Summon I

mining

L3ash - Mining

windowseeker 🍂 "Heart" but you reside in an orb

@lukasoppenheimer

But, You Are: Vol. 2

Gather

windowseeker 🍂 "Heart" but you reside in an orb

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produced by @gutttosensit
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mastered by @riedelchristoff
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✩♬ download ✩♬

Gutttosensit -  Condensación

All the profits generated by the sales of this compilation will be donated to the Legal Team Antiraciste fund, which aims at helping the victims of french police violence and their families, fighting against systemic racial discrimination as well as defending their access to fundamental rights.

Huge thanks to Casual Gabberz <3
Mastering by Lorenzo Targhetta
Cover by JB Normand

yynona - pilotstrick

from CLAM016 | SARC

squirming reconnections of sea land creaturing from the grotto to the sky — fossil ferments — … restored forces .. a long forgotten sound . unidentified. power that crashes and crumbles.
the black shoreZ__
Mettle detectors amplified amphibian antagonistic allies **** antidotal audio artillery ** AAAAAA***** -reverse sarcasm- AS SARC CASM - fossil fermented fact annihilation / sceptic-future dissections dwarfed cordiality, contagion reclaimed

Contra-practicality Pro-reactive production

sounds collected and assembled by the 3 headed collaborative project SARC coming both from live sessions & studio recordings captured from DAZE OF VIRUS to NOW. 3 years in the making —

A freeform depiction of primal advanced sonics... Screams and Noises for the brave!!!

SARC = CARS = O. Torr - E. Brandhi - Hexen

FULL ALBUM OUT 18/12/23

clam-pressure.bandcamp.com/album/sarc

@hexenwitch
@elvin-brandi-1
@user-221041418

SARC - WESTGERM1

Berlin-based events organizers and label Creamcake are pleased to announce their latest release, Ludwig Wandinger’s Eat the Rich (Original Score) album (released March 15th 2024) 

Having participated in 3hd: “Let Them Eat Cake” last year, the producer, performer, and visual artist provided music for the festival’s pièce de résistance—a collaborative dramaturgy of performance, conversation, and food called “Eat the Rich.” The two-day banquet held at HAU Hebbel am Ufer was catered by artist and cook Caique Tizzi and named after the political slogan opposing wealth inequality and popularized during the French Revolution. Featuring a number of interdisciplinary artists—with Arvida Byström, Élie Autin, and Cassie Augusta Jørgensen among them—Wandinger’s soundtrack to these evenings of delightful resistance is an exquisite suite of seven MIDI movements, inspired by the event’s luxurious Baroque themes. 

Eat the Rich (Original Score) tumbles in on the 11-minute atmosphere of opener “Flower Still,” its metrical harpsichord-sounding prelude blooming into delicate pads and choral patches that draw the listener into its world of decadence and escape. That track is followed by the ambiguous narrative thrust of structured three-to-four minute numbers, whether in the cyclic breathlessness of “The Jester’s Ritual” or the orchestral ebb of closer “Engouement” (French for “fad”). There’s another extended listen in the menacing swell of “The Lurking Dance,” while a sense of longing and wanderlust is led by a cascade of string samples on “Fernweh Poitrine.” As melancholic as it is hopeful, Wandinger’s compositions reflect on the “Eat the Rich” narratives of death and decay, beauty and power. 

The artist himself is no stranger to the intersensory and interdisciplinary nature of the feast he scored. Working in both the audio, as well as visual fields under the multimedia digital art moniker of “kirschbluetenimwind,” Wandinger has shown his work across Europe and around the world. He often marries these mediums to cross-format, synaesthetic effect, whether it’s in the cover art for his 2021 cassette release on Orange Milk Records, Rooms, or his animation and sound piece “Modern Church,” presented as part of Vienna’s Keyframe digital art exhibition in 2022. Wandinger has also worked extensively scoring a number of choreographer Kianí del Valle’s dance performances, and is one of 16 artists selected to participate in a two-year residency for experimental music festival Monheim Triennale. With releases on labels like Gin&Platonic, and compilations like the Mutants Mixtape series—as well as co-production credits on PAN and Genot Centre—Wandinger’s work is an equal parts spontaneous and intentional organism of rhythm and sound design by a master of his field. 

CC012 

released March 15, 2024 

Artwork by Claire Barrow 
Design by Ludwig Wandinger 
Mastered by Rashad Becker

Buy on Bandcamp

Vivald$

-Compose and produced by @rougeh0tel and balzacc
-Mix by @rougeh0tel
-Cover by Yann Bisso and balzacc

#BLUFFERNATION
#WhyAlwayMe?

Why Always Me?

What You Like

Introduction

Fruit de 10 jours de travail collaboratif dans les studios de l’AMI situés à la Friche Belle de Mai, la sortie de résidence OUT OF THE COMPUTER offrait l'opportunité de découvrir les univers de 5 artistes productrices par le biais de leur lives. Dans l'ordre de passage, Bl0u, DRA8H, Dua Lity, False Self & 4nouki✨

C’est à l’issue d’une résidence de création musicale sous le signe de l’hybridation, de la transdisciplinarité et de l’entraide qu’a eu lieu cet évenement. Imaginé à dix mains, ce spectacle interdisciplinaire répondait à la question : comment faire œuvre en commun ?

🫶 Cette résidence a été conçue et propulsée par @ola_radio, accompagnée par l’AMI et soutenue par le CNM, La région sud, la DRAC, et le département Bouches du Rhones

Crédit photo : Antoine Venco

Why Always Me?

balzacc30

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