Neuro4

Rettir - Nightmares

SUCH A TUNEEE from Red Wreath so I had to do a remix xx

Red Wreath - https://soundcloud.com/redwreathofficial
original - https://soundcloud.com/redwreathofficial/retaliate

I hope you guys enjoyed the track. Your support through likes, follows and constructive feedback is greatly appreciated.

Formally known as J!MMY OFFICIAL, MäNTA is a 17 year old producer from the UK, primarily making music in the UK scene.

Join the discord family
discord.gg/GMBVGACSgU

Released by:
MäNTA
Release date:
10 October 2025

Red Wreath - Retaliate [MäNTA REMIX]

Free Download from CollapSYS Crew!

Follow Phobos:
● VK: vk.com/phobos_music
● SOUNDCLOUD: @phobos_world

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● WEB: www.collapsys.ru
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Agressor Bunx - Tommy Gun (Phobos Drumstep Edit) [FREE DOWNLOAD]

Tobax - The Reaper (Original Mix) *OUT NOW*

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps - The First And The Last [Kosenprod] OUT ON SEPT 24

Stream / Download: https://rampage.lnk.to/OnARampageRMX
Rampage head honcho Murdock teamed up with prodigy Doctrine for the 4th time for the annual Rampage anthem, another one that was chanted by thousands at the biggest drum&bass and dubstep party in the world and is still doing the rounds in the dj-sets of some of the scene’s biggest selectors.

Now, six months before the 10th anniversary of the world’s biggest bass music party and a few months before the 2019 anthem is expected, a few of the biggest acts that have graced the stage of a drum&bass or dubstep party step up for remix duties. Ed Rush and Audio teamed up under their Killbox moniker, fresh from their recent album on RAM Records, and deliver a crazy, frantic interpretation, laced with all kinds of mad percussion. FuntCase took everyone by surprise and drops a gruesome 174 workout that switches from halfstep to full on D&B halfway through and Oolacile represents the US with a grimey dubstep version

Murdock & Doctrine - On A Rampage (Killbox Remix)

Bad Taste Recordings

• WebSite → http://www.badtasterecordings.com/ 
• SoundCloud → https://soundcloud.com/bad-taste-recordings
• Spotify → https://open.spotify.com/collection/playlists
• FaceBook → https://www.facebook.com/badtasterecordings/
• YouTube → https://www.youtube.com/user/badtasterecordings 
• Instagram → https://www.instagram.com/bad_taste_recordings/
• MixCloud → https://www.mixcloud.com/BadTasteRecordings/

The Darkest Void / Decoder

Decoder

Transforma - Decoder

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below. 

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Drop It (Eatbrain068)

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below.

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Teddy Killerz - Afrika (Eatbrain068)

Download full tracks at: https://lbl.gr/kSHL8n // Support via Direct Download (from label) https://lbl.gr/kSHL8n
Support via Bandcamp https://lbl.gr/kSHL8n?bandcamp
Support via Spotify https://lbl.gr/kSHL8n?spotify
Support via iTunes/Apple Music https://lbl.gr/kSHL8n?itunes
Support via Beatport https://lbl.gr/kSHL8n?beatport
Support via Juno Download https://lbl.gr/kSHL8n?juno
Support via Digital-Tunes https://lbl.gr/kSHL8n?dt
Support via TrackItDown https://lbl.gr/kSHL8n?tid

******
Listen on YouTube: https://lbl.gr/kSHL8n?yt
Listen on Spotify: https://lbl.gr/kSHL8n?spotify

Follow Section 8 Recordings
Youtube: https://www.youtube.com/section8dnb
Website: http://section8recs.com
Facebook: http://facebook.com/section8recs
Twitter: twitter.com/section8recs
Soundcloud: http://soundcloud.com/section8recordings

Additional release info: 
LABEL: Section 8 Recordings
ARTIST: Pareidolia
TITLE: Drop It / Woofershaker
GENRES: Drum & Bass, Neuro Funk
CAT: SECTION8110
RELEASE DATE: 2018-12-24
TRACKS: 2

Check out other tracks on this release:
1.) Pareidolia - Drop It (Original Mix)
2.) Pareidolia - Woofershaker (Original Mix)

QM-RZS-18-00603
QM-RZS-18-00604

Drop It / Woofershaker

Drop It

Pareidolia - Drop It [SECTION8110]

Prisma EP

The Prophecy - Octopus [Forthcoming Cause4Concern LTDC4C015]

Blackley & Sublimit  - Adapt Or Die

Shell Shock Recordings gonna present you next huge release:
VA - "DEEP IN THE CONFLICT" compilation! ⚡

🔥 Hope you are braced for the impact, we have prepared 10 bangers from next generation of "Shell Shock Gang" that are ready to drop your dancefloor!
Very "BAD DISTRICT", psycho "PSYNCHRO ", hightech "Toyfon", mighty "Ekwols", infernal "Hell Kitchen", crazy "Aznok", mad "Rieger", powerful "Sever", funky "Let’s Play" and dope "Darpa" representing label main forces with collabo support from Eteo, Dazed System and Steezy MC.

⚠ No more words, just lets get deep in the conflict and SHELL SHOCK it!

VA - DEEP IN THE CONFLICT LP

Buy / Stream

Hell Kitchen - the Creed

Check out the first remix of a @teddykillerz tune I have done!
Make sure to follow me on Soundcloud to check out my future tunes and projects. 

Hope you all like it,
p0wned =D

insta: www.instagram.com/p0wned.nb/
facebook: www.facebook.com/p0wnednb/

Teddy Killerz - Shinjuku (p0wned Remix)

The man @recam-dnb is back on impact with another banging single.

Out this friday !

Recam - Revenge

Welcome to Bad Taste Recordings SoundCloud.

Bad Taste Recordings is a Drum and Bass record label established in 2007. Bringing you the latest in underground music.

Send your demos to info@badtasterecordings.com

Transforma - Decoder

Bad Taste Recordings

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