puerto Rican/Italian dancehall star XL Mad on the tropical leaning "My Gyal A Wine Up". Veteran dancehall MC Spyda (probably known best for his track "Tarantula" with DnB heavyweights Pendulum) steps up the pace on the jungle soaked "Tribute", with another anthemic hook from K.O.G, then its Scottish soundsystem legend Soom T's turn to do her thing on the bumping "Jah Jah". Things get deep and dubwise on the instrumental "Dread and Buried", showing the producers range and depth of production styles, then its over to Hempolics and The Drop frontman Dandelion to wrap things up with his enigmatic vocals on the closer "Trying".

Ambitious without over stretching, fresh and modern whilst showing respect to its elders and showing deepness whilst retaining a popular sensibility, "Deeply Rooted" should take seed in dances, clubs, festival and home hifi's the world over.

Buy / Stream

Nice & Easy ft Gardna & Nanci Correia

Navigate The Motivator

Lovedub

Mr Nice

Golden Pacifier

Come Too Far

Use Me

Use Me (Ben McKone Dub)

Give Thanks to Jah

G20 Riddim

In a UK reggae scene that has long eschewed bands in favor of sound systems, Backbeat Soundsystem are a different beast, bringing 8 musicians to the stage. While many of their peers are slavish in their attempt to recreate an authentic Jamaican-leaning sound, Backbeat Soundsystem are not afraid to go in totally different directions, pulling in influences from all across the music spectrum, to create their vision of modern reggae. Dean and Adjua effortlessly tear up the stage with lush harmonies, soaring melodies and natural born chemistry. This combined with a flawless horn section and undeniable groove leaves the audience mesmerised by their show stopping performance. Bringing an electronic flavour to the mix, with dub effects, sirens and live analog synthesiser, Backbeat Soundsystem remind the world that dub reggae is at the forefront of dance music culture.

Since forming in 2008, Backbeat Soundsystem has appeared at many of the best-known UK festivals, including Glastonbury, Boomtown Fair, Beautiful Days, Secret Garden Party, Greenman, Boardmasters, and many others, as well as toured in Europe and the United States. They’ve supported Madness, Cypress Hill, Arrested Development, Tinie Tempah, The Streets, and Dub Pistols. 
Following the success of two self-released EPs and two tours with Easy Star All-Stars in the UK, the band was signed by the U.S.-based reggae label Easy Star Records. Together Not Apart, the band’s debut full-length, came out in 2014 via Easy Star and brought a worldwide audience to this ambitious young band. The Punk Archive called Together Not Apart “…a top, top record and one you need in your collection,” while Shout 4 Music said it was “Packed with conscious lyrics, and buoyed by a reggae riddim filled with energy and positive vibes.”

General Manager
Dean Forrest: backbeatsoundsystem@hotmail.com

Press contact
(UK) Mel Ruben : Outpost Media
(USA) Ryan Romana : ryan@pressjunkiepr.com

Booking agent
Rich@mojohobo.co.uk

Old Friend Of Mine

Backbeat Soundsystem

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