Name: ida e volta - vamos de comboio para o after e voltamos by Bah Lu
Duration: 2 h 27 min 6 s
Description: bilhete de comboio ida e volta, apanhamos o regional e regressamos à casa para apanhar o alfa para a cama

"We are all acting in life, but whether we accept it or not, reality does not bend to the films in our minds." - @nocturne_rhc

Release Details:
EP Title - Pas:sage
Release Date - 30/06
Label - Right Hand Corner

Bandcamp link: https://righthandcorner.bandcamp.com/album/pas-sage

Instagram: 
https://www.instagram.com/nocturne_rhc/

TRACK PREMIERE: noc:turne - Acting [Right Hand Corner]

Zusk

track from upcoming ep "mr jones" by nina kraviz: 
http://www.juno.co.uk/products/nina-kraviz-mr-jones/512597-01/?ref=rekids


foto taken by lydia roberts: 
https://www.google.de/search?q=lydia+roberts+photography&client=firefox-a&hs=WBS&rls=org.mozilla:de:official&source=lnms&tbm=isch&sa=X&ei=606WUqzFLcf2ygPJ_oCwCw&sqi=2&ved=0CAcQ_AUoAQ&biw=1173&bih=611

Nina Kraviz - Black White

@Danieli_whs (@WhisperingSignals) Dj set @ SubRadio Bcn 18.11.22 20.15-21.15

Live Transmission On Fridays from 7 to 9 PM

Check out the full audiovisual set here: https://youtu.be/FFUwV5-BuXI

Artwork: Silvia Afonso(IG: @ silviaafonso)

Supported by Suburbia Bcn & @Microfusa

Daniel[i] @ SubRadio Bcn / 18.11.22

bilhete de comboio ida e volta, apanhamos o regional e regressamos à casa para apanhar o alfa para a cama

ida e volta - vamos de comboio para o after e voltamos

Track from NE31 Acronym - Guadalquivir

Pre-order: http://northernelectronics.bandcamp.com


Acronym - Cleansed in Fire

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Otun feat. Nidia Gongora

FREE CD

Nightclubbing (Iggy Pop)

The much anticipated re-release of the 2014 classic Meu Kamba in a 2LP format, including 10 tracks that never made the original vinyl version.

Sides A and B are exactly the same as the original Meu Kamba released in May 2016. Sides C and D include 10 tracks only available on the digital version of Meu Kamba + popular tracks "Amigo Rui" and "Manele".

ida e volta - vamos de comboio para o after e voltamos

Bah Lu

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