Name: Franklin w/ Move D - March 2021 by Balamii
Duration: 2 h 28 s
Description: Last year Franklin had the pleasure of interviewing Move D ahead of a Club Mick's party that never happened. They chatted about clubbing, techno, space and in particular, Stanley Kubrick’s sci-fi masterpiece - ‘2001: A Space Odyssey’. Franklin' accompanies the conversation with a selection of spaced-out ambience, deep house, and dubby techno, solely from David Moufang’s discography.

Wow amazing concept, this was great. Any chance on an ID for this one? 🙏🏻

Last year Franklin had the pleasure of interviewing Move D ahead of a Club Mick's party that never happened. They chatted about clubbing, techno, space and in particular, Stanley Kubrick’s sci-fi masterpiece - ‘2001: A Space Odyssey’. Franklin' accompanies the conversation with a selection of spaced-out ambience, deep house, and dubby techno, solely from David Moufang’s discography.

Franklin w/ Move D - March 2021

111.1mins Full Frillingness for 5918mins

@nofraje0 gave us a visit and killed the decks !

Come say hi and visit our wine shop with audiophile soundsystem including Nagaoka MP110 cartridges, Varia RDM40 mixer, McIntosh 252 amplifier & Klipsh Heresy III speakers.

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See all shows & tracklists at https://bit.ly/3BD8uE5

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https://www.nts.live/shows/all-styles-all-smiles/episodes/all-styles-all-smiles-14th-february-2023

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https://www.nts.live/shows/channeling/episodes/channeling-6th-june-2023

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RADIO.D59B / THE MESSAGE #28 w/ Robert Lochmann

Alright, so it is time for another dose of Discrete Circuits and we can't be more pleased to present our Aussie mate, Earl Grey. He is one half of recently established Sydney based label Ken Oath Records and also one third of the Rimbombo party crew. Tune your ears to Earl Grey's selection of music which includes a couple of Aussie tunes plus a yet to be released track from a Ken Oath Records ambient cassette tape.

@earlgreyradio 
@ken-oath-records 
@rimbombo

Recorded using:
1 x Condesa Lucia
2 x technics SL 1200 MK2
2 x Pioneer XDJ-1000

Artwork by Peita Blythe

Discrete Circuits

Discrete Circuits with Earl Grey

Amsterdam’s tallest DJ duo took time out from their hectic UK crumpet-eating schedule to join us in the Brilliant Corners booth for four hours and one minute of (mostly) high-fidelity audio on Thursday 4th October 2018.

https://soundcloud.com/beesmunt-soundsystem

What's Good? w/ Customs & Beesmunt Soundsystem

Celebrating the 25th mix with a special 2 hours long "ambient / electronica journey" from the man that has been running Neroli since over 20 years. Welcome Volcov (@neroli). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Ciao Enrico, congratulations with your 50th release, such a milestone and with a beautiful compilation too that is. 20 years deep in running Neroli, how do you look back to it now? 

V: Thank you! In 2000 I started Neroli on my own and since then that has been my baby. Apart from the music itself, I think a great relationship with your distributor is essential to make things work, and I’ve been lucky during all these years [mostly Goya, RH and Syncrophone along the way and now Mother Tongue]. I always liked the role of ‘curator’ and I was always fascinated by certain collectable labels like ART/OPart, Retroactive, B12 so to start mine was the next step.. There were a lot of different moments and phases but I think the main thing is that is essential to stay true to your own story! I have to say that the making of The First Circle was a real pleasure and, although it might have been unexpected by some people, for the ones who know me well it really describes my musical journey.

MFM: While Neroli mainly focuses on the deeper and soulful side of electronic music, you were a drum 'n bass head before that, right?

V: Not really, I was always a so called ‘house head’ since I started buying Trax, Alleviated, Lil Louis, Nu Groove and so on in the late 80s/early 90s. Across the 90s, like many, I got also interested in other styles and sounds as long as they were exciting wether it was Mo Wax, Plaid, Reinforced or Photek. The thing with drum n bass was that I did my first productions in that style and I got booked to play dnb gigs on the back of that in ‘97/98. But in ’99 I started an Archive night at this amazing squat club called Pergola and that was an eclectic affair with guests like Dego, Phil Asher, Ian O’Brien, etc.

MFM: The catalogue looks very much like a close family of artists, lots of them having a long history in music and with only a few newer faces. How come is that?

V: The catalogue is a mix of releases by some longtime friends like Dego [who always had an essential role on Neroli], Just One/Kemetic Just or Alex Attias as well as some artists we met along the way and ended up releasing several records with us [Trinidadian Deep, Ricardo Miranda, Lee Pearson jr for example] or younger producer whom I really believed in like Skymark, Marcello Napoletano, Deenamic. I think its especially the continuity along the years with certain artists that can be a bit unusual compared to other labels. We have just released now the Theo Parrish reinterpretations of Patrick Gibin/Kaidi Tatham/Josh Milan ‘Love to the World’ but in April we’ll have an EP by another artist never been on the label before.

MFM: You're quite at ease with doing mixes, without a crowd, right? Is there a certain way to how you approach recording?

V: Well, as much I am at ease recording these type of mixes at home as much I find almost impossible to do some with dance material. Most of my ‘dance’ mixes online are live from clubs. Usually when I approach ambient/jazz/electronica radio shows and podcasts I have accumulated a little pile of records in a corner that I think should be included in the next one, stuff that comes to mind almost on a daily bases. So then I just need to go through them and try to make them ‘talk to each other’.

MFM: Your mixes tend to have a really strong story telling kinda vibe. This one's no exception. Did you have a specific narrative in mind?

V: Since MFM asked, and you guys just released the excellent ‘Virtual Dreams’ album, I imagined to somehow do an ambient / electronica selection since I had fond memories of those times, buying records at Fat Cat, playing chill out rooms in the 90s and so on…. I thought of certain songs that I wanted to include and tried to create a little journey with them…

MFM Mix 025: Volcov

The Sound of London's Underground
Radio | Events | Video

Franklin w/ Move D - March 2021

Balamii

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