B E N N x WRACK - Moon Beam [OMB007]

Moon Beam, a collaborative EP composed by B E N N and WRACK across Taipei and Tokyo, the album combines two distinct personalities to interpret the way of GQOM to dance-floor hybrids.

WRACK returns on the label a year after his last Over My Body release with debut collaboration. B E N N, in the production, attempting to reach out the diverse dimensions into a journey, The whole journey also includes a remix by prolific Japanese producer T5UMUT5UMU.
credits

releases July 28, 2023

Written & Produced by B E N N & WRACK
Masterd by B E N N
Artwork by Asdrúbal Gómez

B E N N x WRACK - Moon Beam [OMB007]

Listen to the exclusive GROOVE-Premiere of @Galtier's Remix of @Mesqit's track „Rebirth", taken from the „Coffin Sounds EP”  on @SacrilejioRecords. Released digitally on September 20th.

Read our introduction here:
bit.ly/3hKXOLu

Mesqit - Rebirth (Galtier Remix)

This is the premiere song of Nafuw's forthcoming EP "Club Dreaming", which will be released on the 26th Dec 2021.

Order: https://gullyriddim.bandcamp.com/album/club-dreaming
Cat No: GR002
Cover Design: anormalturtle300
Mastering: Zean
Release Date: 26th November 2021
Format: Digital

Club Dreaming

Nafuw - Bedroom 卧室

VA - Astraltopia
APR128 | Out Now

Available here: https://astralplanerecordings.bandcamp.com/album/astraltopia

Astraltopia is the third and final compilation in the Topia series, as well as the terminal release in the Astral Plane Recordings catalog. Made up of contributions from longtime APR artists and friends, Astraltopia traverses outgrowths of past label releases, novel sonic formulations and the infra-zones between and underneath extant club sounds. Accompanied by artwork from Sam Meier and mastering by Will Mitchell, the compilation follows 2012’s Heterotopia and 2015’s Psychotropia, both of which preceded the formal inauguration of Astral Plane Recordings. Contributions include material from Alis, Amazondotcom, CHANTS, Dane Law, LOFT, Maral, MICHAELBRAILEY (with Iceboy Violet), nunu and SHALT. Astraltopia is out now as a free and/or pay-what-you-want download.1. CHANTS - Seven Billion Spheres
2. Maral - lita
3. SHALT - Face Like A Wet Sun
4. LOFT - an safe heavenn
5. Alis - Catra
6. Amazondotcom - Pico Blvd
7. nunu - ransom
8. MICHAELBRAILEY - dead space (prod. MICHAELBRAILEY, Iceboy Violet)
9. Dane Law - Summer's End (Lift Me Up)

Astraltopia

SHALT - Face Like A Wet Sun

04. aabaa Riddim

Producción : Sapphir 22 ( @sapphir22 )
Mezcla : Sapphir 22 ( @sapphir22 )
Mastering : Medix Cielx
Artwork : Jai Jiu

BUY / DOWNLOAD

SAPPHIR 22 - RETO PERCU

Superficie is a collaborative EP composed by Ice_eyes and Sueuga.

Produced across Athens (Greece) and Distrito Federal (Mexico), Superficie emerges from two distinct artistic personalities; contortions of jungle-breaks and ferocious bursts of noise are welded together through jagged hard-dance rhythms, begetting a dystopic glimpse into post-pandemic club music.

Through the course of sixteen minutes, the percussive and industrial, anarchic and methodical collide at blistering speed, conjuring a riveting and utterly amorphous hybrid-sound.

This hypnotic journey concludes with an enigmatic remix of “Superficie” by the exalted experimental producer Ziúr.

Tracklist: 

01 - Ruinas Futuras
02 - Superficie
03 - Incubar
04 - Crecer / pudrir
05 - Superficie (Ziúr Remix)



(w)&(p) by Anastasios Tatsis and Manolis Elijah Sueuga
Remixed by Ziúr
Mastered by Gianmaria dell’Aera
Artwork by Marco Berardi
(p)&(c) Arboretum 2023 - all rights reserved

Superficie

Ice_eyes x Sueuga - Superficie EP (incl. Ziúr remix) -Previews

Haitian Prince of Music - What's Going On?

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Spirit

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



B E N N & WRACK - Moon Beam EP [OMB007]
Over My Body, 2023
𝓑𝓾𝔂 👉🏾 https://overmybody.bandcamp.com/album/moon-beam

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
B E N N
https://soundcloud.com/bedoublensound 
https://www.instagram.com/bnnw_tw/
https://ra.co/dj/benn

WRACK
https://soundcloud.com/wrack90
https://www.instagram.com/wrack90/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/overmybodytw
https://www.instagram.com/overmybody.tw/
https://www.facebook.com/overmybodytw

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#117 📢 B E N N & WRACK - Shadow Garden  [Over My Body]

Listen to "Moon Beam" by WRACK & B E N N taken from "Moon Beam" EP out on 28th July via Over My Body

