For Alex and Jess

Proof-of-concept recording demonstrating Numerology3 being clocked by an analog LFO. You can hear that it locks up pretty well even into audio-rate though there is a bit of latency/tweaking to get everything lined up.

Right Side: One channel of Cwejman VCO2-RM. CV'd by Analogue Systems RS-95 Saw out in LFO mode. (Halfway through, I invert the Saw.)
Left Side: Two note Numerology sequence clocked by RS-95 Square Out (Stack is: Env Follower-&gt;Binary Op-&gt;MonoNote Trigger In-&gt;TAL Elek7o AU)


N3 Follows Asys

A more musical example...
3 voices (2 analog, 1 AU). Two MonoNotes. New Evolve feature is getting pinged by separate Modulation Sequencers. Everything still clocked from the RS-95 but other than that, Numerology is in control. 
It starts with me tweaking Maths slopes, some wave-shaping, filter noodling. Halfway through I mash some buttons on the Launchpad. Towards the end the MonoNote's pitch output gets patched to Silent Way, sending CV back to the RS-95 for controlling the LFO rate.


N3 Follows ASys (Musical Excerpt)

1 Apple DLS synth driven by a MonoNote. 1 Cwejman voice VCA'd by the RS-95 saw out, pitch set by MonoNote to Silent Way. All clocked by ASys RS-95 square out.

I start with LFO duty cycle ~ 50% which seems to confuse the clocking logic, generating random gate bursts. Then I move to 10% cycle and you can hear the sequencers lock up. Again into audio rate but since I'm using the Apple DLS synth and a longer sequence length, you can really hear the pseudo-FM affects/artifacts of running Numerology at insane clock speeds. 

N3 Follows ASys (Duty Cycle Test)

Test recording of a Numerology project based upon Grant Richter's Noise Ring entropy voltage source.

baltimoroder