Name: Black Loops w/ Nico Lahs - April 2022 by Balamii in 16.10
Duration: 2 h 1 min 27 s
Description: Black Loops returns this month running 2 hours of the finest house, breaks, and techno with special guest Nico Lahs. Tracks inside from Nick Holder, Gigi Galaxy, and Tom Blip.

16.10

At Unsound 2021, Shackleton and Wacław Zimpel will present a new work entitled ‘The Spirit Still Remains’, an Unsound-commissioned performance involving alto clarinet, electronics and voice. Broadly understood as ritual and devotional music, the work will explore transcendence, love and death.
As part of the Unsound podcast series, Shackleton and Zimpel were asked to make a mix that would somehow connect to this project, to perhaps reveal some of its inspirations and reference points.
Shackleton and Zimpel say: “Over the course of the past couple of years, we have often recorded or rehearsed together. Generally at the end of the day, we might get a couple of beers in and listen to other people's music. Some of it is stuff we both know and like, some of it music that one of us thought the other might like. When we were asked to do the mix, we thought it might be good to select music that we had listened to together. Then we decided to expand the scope a bit to fit more of a common theme. Broadly speaking, the mix is intended to be ritual, sacred or meditative music in various forms, something we are trying to achieve with our project. We hope you enjoy it.”

Tracklist:
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku -  Music of Auspicious Clouds (part 1)
Johnny Cash Reads The New Testament - Mark Chapter One
Brast Burn - Debon - Debon Part 1
Six Organs Of Admittance - Nightly Trembling - Redefinition Of Being
Ormatan Tarawangsa - Panimbang - Limbangan
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku - Music of Auspicious Clouds (part 2)
Sequentia (Barbara Thornton & Laurie Monahan) - Hildegard Von Bingen - Canticles of Ecstasy - O Vis Aeternitatis
Johnny Cash Reads The  New Testament - Mark Chapter Two
Sleep - Holy Mountain - Holy Mountain
Johnny Cash Reads The  New Testament - Mark Chapter Two
Shun-Nohden Satto - Anthologie de la musique traditionnelle japonaise (Mono Version) Entenraku -  Nokorigaku Sanben (Hyojo)
Terry Riley - Songs For The Ten Voices Of The Two Prophets - Chorale Of The Blessed Day
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 1)
Ustad Bismillah Khan - The Shehnai Legend: Bismillah Khan & His Ensemble - Raga Bhimpalasi, Aochar, Gat In Slow Ek Taal, Gat In Fast Teen Taal
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 2)
Alemu Aga - Éthiopiques 11, The Harp Of King David - Man Yemèramèr 
Alice Coltrane - Universal Consciousness - Oh Allah
L. Shankar, Zakir Hussain, Vikku Vinayakram - Ragam Abheri
Johnny Cash Reads The  New Testament - Mark Chapter Two
Robbie Basho - Art Of The Acoustic Steel String Guitar 6 & 12 - Pasha II

Unsound Podcast 71: Shackleton & Zimpel

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @mattikk

RRFM • Quantum Electronica w/ Mattikk • 10-03-2022

Steppin' up next for Sessions is Italian DJ & producer, Flaze. Before going solo he teamed up with his hometown friend Nanni to form the duo Ruff Stuff and founded Ruff Stuff Music in 2013. Under Ruff Stuff they have released on numerous labels such as Rarehouse Records, King Street Sounds, RM Records UK, to name a few and gained support from the likes of Marco Carola, Laurent Garnier, Black Loops, Cinthie, and more. Spanning over 2 decades of experience behind the decks, our Italian friend serves us up with deep & raw house cuts that'll satisfy any house lover's appetite. Analog Advisory welcomes, Flaze!

Flaze
@flazemusique
https://www.instagram.com/flaze.musique/

Analog Advisory Sessions 078: Flaze

The Basement EP

Buy release

fellice002 — effgee — The Basement EP — Snippets

Black Loops returns this month running 2 hours of the finest house, breaks, and techno with special guest Nico Lahs. Tracks inside from Nick Holder, Gigi Galaxy, and Tom Blip.

Black Loops w/ Nico Lahs - April 2022

New mixtape by the new queen of house at the moment : Marina Trench 

We had a great pleasure behind the booth together back in March & we tought we could share the vibes with you to start summer the best way possible

Tracklist coming soon

Addictive Pleasure Radio #3 - Marina Trench [live from Folklor]

Lis Sarroca @ Les Enfants, Crystal Grooves OFF Sonar Showcase

@natwendell in da house!

Aterral:
IG: www.instagram.com/_aterral_
FB: www.facebook.com/aterralrecords

Nat Wendell: 
https://www.instagram.com/natwendelldj

Aterral on Spotify

Aterral Mix 46 - Nat Wendell

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

@Mikeburns

Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/ MA7

Video-Stream

Mike Burns - 14/04/23

Buy Direct, Support Johnny :) https://square.link/u/4h8znOHi
The Album Buy Link will only lead to Buy Link of the Opening Track but if you click on the buy link of individual songs, you can buy them directly too.

This Album has been compiled exclusively for Soundcloud Listeners. It features all my upcoming Underground Tech Releases this year. All Promos have not been officially released yet but are exclusively available to Soundcloud Listeners to buy now.
Most Listeners may not realise that Streaming has unfortunately caused a massive loss of income for artists. It is also causing underground music to decline since artists and labels are going more commercial to make up lost income from streaming versus the buying/downloading. This hopefully explains why i only allow streaming of previews. If you realIy love my music, I hope you consider buying it. Big Hugs from Bali :)



Buy Direct

Space Rave (Promo on Sale)

A deep dive into groove and rhythm – this track brings pure house energy at 125 BPM. Built around soulful electric pianos, it blends warm melodies with a driving groove designed for the dance floor. Smooth, hypnotic, and uplifting, it’s a journey through modern house with a timeless touch. Perfect for late-night vibes, underground sets, or anyone who loves to move with the rhythm

Say You Want Me..

Be There_Willy7one

Don't say we aren't good to you. Ending the year with a bang we bring you a special mix from the one and only Steve Rachmad, the longstanding Dutch techno veteran. A pivotal figure in dance and electronic music, he has cast a spell upon techno in a manner unlike any other, his music championed far and wide by a sprawling array of dj's. Never one to stand still he has channeled his creativity across a number of personalities and guises having released as A Scorpion's Dream, Adverse Match, Black Scorpion, Continuous Cool and of course Sterac. 

His music is machine driven, drawn on a wealth of experience and experimentation through hardware and analogue equipment whilst in the booth his approach as a dj is versatile and constantly changing. 

This mix was recorded at Thuishaven as part of the close of their winter season.

Read & Download

Steve Rachmad: The Ransom Note Mix

Under the Apulian morning twilight, a sunrise affair by our affiliate Simone de Kunovich: almost three hours of honest and passionate high-powered House records for our Saturday night closing.
A sun-soaked peaktime manifesto that resonates with the true spirit of Polifonic.

Alternate - Simone De Kunovich

@carlosthings in da house!

Follow Aterral:
FB: www.facebook.com/aterralrecords
IG: www.instagram.com/aterralrecords

Follow Carlo: 
FB: www.facebook.com/carlothings
IG: www.instagram.com/carlosthings

Aterral @ Bandcamp

Aterral Mix 05 - Carlo

DIY Excellence. From London To The World.

Black Loops w/ Nico Lahs - April 2022

Balamii

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