Bandcamp: https://overmybody.bandcamp.com/album/moon-beam

Moon Beam, a collaborative EP composed by B E N N and WRACK across Taipei and Tokyo , the album combines two distinct personalities to interpret the way of GQOM to dancefloor hybrids. By the influences of WRACK’s Japanese traditional Scale club music. B E N N keeps Blends into his perculiar multi-layering percussive algorithm and specific sounds into a moody atmosphere.
As a Taipei based producer/DJ and founder of Over My Body. B E N N attempted to reach out the diverse dimensions into the production after moving back to Taipei from London in 2019, with natural sounds blending into different asian vibes with broken beats. WRACK returns on the label a year after his last Over My Body release with debut collaboration. The whole journey incl

Links
B E N N
@bedoublensound 
www.instagram.com/bnnw_tw/
ra.co/dj/benn

WRACK
@wrack90
www.instagram.com/wrack90/

Over My Body
@overmybodytw
www.instagram.com/overmybody.tw/

Moon Beam

bandcamp

[Premiere] WRACK & B E N N - Moon Beam (Over My Body)

>< CRUDE Premiere ><

Artist: WRACK & B E N N
Track name: Moon Beam 
Label: Over My Body
Release date: 28th July 2023

>> https://overmybody.bandcamp.com/album/moon-beam

@wrack90
@bedoublensound
@overmybodytw

CRUDE Premiere: WRACK & B E N N - Moon Beam (T5UMUT5UMU REMIX)

Preorder 'In Theory' and get WaVeLeT now: https://isomov.bandcamp.com/album/in-theory

DECISIONS is pleased to finally unleash ‘In Theory’ by NYC-based polymath @isomov, whose bio follows, in their own words:

“Isomov began as a project to explore the perspective of the ‘Automatic Computer’ from Asimov’s ‘The Last Question’ — the omniscient entity. At the time I was studying a lot of quantum information theory and was probably the most depressed I’ve ever been in my life; I dreamt of escaping my finite reality into the unending world of information. After graduating from University with a degree in mathematics, I’ve spent five years working as an art-world freelancer in Brooklyn. I work almost exclusively on the computer: rendering, arduinos, websites; I even tutor through webchat. On the one hand, my informatic intimacy has kept me largely alienated from physical reality, trapped in obtuse theory. On the other hand it has helped me to slowly reify as a non-binary cyborg goddess, a devout humanist obsessed with the practical affect of aesthetics. 
For me, the internet has been a tool for gaining empathy through its ability to host and distribute diverse perspectives. The more my body has dissolved into the virtual, the more I have been able to resimulate the emotional experiences of others. I am now interested in how we move beyond a theory of utopia to the project of a protopia, always working to make tomorrow a little better. I’ve looked towards quantum information theory to help to understand and reconcile the seemingly infinite spectrum of realities we call our universe. This is the new vision of Isomov.”

‘In Theory’ sets divergent impulses in motion, animating superheated exchanges between order and entropy, flesh and code. ‘Origin, Emergence, and The One’ is a false utopia where differing cultures come together in restless harmony despite their aesthetic differences: frictious dancehall percussion and grandiose choral washes parry and twine, constantly threatening to subsume the other. ‘Hoping Mechanisms’ takes place at the critical point of identification, when the named object of perfection becomes a radical dystopia of conflicting binaries. Rarely have we heard kicks so exuberantly scattered or bass so charred — Uncanny Valley rendered as a scorched, inhospitable territory. ‘Ensemble’ shows the reality of a cyborg beyond binaries, the coexistence of a fictional ideology with the chaos of lived reality. A panicked voice is met with grounding sub bass, over which a superposition of arpeggiated chords glide. An emergent meter forms through an unseen grid before everything chaotically decoheres, revealing its ultimate fragility. ‘Wavelet’ is an attempt to describe the emergent and chaotic self through convolution and principal component decomposition. Identity is revealed via dizzying arrays of Moire patterns as rhythms slide over one another under liquefying bass pulses.
‘Memory Loops’ grapples with the inherent traumas present in any stochastic system, the vestigial remnants of code in everything’s DNA. We never escape reliving the consequences of these boundary conditions which define the historical trajectory of becoming.
‘In Theory’ conjures a hologram of emergence, an ecology of a self attempting to overcome each passing moment’s complexities in a bid for metastability. Oscillating fervently between the human and non-human, the EP offers riches for both cerebral listening and large soundsystem bodywork.

A limited edition physical release of ‘In Theory’ will be available in the form of a WiFi-enabled interactive visualizer trapped in a small holographic sculpture. The sculpture is handcrafted and coded by Isomov, and will retail exclusively on Bandcamp.

Cover artwork by Isomov and Oliver van der Lugt

Isomov - WaVeLeT

Entrañas - VirUS 2020

𝗰𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗴𝗯𝗼𝗶
𝖗𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

contact: overmybodytw@gmail.com
_
Next Release:
Rumina - Paths and Patches [OMB012]

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#117 📢 B E N N & WRACK - Shadow Garden [Over My Body]

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