My guest today is Amey Fields, an Internationally Board-Certified Lactation Consultant and labor and delivery nurse with over 20 years of experience helping moms and babies with breastfeeding.

She started working as a labor and delivery nurse in 1998 and in 2010, was given the opportunity to run the community education department at the hospital she was working at. She became Lamaze certified and began teaching childbirth and newborn care classes to expectant parents. In addition to working as a labor nurse in the hospital setting, she has also assisted with home births and spent two years working at a free-standing birth center. In 2011 she started a postpartum support group called Circle of Mothers.

You can find out more about Amey at azbreastfedbabies.com.

Show Notes:

+ Amey's Office: https://www.azbreastfedbabies.com/

+ The Boob Group: https://baby-prep-university.mykajabi.com/the-boob-group

+ Amey's Registry Must Haves: https://view.flodesk.com/pages/62a87ab73a02db9ba31a17a4

+ Ninnico Pacifier

+ MyoMunchee Mini

+ Hypnobirth Guided Meditation on Spotify

+ Article by Michale Chatham, "Is Your Baby a Tether-Berg or a Tether-Floe?"

+ Agave Pediatrics - Dr. Rajeev Agarwal

+ Maya Bolman, IBCLC

+ Dr. Brown's Bottles on Amazon

S6:E52 - Amey Fields: Breastfeeding Is Not Just About the Latch

Gary in Loris, South Carolina, started listening to this show on the public radio station WHQR, which broadcasts from Wilmington, North Carolina. Then he realized that because of his location, he could also pick up the show through South Carolina Public Broadcasting. That got Gary wondering about the term sweet spot, meaning "the ideal location." Sweet spot is used in many different sports contexts, but the earliest uses are in golf, referring to the spot on the head of a golf club that has the greatest effect on the ball. http://waywordradio.org

1630-Caller-Gary-Sweet-Spot

This month's show Chapo is joined by Breach Gang members TheLocksta & Kaisan T featuring Stretch Dcm, Rgg Tech, Mayday, DH, Drizz GB & Amo G for a Grime shell out!

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The Breach Gang Show - Subtle Radio - 12/02/2024

Loud, fiery, catchy rock! From indie and pop all the way to metal. With soaring vocals, distorted guitars and smashing drums - with an electronic synthesizer twist! There's something for every taste to stay energetic and motivated.

Frenemy

Grow your wings, fly away




IG:
https://www.instagram.com/oussamazomri47/

I shot an angel with my father's rifle I should have set it free

As-salämu alaykum

Rob Made Selects an upfront specialist selection for Nocturnal Radio Show every Friday, across London's Select Radio 94.4FM 

Rob Made Selects #199
1) CHEEMA - Daunia Disko (Of Norway Remix) Connaisseur Records
2) SOBSTORY - I'm Lost - Shall Not Fade 
3) SOBSTORY - This One - Shall Not Fade 
4) Gorgon City feat. Bby Africka - Biggest Regret (Drum Sheds Extended Mix) REALM
5) Little Fritter - Fiiyaa Uppaa - Spinnin' Deep 
6) Jai Piccone & 1TBSP - somethingsgonnaworkout 
7) Discrete & Welt - Let Me Down (Turbo Club Mix) IN ROTATION **CHOICE SELECT**

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Rob Made Selects #199

Two Years In The Making

If I Were Free

All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sano.

Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.

The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.

This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).

When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.

As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.

The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.

Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.

Vinyl: https://www.rushhour.nl/record/vinyl/1st-unit-underpass-records-ep
Digital: https://rushhourmusic.bandcamp.com/album/1st-unit-underpass-records-ep

I shot an angel with my father's rifle I should have set it free

BADMON

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