Yesss hilft mir grad in ner seltsamen Lebens situation, danke!! 

techno

01 A Formless Shadow — Alpha Solo remix
02 Unthinkable — Clearlight remix
03 A Shadow Flickers — Soreab remix
04 Periphery — La Serpiente remix
05 Just Beyond — Left Path remix
06 Field of Vision — Barking remix
07 Unspeakable Periphery —Otherworld mix 


Following his debut album last year, Sentient returns on the label with Unspeakable Periphery: Otherworld Transmission, a remix compilation that reframes his original work through the lens of a carefully curated group of artists.

From Alpha Solo’s dubbed-out abstraction to Clearlight’s tekker translation, from Soreab and La Serpiente tense rhythmic frameworks, to Left Path and Barking hypnotic and meditative zones, the compilation traverses overall percussive science and atmospheric deconstructions.

Closing the journey is a haunting illbient reinterpretation of the entire original album by Sentient himself, reassembling his own compositions into something more introspective - a stretched and fractured world somewhere adjacent to this one. As a bonus, the release also includes a continuous mix version of Unspeakable Periphery.

out on October 3rd.

Unspeakable Periphery: Otherworld Transmission | XM010X

Join Beaabea on How Did It Get So Late? as she’s joined by Ila Brugal. Expect a wide-ranging journey through techno, dubstep, breaks, house, and more.
Born and raised in Florence, Ila has made a name for herself over the past decade, with her very eclectic musical taste and a deep bag of dubs.
Keep it locked!

How Did It Get So Late? w/ Beaabea & Ila Brugal - 14/09/25 - Voices Radio

Following releases from Lurka and Keplrr, GRACE has something more introspective in store. The label's fourth outing is a tasty collaboration between Bristol's @georg-i and Lisbon-based lyricist @olderbrotherolderbrother. Their 'Warm Skin' EP is a journey through slick, hi-tek bass and trip-hop injected with gritty vocal poetry.

Both artists are hitting their stride. Since 2021, georg-i has gone from strength to strength, his razor-sharp slappers appearing on YCO, FELT, and more recently, as the inaugural release on CCL's Subglow. Meanwhile, Older Brother's otherworldly vocals have featured on Timedance, Metrist's SOSOSO, and now a full release with the iconic imprint Numbers. 

On this EP, a soundworld emerges that recalls the dark intimacy of Massive Attack's Mezzanine and the beat science of Samurai Music. These two artists' combined talent makes for beautiful, moody listening - a third space between wonder and cynicism. 


georg-i & Older Brother - Warm Skin (GRACE) [Snippets]

Process - (Beam Recordings)

DJ Stingray 313 presents Jensen Interceptor - 22 September 2025

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Pugilist & Forest Drive West - Polygon [CEEXYZ05]

It’s been a while since the last split EP on the label, but the wait is finally over: we present a striking combination of dry, functional modular techno and tech-infused dub cuts from none other than Berlin’s Endmodell and NYC’s Connor Wrong.
On the A-side, Endmodell delivers 0210, which wastes no time in setting the pace. A stomping techno rumbler with frantic synth shots and arpeggios, it just keeps rolling, leaving no one behind. His second track, 0704, is a breaky, melodic techno tool layered with mysterious vocals and searing noise FX. It floats forward effortlessly, providing the perfect transition to the more dub-driven B-side, where Connor Wrong’s tracks shine brightly.
Things kick off with Paws Up, creeping in with slightly dissonant chords before easing into a smooth, tech-dubby groove. Its already iconic “Put your Paws Up” vocal makes the track instantly memorable; a true roller that never loses its cool while keeping the groove alive. Closing the record is Pleroma Dub, the slowest and most heavyweight dub piece of the release. With jazzy melodies and a mesmerising low-end, it draws the EP to a deep and hypnotic close.
W133012 will be released on 10.10.2025 as a limited 25-copy vinyl edition alongside a digital version, accompanied by analogue photographic artwork by Philipp Roth.


W133012 Connor Wrong x Endmodell - Snippets

Bandcamp: https://fastatwork.bandcamp.com/album/up-too-late-2

Digital + physical preorder: October 8 2025
Release date: October 30 2025

Fast At Work returns with another statement EP, this time from the label’s own Carré (@carreo) and her closest collaborator Danny Goliger (@dannygoliger). Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their music to unfold naturally—an organic process shaped by curiosity and intuition. Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this journey. An expert in textural exploration, the Dutch DJ and producer Konduku (@kondukukonduku) brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

A1 Carré & Danny Goliger – Up Too Late
A2 Carré & Danny Goliger – Tricky One
A3 Carré & Danny Goliger – Don’t Keep Me In Suspense
B1 Carré & Danny Goliger – Exit Plan
B2 Carré & Danny Goliger – Up Too Late (Konduku remix)

Written and Produced by Carré & Danny Goliger
Mastered by Nikolaj Jakobsen 
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

FAW004: Carré & Danny Goliger - Up Too Late EP w/ Konduku Remix

ITX040 DARIO ZENKER - CONFIGURATION SUPPORT

Our next VA compilation pushes deeper into the exploratory world of Pressure Dome, presenting another collection of forward-facing cuts that straddle introspection and dancefloor energy. Across ten tracks, familiar names and new collaborators stretch the label’s sonic identity into fresh terrain equally suited for immersive listening as for club catharsis.

Opening the release, Caldera & Yushh combine again with “Bubbletrain” a minimal trip round the swamp with momentum is carried by cavernous space and effervescing textures. Breaka & Yushh follow with “Betta With U”, a fluorescent downtempo beauty that tugs on the heart. On “The Grass”, Harry Rodger & Yushh pair lush atmospheres with contradictory shades of beauty and melancholy.

Piezo & Yushh arpeggiated melodies weave through an intricately designed world. Stones Taro & Breaka continue to twist things up on “Flies In The Kitchen” as warped vocals and warm wubs ride over dancehall rythmns and swampy textures. SCG & Dubrunner’s “Building Farm” bring a heady fusion of dubwise stabs and downtempo propulsion on their second outing together. 

On “Cheeky V”, Gramcy & MLE provide one of the compilation’s most immediate club weapons. Stripped-back, precise, and primed for a wiggle. Dubrunner & Yushh link up on “Trash Panda”, a playful yet fierce construction, where skipping acid lines and lush pads meet in off-kilter harmony.

Closing out the release, Roy Mills & Yushh’s “ZzZ” drifts into dreamier territory with warm vocal chops and weightless breaks, before Forever & Human Resources bring things to an intricate, thoughtful conclusion on “What Kind Of Bird Is This” a deep weave of chords and breaks that leaves the compilation in contemplative flight

Pre-Order

Two [Is Greater Than] One - Part 2 (PDCOLLAB002) [clips]

Out Now @shops worldwide on Acacia Records Us
https://www.youtube.com/watch?v=2NVayKlY11c

Purchase 12"

K-HAND Boiler Room Teaser

Autonomous Overdrive

Driverless Pattern (Original Mix)

Tribe

Tribe (Chip Jacks Remix)

Tribe (Trus'me You Want Me Remix)

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬

@dwell303
https://www.facebook.com/dwellmusik/

Dwell - Echo Chamber

spreading boundless creativity since 2020.
𝗰𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗴𝗯𝗼𝗶
𝖗𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

Dwell - Echo Chamber

Bad Tips

Recent comments

Artur Stroev

Saturated Color

droomy

IMPORTED RECORDINGS

Related tracks