fast blast

big ups @cement-tea for the sample selection and @speedcomp for holding this "contest"
find my old entries here: https://backslashzero.bandcamp.com/album/speedcomp-entries

fuzz thief on a field (SC52)

nice samples from @skint-1 and thanks for holding the contest @speedcomp
my old entries can be found here: https://backslashzero.bandcamp.com/album/speedcomp-entries-2022

Project Planning Drained My Brain

samples: @caine-stone
contest: @speedcomp

Cockroach Waltz (SC56)

also, you can't chop a dnb loop on e2s under 30 minutes

took a day off at work for SC57 but fruity loops crashed like 3 times during this

10-12 am last set @ excesspeace! reliquia: soundsystem
29-06-2024, kunst im hafen, ddorf

Dj set xmn 

@examine-archive
@onbegrensd
@system_dystopia
@unbound_echoes
@v23be

thank you all

excesspeace!-w-xmn

Forbidden Control Statement (SC60)

Boyd Rice / Frank Tovey / Monte Cazazza
I.C.A.
London, UK
March 20, 1985

1. Source One (complete set): 2nd or 3rd generation AUD recording. Recorded by (unknown) 

2. Source Two (extract): SBD recording from the live video excerpt included on The Tyranny of the Beat video compilation (The Grey Area/Mute - 1991) 

Boyd Rice: electronics
Frank Tovey: electronics
Monte Cazazza: treated guitar

Paul Kendall: live sound mix (front of house)

Tape of source one provided by The Falcon
Transferred by Greg Kay
Processed by Mr. Charlie

Boyd Rice (NON) / Frank Tovey (Fad Gadget) / Monte Cazazza - ICA, London, 1985.03.20

distorted diary present: shape of artefacts w/ feun

rupture

Merzbow, Iggor Cavalera, Eraldo Bernocchi - Nocturnal Rainforest
Label: PAN
Cat.No.: PAN 154
Release Date: 03 October 2025
Purchase: pan.lnk.to/NocturnalRainforest

The first collaboration between Japanese noise titan Masami Akita, aka Merzbow, iconic Brazilian drummer and producer Iggor Cavalera and forward-thinking Italian guitarist and sound designer Eraldo Bernocchi, 'Nocturnal Rainforest' terraforms a sonic landscape that's almost overpoweringly dense and disorienting, but never aggressive or chaotic. It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere and sensory overload. The noise itself is used to provoke a refined level of focus; 'Nocturnal Rainforest' is mediative in its own way, enveloping listeners with waves of distortion, phantasmic unmetered rhythms and perplexing processed field recordings, but it's not intended for passive listening. Made using a fusion of bespoke techniques the trio have been developing for decades, it exists in a raw and mystifying liminal zone between the organic realm and the digital world - a place that's too hauntingly familiar to be ignored.

'Nocturnal Rainforest' is a product of each artist's ongoing musical evolution, powered by extreme music but tempered by deep listening techniques that expect presence rather than dissociation. On 'Swietnenia Macrophylla', evocative humid soundscapes provide a precarious sense of security at first, blurred at the edges by purring oscillations that mimic the jungle's fauna. And that peace is quickly ruptured by percussive, foghorn-like distortions that mark out the scale of the trio's vision. Not just raw noise, the rougher elements are cut with subtle waves of billowing ambience and muggy low- end drones before the track launches into a symphony of computerized stutters. There's a constant push and pull between organic and artificial sounds - before there's been time to acclimatize to the DAW corrupted noise, collaged tape saturations and slashed amplifier hum muddies the atmosphere, purposefully confusing the senses and obfuscating the sources.

And the thought is continued on 'Ceiba Pentandra' when the trio follow the jungle's teeming sonics with growling, whirring electronics and dense interference. What starts as birdsong and an choir of insects mutates into a wall of deafening, transcendent full-spectrum texture that cracks open like a slow-moving storm over a shadowy wilderness.

Merzbow, Iggor Cavalera, Eraldo Bernocchi - Ceiba Pentandra

The swamp, it’s said to be where human history began, many of the world’s first civilizations took root in marshy, water-rich environments. Some even say the garden of Eden nested within a swamp. The swamp gave shelter, food, and fertile ground. And yet for centuries, it was seen as something dangerous. A place that could swallow you. Maps stopped, demons, monsters, spirits, disease and death were said to live here. The swamp doesn’t offer clear paths or solid ground. It resists being fixed or known. Between land and water, life and death, visibility and mystery. In myths, it’s often depicted in a right of passage: the place you pass through when you’re about to change. You don’t go into the swamp to stay the same. It has always been a refuge for those pushed to the edges. People hiding from the law, from society, from violence. At the same time, it’s a cradle of life. A zone where decay and creation are constantly happening together. Frogs, moss, insects, vapors, seeds, whispers. Everything steams, seeps, ferments and mutates. It’s thick, wet, sompy and tangled. Now, the real danger is not what might be hiding in the swamp, but what’s coming into it. Humans. Development. Draining, building, controlling. Poisoning the terrain that was once invinsible and intruding the societies and tribes that found refuge there, with severe poverty as consequence. The swamp is being dried out: physically and symbolically. We want it mapped, owned, managed, destroyed. Not realizing that we are destroying ourselves in the process too.

swamp tours #1 - man of hand

Tzimtzum - Ain't No Club Where I Come From

Nanban buki

https://www.discogs.com/release/35368939-SCAM-ARTIST-Plates25

Recorded live at the Wishing Well Sydney for @meganesia - Mastered by @dogoftears

Uploaded in 192kbps to preserve the integrity of the record and those who supported the release.

BUY 2x 12" LP

Side D - Untitled [PLATES25]

examine-plain-284-2025-10-26(ossinopopo-gigaschnubs).wav

@ossinopopo
vienna, AT

284-2025-10-26

Dosvidaniatek

feel free for asking *.WAV files of the downloadable stuff or check bandcamp for lossless

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moscovia delenda est

Dosvidaniatek

backslash zero

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