What a journey. Thank you. Any ID on this one?

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

Top O' The Morning w/ Mousse & DJ Dedications

A Berlin legend that needs no further introduction, his knowledge in music is academic, a walking library by all means with credentials few DJs can hold a candle to, such as having been a member of The Ennio Morricone Society (MSV - Musica Sul Velluto) - seriously... @finn_johannsen brings us a two part mix of extensive research in Hip-Hop.

In his words: 
"I do not often play hip hop in clubs, but I have been listening to it since the 80s, and collecting it too. I love all kinds of hip hop, but the particular mid 90s to early 00s sound represented in these two mixes is the one I still listen to the most. I must admit that I adopted this sound quite late, as I previously preferred those records punchy and fast enough to be danced to at clubs playing disco, and then house. When the tempo slowed down in the 90s I was initially confused, well maybe even a bit annoyed. But soon enough I adapted to it, and recognized its very own appeal. Doing these mixes has occupied my mind for a while now, but it really came back to my mind during the lockdown, when I couldn't bear to listen to club music because it was just rubbing in what was missing from my life. Sometimes then I felt moody and frustrated as well, and the vibe of this helped me along. The grit, the wit, the roughness, the immensely varied and creative ways of making beats. I must admit the main purpose of these two mixes was to include all my favourite records, so I can listen to them in a row. Of course there are hip hop DJs who do that way better than me (you will probably notice that there is not a single scratch in the whole 7+ plus hours playtime, for example), and I salute them all. But I wanted to have my own personal soundtrack for whatever purpose I felt should be accompanied by this kind of music. I tried and tested it, and I am happy how well it works in different contexts, but they are all nocturnal. This is not really jiggy, mind. But I hope you like it nonetheless. The booming artwork was provided by the mighty King Kummi aka The Druffalo Graphic Squad."

Sound Metaphors Mix Series 14 : Finn Johannsen (Pt.1)

The Music From Memory co-founder digs out the dancefloor cuts from his rarefied crates - expect sunblushed house, bargain bin jams, vintage synthpop & lots else besides.

https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-13th-march-2023

Eternal Love 130323

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-4th-april-2023

PENDER STREET STEPPERS w/ Inner Totality 040423

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly two hour show.

https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-28th-april-2023

Orpheu The Wizard 280423

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Salamanda Live From Music Room

Spanish shoegazers Bélver Yin have become the stuff of myth over the years since their debut album Luz Bel back in 1991.

Luz Bel was a quintessentially Mediterranean angle on slow, reverb and echo-laden atmospherics and despite radio play, a lack of distribution led to the album being largely overlooked. Disappearing into folklore and the annals of long-lost music geekery, it wasn't until Efficient Space’s faithful reissue in 2020 that the album finally got the attention it deserved. New album, "Para Mi Madre." is an intimate collection of recordings written by front man Pedro L. Ortega, it serves as a parting gift to his late mother, convincingly sounding like it could have been written back in 1991 to boot!

"The band's sonic explorations shift from pastel hues to balearic nostalgia."

@efficientspace

READ INTERVIEW

Bélver Yin - The 'Monday Is OK' Ransom Note Mixtape

Recording of Sacha Mambo's set at Dekmantel Selectors 2019.

Dekmantel Selectors 2019

Sacha Mambo at Dekmantel Selectors 2019

Join Han Supra as he delves into a mix of ethereal ambience and spaced-out breaks, with music from Wyn MT, Mallard, SYZ, LT and himself.

Easy Dreaming w/ Medium J - February 2021

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Easy Dreaming w/ Medium J - February 2021

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