Name: Balatan - GE3 by Balatan
Duration: 2 min 44 s
Description: Balatan's second EP combines elements of harsh noise, burnt out techno patterns, aggressive musique concrète techniques, slugs of sub bass and relentlessly red-lining vocals. Despite the spectrum of influences, the EP remains focused in its intent to provide a coherent exploration of noise-driven electronics that retain a sense of clarity and structure.

Yo thissss SHIT RIGHT HERE GOES TF OFFFFFF

Name-your-price DL

vvonn - Frames Of A Tower Block

Balatan's second EP combines elements of harsh noise, burnt out techno patterns, aggressive musique concrète techniques, slugs of sub bass and relentlessly red-lining vocals. Despite the spectrum of influences, the EP remains focused in its intent to provide a coherent exploration of noise driven electronics that retain a sense of clarity and structure.
limited CDs & digitals available through bandcamp

https://soundcloud.com/balatan
https://balatan.bandcamp.com/

mastering : asty tekk

BALATAN - EP.2 [M.A006] preview

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Balatan's second EP combines elements of harsh noise, burnt out techno patterns, aggressive musique concrète techniques, slugs of sub bass and relentlessly red-lining vocals. Despite the spectrum of influences, the EP remains focused in its intent to provide a coherent exploration of noise-driven electronics that retain a sense of clarity and structure.

Balatan - GE3

@louis-me

BANDCAMP: https://totaltrax.bandcamp.com/album/onda-de-choque
ITUNES: https://itunes.apple.com/es/album/onda-de-choque-ep/1309098788

//ESP// 

ONDA DE CHOQUE supone el primer trabajo completo de Louis Me, un EP de cinco temas no apto para cardíacos. 

Inspirado en géneros como la Makina y el Hard Techno de los '90s-'00s ONDA DE CHOQUE golpea de forma dura y efectiva. Sonidos distorsionados, kicks duros o melodías hipnóticas son algunos elementos de los que Louis Me echa mano para dar forma a esta agresiva banda sonora para el club. 


//ENG// 

ONDA DE CHOQUE stands as Louis Me's debut release, a 5-track EP not for the faint-hearted. 

Inspired by genres like the '90s-'00s Makina and Hard Techno, ONDA DE CHOQUE packs a powerful and effective punch. Distorted samples, rough kicks or hypnotic melodies are some of the elements that Louis Me uses to shape up this aggressive club soundtrack.


mastered by @bsnposse

Louis Me - Uno de Más

@FAKETHIAS - Attune EP (BALL003) is out June 22.

Pre-order: 
https://fakethias.bandcamp.com/album/attune

FAKETHIAS - Implode

I saw a will-o'-the-wisp

Copies are available here: 
https://honestjons.com/shop/label/Berceuse_Heroique

Digital: https://berceuseheroique.bandcamp.com

Logos - Ghosting

𝖙𝖗𝖆𝖈𝖐 @t5umut5umu
𝖒𝖆𝖘𝖙𝖊𝖗𝖎𝖓𝖌 @wimdehaen
𝖆𝖗𝖙𝖜𝖔𝖗𝖐 IG @psalmsofver

Bandcamp

T5UMUT5UMU - FTL

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM =

MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

Jaclyn Kendall "Higher Source"

Duo of Lizzitsky & @sgab3
@regrets_regrets

Past:
- NYC: Nausea w. Fakethias, Low Jack, John T. Gast, World Experience Center, S&M
- London: w. Deli Girls, Prison Religion
- London: MC Pusher presents: Puce Mary, Yayoyanoh, Lizzitsky, Sgabe
- London: MC Pusher presents: Kamixlo, Ewa Awe, Felix Hall, Lizzitsky
- Copenhagen: Dj set at Music in Crisis by Posh Isolation w. Schacke, Puce Mary, H2OP
- Copenhagen: Dj set at Puce Mary @ Mayhem
- Copenhagen: DJ set at Croatian Amor @ Mayhem
- Copenhagen: Knife Summer Edition w. Oqbqbo
- London: Never Sleep (Gabber Eleganza) @ NTS Radio 
- Mexico City: Movelike Radio 
- Mexico City: w. Turning Turso, Ruisenor, Viiaan @ Terminal Club Antisocial
- London: Baadnews @ NTS Radio
- London: w. Qual @ Moth Club 
- London: Body Motion @ NTS Radio
- London: SC&P x Posh Isolation: w. Croatian Amor @ Waiting Room
- Kiev: w. Anton Falck (First Hate), Argot (Posh Isolation) @ Bursa
- London: Test Pressing w. The KVB, Helm, Croatian Amor, First Hate @ Five Miles 
- Vienna: w. Autumns (Downwards Records) @ Venster 99

London based noise and electroacoustic duo. Vocals steered by imploded kick drums and high frequency improv. 

Members: 
Lizzitsky & Sebastian Gabe

Balatan - GE3

Balatan

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