sleep vanda

Deep Sea You- Full Bass

OP-XY Rooftop Sessions #1

Divenitto, Paula Sousa Alquimia Interna - Tierra [I Am Boho Records]

Buy on Beatport
https://www.beatport.com/release/soul-connection-2/4901187

Divenitto, Paula Sousa Alquimia Interna - Tierra [I Am Boho Records]

Sunday post-party cool off session with Redlight Records main man Calypso Steve, recorded live at Brilliant Corners. 

Opening with two hours of fresh picks from your hosts The Customs DJs, before our guest steps in to share the fruits of a weekend digging for dub at some favourite London spots. Finishing off with a little b2b2b for the last hour. 

https://soundcloud.com/calypsosteve
https://www.facebook.com/redlightrecordsamsterdam/

What's Good? w/ Customs & Calypso Steve

A Hotel Life / Classical Journey

This month on Easy Dreaming, Han Supra presented a full 60 minutes of folk, ambient and downtempo selections with drops from Jessica Pratt, River Yarra, Steve Roach and more all inside.

Easy Dreaming w/ Han Supra - July 2020

Mix of all MAT material for HHVmag. 

Jonny Nash & Suzanne Kraft - Knife (from the album "A Heart So White)
Jonny Nash & Teguh Permana - Bumi (forthcoming)
Jonny Nash - Police Bribe (from the album "Eden")
Palta - At Ville (from the album "Universel")
Tourist Kid - Petrol (from the album "Crude Tracer)
Suzanne Kraft - Further (from the album "What You Get For Being Young)
Ingrid Chavez - Light Rays MATstudio remix
D.K. / S.K. - Fade (from the album D.K. / S.K)
Jonny Nash & Suzanne Kraft - Inside (from the album Passive Aggressive)
MATstudio - An Inn For Those Not Permitted (from MATstudio 3)
MATstudio - Maybe This Is Something You Should Think About (from MATstudio 2)
Gigi Masin & Jonny Nash - Untitled (unreleased)

MATmix for HHV Records

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

1. Howie B - Here comes the tooth 
2. Faze Action - Turn the point (Acoustic Mix) 
3 Quiet Village - Untitled 
4. John Elder - Wayayisma Petra
5. Mauro Sabbione & Maria Cinzia Bauci - Boungainvillea
6. Los Amigos Invisible - Rip porque no fur un sueno
7. Abbey Spells - Those Shoes
8. Long Body - Mouth Feel
9. Thompson Twins - Rollunder
10.Kenny Copeland - Summer (the first time) Instrumental
11.Yabula Rassa - Sunset at The Cafe Del Mar

Music For Dreams Radio Show 31.10.20

On today's Headphone Commute podcast, we're syndicating an episode of James Murray's Slowcraft Radio (episode 4), on which this London-based composer and Slowcraft Records label boss showcases some of his favorite pieces. These, of course, include selections released on his own imprint, as well as remixes and collaborations [including one with yours truly] on the extended family of labels, such as Subcontinental, Ultimae, and Home Normal. Among the choices, you'd be happy to hear an Alva Noto cover of The Cure's "A Forest", an excerpt from a beautiful long-player by An Moku & Stijn Hüwels titled Where We Meet (I've got some proper coverage on this release coming up!), and a top pick from our very own album, coming out in just a week, titled Suññatā, on November 17th. This particular episode appeared on October 17th at CAMP, a broadcasting platform for artists offering a "diverse array of audible pleasures," but for my own taste, I'm not gonna lie, there's only room for Slowcraft...

For a download, full tracklisting, and more details on the mix, please stop by headphonecommute.com and subscribe to our podcast! As always, please enjoy responsibly and support the featured artists!
https://hcdi.gs/Slowcraft

Slowcraft Radio

James Murray - Slowcraft Radio

Weather: Frost
Humidity: >8
Highs of: Folk / Soft Rock
Lows of: Disco / Soul
Averages of: 156 Bpm

This edition of WeatherFM takes you through Devvul's small but ever growing folk/rock collection on a frosty morning. He took this as an opportunity to play those tracks that need to be played in full, as well as a chance to sit back and enjoy the records that are often overlooked.

Artist: @devvul

WeatherFM 007 // Frost w/ Devvul

1. John Cage - Radio mix (00:00:08)
2. Pram - Little Scars (00:00:50)
3. Eva Van Deuren -Subliminal Season (00:05:10)
4. Waswaas - Nostalgia (00:10:41)
5. Sugai Ken - Headwaters Of The Tone River (00:17:41)
6. Mike Cooper - The Drowned World (Jalan Batu After Rain) (00:22:02)
7. Elif Yalvac - Huggin and Muninn (00:27:46)
8. Flying Saucer Attack - Popol Vuh 1 (00:30:55)
9. Moon Wiring Club - Posthumous Self-Portrait (00:39:53)
10. Ana Roxanne - Venus (00:49:58)
11. Trondheim Voices - Chant For The Multipresence(00:57:28)
12. Jon Hassell & Brian Eno - Rising Thermal 14° 16' N; 32° 28' E (01:02:55)
13. Tibor Szemzo - Snapshot From The Island (01:02:55)
14. Lottie Sebes - Träger (01:16:41)
15. Malvern Brume - Dripped Log Last Stretch (01:19:48)
16. John Tchicai - Hymn (01:24:52)
17. David Chatton Barker - Mother Red Cap (01:32:54)
18. Caterina Barbieri - After Finitude (01:50:19)
19. Ann McMillan - Amber 75 (01:57:25)

130701 - A Dream Across The Border 17 - radio show on 1BTN - 13.12.20 1

artwork by iseneehihinee
instagram.com/iseneehihinee

s/o to butch & yama

cosxmes 2020

cosxmes 2020mix

Chris Spheeris ~ Paul Voudouris - Prism 
Patrick Selinger - Between the time
M+M - XOA Oho
Jungle by night - Song with no words ( Kuniyuki remix)
Tokyo Editsu - Moonlight Lovers
Farbror Resande Mac - Atlanta
Fence - Letta From Soweto
Calle Gravina - Venezuela

Music For Dreams Radio Show 9.1.21

GFRecords introducing a lovely smooth guest mix carefully crafted & selected by Balearic Social, To Live By The Sea, ocean dreaming vibration to your ears! Enjoy listening folks, 

https://soundcloud.com/balearicsocial

Other Sites you might like...
▶@greenfingersrec
▶www.instagram.com/greenrecordings/
▶https://greenfingerecords.bandcamp.com/

GFRecords Presents: Balearic Social- To Live In The Sea (Mix Selections)

Weekly Saturday radio show  
14.00 - 15.00 (UK)
on Music For Dreams
https://musicfordreams.dk/radio/

Sounds in Waves Radio Show
Bi Monthly First Saturday of the month 19.00 - 20.00 (GMT)
On Alto Radio
https://www.altoradio.live

Paradise Social Radio Show 22.00 - 00.00 (GMT)
Third Sat of the month 
On 1BTN - Brighton
https://1btn.fm

Music For Dreams Radio Show 9.1.21

Balearic Social

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